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Draft of a speech by Paul Silk at Aberystwyth University on the constitutional history of Wales, devolution, relations between the constituent countries of the United Kingdom and the work of the Independent Commission on Devolution in Wales.

Minutes of the twenty-third meeting of the Commission held on 25/26 July 2013.

A papers with the file name "Stephen_Laws__annex.pdf" explaining considerations of relations between legal jurisdictions in the UK.

Mae’r ffeil yn cynnwys un bocs mynegai gwyrdd (ff. 1-320) a ddefnyddiwyd gan Phyllis Kinney o bosibl ar gyfer ei chyhoeddiad Welsh Traditional Music (2011) yn trafod arferion Mari Lwyd, Hela'r Dryw, a chalennig. Mae’r penawdau wedi eu trefnu yn ôl gwlad (Irish, Manx, Shetland, Orkneys, Scotland, England, Wales) ac yn cynnwys y penawdau Cyfri’r geifr, Gŵyl Fair, Hela’r Dryw / Hunting the Wren, Shrove Tuesday, Tri thrawiad, Un o fy mrodyr i, Calennig, Mari Lwyd, a Compass of 3/4/5/6/7.

The Gospel of St Matthew and a compilation, [c. 1120]-[c. 1133], of copies of charters, saints' Lives and other records and literary material relating to the medieval diocese of Llandaf. The text of the earliest charters appears to date from c. 500, and additions have been made up to c. 1619, but the bulk of the historical, legal and hagiographical material was copied and compiled under the auspices of bishop Urban (consecrated in 1107), with the purpose of using the historical and legal record to provide his newly-styled diocese of Llandaf with antecedents that would assist his efforts to convince the papacy of the ancient primacy of the bishopric over its neighbours, Hereford and St Davids, and also to define its position in relation to the metropolitan claims of Canterbury.

Typescript drafts, [1915x1917], of twenty-three poems by Edward Thomas with collation of texts by R. George Thomas (ff. i-vi). They include two copies of ['Words'], one marked 'unamended' (ff. 34-7), and of 'Lob', one marked 'unrevised' (ff. 38-45), and a copy of 'The Combe' (f. 2) signed 'Edward Eastaway'. The typescripts are working copies used by the poet for revision when selecting poems for inclusion in Poems published in 1917 under the pseudonym 'Edward Eastaway'. Nine of the poems were included in that volume.

Twenty-three letters, 1940-1971, from David Jones, artist and writer, to his friend T. F. (Tom) Burns, nineteen of which date from the period 1940-1944 and form a valuable source for the life and work of the writer during the war years. The principal subjects discussed in the others are the history of Wales, the early history of the compass, Malory's Morte Arthur and the writer's experiences in the First World War. Twelve of these letters were printed, wholly or in part, by René Hague in Dai Greatcoat: A self-portrait of David Jones in his Letters (London, 1980).

A volume, [c. 1595], containing some forty-nine pieces of lute music in an unidentified hand, the song titles originally written in a cypher alphabet but these mainly later erased and transliterated (pp. 7, 13-32, 125-136). Transcripts of verse and miscellanea were added, [c. 1621]-[1669], by Thomas Tanat, of Broxton, Cheshire (see introduction to Spencer & Alexander (1978) and Cheshire Visitation Pedigrees 1613 and 1663 (Publications of the Harleian Society, 59 (1909), pp. 233-234, and 93 (1941), pp. 107-108)) (pp. 5-6, 38-105, 179-192).
Ancilliary materials consisting of photocopies, [1960s], of correspondence, 1962-1964, of B. G. Owens, Keeper of Manuscripts at NLW, concerning enquiries about the Lute Book are filed seperately (Brogyntyn MS I.27a); the correspondents include F. W. Sternfeld (f. 1), Philip Brett (ff. 3-4) and Dr Percy Young (f. 15).

Thirty-six volumes of the diaries of John Cowper Powys, being an unbroken series dating from 1930 to 1961. Powys began keeping a diary in June 1929 on his departure from New York on a visit to England (see NLW MS 22807A).
The first two volumes have been edited for publication (see The Diary of John Cowper Powys 1930, ed. by Frederick Davies (London, 1987) and The Diary of John Cowper Powys 1931 (London, 1990)) and the period June 1934 to June 1935 has been published in The Dorset Year, ed. by Morine Krissdóttir and Roger Peers (Kilmersdon: The Powys Press, 1998). A selection of the first eleven years has been published in Petrushka and the Dancer: The diaries of John Cowper Powys 1929-1939, ed. by Morine Krissdóttir (Manchester, New York and Paris, 1995).

Notes on Gareth Jones's travels in Germany. Describes some of the individuals whom he met there including an interview with Albion Ross, a New York Times correspondent newly arrived in Berlin. It also includes an interview with Reinhard Haferkorn, identified in Jones's later newspaper article as "a German professor who had great experience of foreign travel". Even though the inside front cover is dated June 1, 1934, the material included in this diary notebook corresponds with Western Mail articles written in the first week of June 1933 so parts of the notebook may have been written at different times.

