Dangos 92 canlyniad

Mae'r ffeil yn cynnwys llythyrau sy'n trafod gwaith yr Academi o ddydd i ddydd dan ysgrifenyddiaeth Bobi Jones, ynghyd a sylwadau ar gyhoeddi Taliesin. Mae'n cynnwys llythyrau gan, a chyfeiriadau at, nifer fawr o lenorion adnabyddus, yn eu plith; R. Gerallt Jones, Iorwerth Peate, Caradog Pritchard, Saunders Lewis, G. J. Williams a D. J. Williams.

The file comprises papers found in the Library of David Jones which was deposited at the National Library of Wales in 1975 (see The Library of David Jones. A Catalogue, 1995). They include galley proofs of 'Religious Enthusiasm' by Christopher Dawson with manuscript corrections by David Jones; University of Wales Press copy of O'Donnell lectures, 'Angles and Britons' by J R R Tolkien, 1963, with manuscript notes by David Jones; 'For the pyre at Oeta' a poem by Harman Grisewood; typescript article 'La reve du Simple Soldat Clitus' translated by Professor Louis Bonnerot; typescript article by Saunders Lewis, 'A note on the asumption', 1951; typescript poem by Mrs I K Moon, 1941; BBC radio broadcast script of 'The dying God' series, 1951; typescript review of Lucerna: studies of some problems in the early history of England by H. P. R. Finberg, 1964; and newspaper cuttings, 1950-1967.

The file comprises miscellaneous manuscript notes and drafts by David Jones, including a poem entitled 'Isys' dated 12 September 1956 (f. 2) and a poem entitled 'The Heart of Time' (f. 3), a complete letter to Sister Ursula, 1967 (f. 21), and to Saunders Lewis, 1967 (f. 22). There is also a proof copy of a poem by René Hague (f. 5).

Autograph fair copies of 'Mewn Gward Ysbyty (Mr Michaeliones)' by E. Tegla Davies, 'Cathod mewn ocsiwn' by Kate Roberts, 'Ni Thawodd y Bytheiaid' by D. J. Williams, all published in Taliesin 1 (1961), and 'Darparu Yng Nghymru', an article by Saunders Lewis, with revision and sub-headings by Gwilym R. Jones, published in Baner ac Amserau Cymru, 5 June 1940, under the title 'Dylifiad Noddedigion i Gymru'.

Letters, 1900-1995, of miscellaneous provenance. Correspondents include A. J. Balfour (1) 1916, W. H. Davies (2) 1912-1913, Lyubov (Aimée) F. Dostoevskaya (1, in French) 1924, Owen M. Edwards (4) 1900-1916, David Lloyd George (4) 1911-1919, Megan Lloyd George (3) 1948-1951, Richard Hughes (6) 1923-1935, Augustus John (7) [1918]-1950, Daniel Jones (2) 1972-1981, David Jones (1) 1966 (discussing some of his paintings), Jack Jones (2) 1938-1939, Saunders Lewis (5) 1951-1965, Wallis Simpson, later Duchess of Windsor (1) 1937, Edward Thomas (1) 1901, and Ralph Vaughan Williams (1) [1940].

A letter, dated 10-11 July 1967, from the artist and writer David Jones, Harrow, to the novelist [Anthony] Powell, mainly discussing Welsh genealogy and history. Jones also refers to the anniversary of his involvement in the battle of Mametz Wood, 10-11 July 1916, the subject of part 7 of his poem In Parenthesis (London, 1937) (f. 16 verso).
The letter contains references to the recent 'David Jones Special Issue' of Agenda, 5.1-3 (Spring-Summer 1967), Powell's television producer and director son Tristram, with whom Jones was acquainted, Kenneth Jackson, Saunders Lewis, and Jones's knowledge of Welsh (all f. 16), and the Eliseg Pillar inscription (f. 16 recto-verso).