Pocket notebook containing rough notes by Gareth Vaughan Jones of his visit to the U. S. S. R. with Jack Heinz in 1931. See alos file B1/6 (Diary - Europe and Russia, 1931).

Papers, [1903]-[1922], of Jack Haines relating to Edward Thomas, comprising: an apparently unpublished holograph book review by Thomas, [?early 1903], entitled 'Pioneers! O Pioneers', reviewing Gerald Stanley Lee, The Lost Art of Reading (New York and London, 1902) (ff. 1-4); a carbon copy typescript of 'The West Wind', being an abbreviated, and otherwise unknown, version of 'The Wind's Song', consisting of the last ten lines only of that poem ('The Wind's Song', composed in April 1916, is No. 110 in The Collected Poems of Edward Thomas, ed. by R. George Thomas (Oxford, 1978), pp. 300-301) (f. 5); a carbon copy typescript of the poem 'Lights Out', written in early November 1916, first published in Edward Thomas ("Edward Eastaway"), Poems (London, 1917), pp. 59-60, and No. 139 in The Collected Poems of Edward Thomas, pp. 366-7 (f. 6); a typescript copy of the poem 'Out in the dark', written on Christmas Eve 1916, first published in Edward Thomas, Last Poems (London, 1918), p. 96, and No. 143 in The Collected Poems of Edward Thomas, pp. 374-5 (f. 7); a manuscript copy, undated and in an unidentified hand, of the poem beginning 'I may come near loving you', first published as 'P.H.T.' in Edward Thomas, Collected Poems (Fifth Impression) (London, 1949) and No. 99 in The Collected Poems of Edward Thomas, pp. 272-3 (f. 8); a letter, [28] June 1915, from Edward Thomas, at Bablake School, Coventry, to Haines, sending a [?typescript] draft of his poem 'Words' (the poem is not named in the letter and is no longer present; Thomas also sent a revised version to Haines on 30 June 1915, see NLW, R. George Thomas (Edward Thomas) Research Papers /1) (f. 9); a letter card, 10 September 1915, from E[dward] T[homas], Balham, to Haines (f. 10); and a letter, [1922], from Helen Thomas, Otford, Sevenoaks, to Haines, discussing her marriage to Edward Thomas and his friendship with Robert Frost, and sending Haines the manuscript now NLW MS 24122B (f. 11-12).

A scrapbook of press cuttings relating to the Prince of Wales's hospital for limbless sailors and soldiers at Cardiff, 1916-1919.

Minute-book, 1914-1918, of the London Welsh Battalion Committee, including related correspondence.

The War diary, 1 December 1915-30 January 1918, of the 15th Battalion of the Royal Welsh Fusiliers.

First World War diary of the poet and essayist Edward Thomas, 1 January-8 April 1917, containing descriptions of army life in England and France, observations on the natural world, and brief accounts of letters sent and received. It also contains the only known draft of Thomas's last poem, 'The sorrow of true love' (f. 29), dated 13 January 1917. The covers and leaves of the diary are heavily creased, suggesting that it may have been in Thomas's pocket when he was killed by a shell on the first day of the Battle of Arras on 9 April 1917. For an edited version of the diary's text, see The Collected Poems of Edward Thomas, ed. by R. George Thomas (Oxford, 1978), pp. 460-481. Three items found loose inside the diary's covers, including a draft of Thomas's poem, 'The Lane' [1916], have been filed as NLW MS 24030iiA.

The diary, 1916-1917, of Edmund Davies, Dyffryn Ardudwy, Merionethshire, containing an account of his service with the 17th Royal Welch Fusiliers during the First World War.
The diary, which begins in April 1916, records postings in France including action in the trenches and ends in February 1917 when the diarist was injured at the Ypres Salient in Belgium. Papers connected with the diary have been filed separately (NLW MS 23060C).

Some sixty-five letters, 1916-1917, from Edward Thomas to his wife, Helen Thomas, giving accounts of his training as an army officer, his departure to France, and experiences at the front until his death.

Notebook, 1916, containing autograph drafts and revisions of twenty-seven untitled poems (ff. 7v-41), all published in The Collected Poems of Edward Thomas, ed. by R. George Thomas (Oxford, 1978), where the manuscript is designated M2 (p. xxiii) and assumed to have been 'used as a working notebook in camp - and in the train. Like M1 [NLW MS 22920A], it gives an admirable example of Thomas's working method as a poet and, according to his letters to Frost, it contains many of the poems he adjudged to be his best'. Also included are the final words of the essay, 'The Pilgrim' (f. 1) (see note below), an apparently unpublished prose dialogue between P., T. and Jehovah (ff. 1 verso-7) and trigonometrical sketches (ff. 29 verso-30 verso).

Diary, 1915-1916, of Ethel Dora Heins (1886-1933) of Brecon, recording her service as a Voluntary Aid Detachment nurse in Alexandria.
A photograph of Heins is on f. 26.