One hundred and twenty-four autograph letters, 1959-1974, from painter-poet David ('Dafydd') Jones, all addressed to Valerie ('Elri') Wynne-Williams (née Price), with the exception of two to her husband Michael ('Mihangel') (ff. 54, 112-113) and one to them both (ff. 55-56), discussing a variety of topics including his, and her, health and living conditions, his work, his friends, the Welsh language and Welsh history and politics. Some letters are illustrated with coloured pencil, pen and ink drawings, mainly of animals and flowers (ff. 8, 32, 33, 45 verso, 46 verso-47, 48 verso, 76, 103, 104 verso, 152), inscriptions (ff. 9, 34, 124 verso, 128, 136 verso) and sketch maps of Harrow (ff. 143, 144).
There are references throughout to friends and correspondents including Saunders Lewis (ff. 2-11 passim, 42-188 passim), Harman Grisewood (ff. 4-192 verso passim), René Hague (ff. 42 verso-187 passim), David Blamires (ff. 160, 186, 190 verso, 192), Louis Bonnerot (ff. 123, 186 verso), Tom Burns (ff. 13, 14 verso, 48, 64 verso, 68 verso, 77, 85 verso, 86 verso, 89 verso, 110, 116, 140 recto-verso, 188 verso), Douglas Cleverdon (ff. 68 verso, 160 verso, 162, 163 verso, 187), Aneirin Talfan Davies (ff. 9 verso, 11, 14 verso, 16, 33 verso, 63 verso, 71 verso, 123, 124, 128, 129 verso, 154 verso, 162), Clarissa Eden (f. 107 verso), T. S. Eliot (ff. 51 recto-verso, 62 verso, 67 verso, 69 verso, 71, 73, 74, 85), Gwynfor Evans (ff. 29 verso, 31, 131-192 verso passim), Illtud Evans (f. 6, 11 recto-verso, 37, 46 verso, 57, 61), Arthur Giardelli (ff. 150, 151 verso, 171 verso, 186), Eric Gill (ff. 45 verso, 66, 67 verso, 68 verso, 121), Stanley Honeyman (ff. 84, 140, 154 verso, 159 verso), Morag Owen (ff. 59, 98, 140), Catherine Rousseau (née Ivainer) (ff. 36 verso-127 passim), Stephen Spender (ff. 81 verso-82, 83 verso, 91), Bill Stevenson (f. 158 verso) and Helen Sutherland (ff. 68, 97 verso, 157). There are also occasional references to Desmond Chute (f. 120 verso), Idris Foster (ff. 60 verso, 63 verso), Philip Jones Griffiths (ff. 1, 131), David Lloyd George (ff. 108 verso-109, 127 verso), Megan Lloyd George (ff. 18 verso, 20, 21-22), J. D. Innes (f. 49 verso), Augustus John (f. 85 verso), Alun Oldfield-Davies (ff. 37, 77), Tristram Powell (ff. 142 recto-verso, 144), Caradog Prichard (ff. 19 verso, 77, 108), Kathleen Raine (f. 59 verso), Keidrych Rhys (ff. 6 verso, 8, 9, 16, 30 verso, 36 verso), Meic Stephens (ff. 171, 175), Vernon Watkins (ff. 47, 128 verso), D. J. Williams (f. 106 recto-verso), Kyffin Williams (ff. 49, 63, 77) and R. O. F. Wynne and his family (ff. 61, 62, 63, 64 verso, 67 verso, 81, 94 verso, 96 verso¸ 98, 130 verso), and brief reminiscences of his experiences during the First World War (ff. 70 recto-verso, 76, 79 recto-verso, 108 verso-109, 130 recto-verso, 151 verso, 164). Also included is a copy of his letter, dated 10 August 1959, to Megan Lloyd George (f. 21; for her reply see NLW, David Jones (Artist and Writer) Papers CT3/3, f. 247); cuttings of letters to the Times by David Jones, Valerie Price and others, 1958 (ff. 193-196); and a copy of a 1959 photograph of the two by Philip Jones Griffiths (f. 197). The letter of 23 September 1973 (ff. 178-179 verso) was published under the title 'Yr Iaith' in Planet, 21 (January 1974), 3-5.

Yn cynnwys llythyrau oddi wrth/includes letters from: Alun Oldfield Davies, 1947; Gwilym Prys Davies, 1947; Ithel Davies, 1947; Dr Noelle Davies, 1948 (3); T. I. Ellis, (4), 1947-1948; J. Gwyn Griffiths, 1948; Mari Headley (Ellis), 1947; Gwenallt, 1948; Saunders Lewis, 1947; D. Myrddin Lloyd, 1948; Thomas Parry, 1947; Iorwerth C. Peate, 1947; Delwyn Phillips, (4), 1947; Dewi Watkin Powell, 1947-1948; Kate Roberts, 1948; Ceinwen H. Thomas (2), 1947-1948; Alun Llywelyn Williams, 1948.

Yn cynnwys llythyrau oddi wrth/includes letters from: Dr D. J. Davies (2); E. Curig Davies; Ithel Davies; John Eirian Davies (2); T. Eirug Davies (2); T. I. Ellis (9); Huw Ethall; Rev. E. Lewis Evans; R. E. Griffith (2); Moses Griffith (2); J. Gwyn Griffiths (4); James Griffiths; Kate Bosse Griffiths (2); T. Elwyn Griffiths; A. O. H. Jarman; Parch./Rev. Fred Jones, Talybont; Saunders Lewis (2); D. Myrddin Lloyd; D. Eirwyn Morgan; Rev. J. Dynallt Owen (2); Robert Williams Parry; Iorwerth C. Peate; Mati Rees (5); Beti Rhys; E. Prosser Rhys; Keidrych Rhys (5); Gomer M. Roberts (2); J. Oliver Stephens; Ceinwen H. Thomas; Morris T. Williams (3); W. Nantlais Williams.

Pencil sketches of incidental music, possibly for a television drama entitled 'Blodeuwedd' by Saunders Lewis; and a photocopy of a corrected script of 'Blodeuwedd'.

The file comprises scripts of three broadcasts concerning David Jones and his work: a review of an exhibition of his paintings in Edinburgh, 21 November 1954; a review of The Anathemata, 19 December 1952; and a talks feature entitled 'David Jones', compiled and introduced by Goronwy Rees and with contributions by T. S. Eliot, Saunders Lewis, Nicolette Gray and Gwyn Williams, 29 Oct. 1954, produced by Aneirin Talfan (two copies of the script, one corrected by David Jones).