Dangos 2345 canlyniad

Music scores of works to be performed by an orchestra. Includes works for vocal soloists and/or a choir with an orchestra.

Music scores of works for vocal works.

Minutes of the meetings of Cymdeithas Cymry Caerodor (Bristol Welsh Society), and minutes of the Society in its earlier form as Cymdeithas Cymrodorion Caerodor, 1920-2018 (with gaps), mainly consisting of minutes of the General Committee and Annual General Meetings.

Papers, including correspondence and press cuttings, relating to the events and activities of the Bristol Welsh Society, 1948-2019 (with gaps), including term cards; Eisteddfod and Rally programmes; papers relating to the arrangement of events such as the Annual Charity Concerts, St David's Day, and 50th Anniversary celebrations; and papers relating to the arrangement of other activities such as carol services and social evenings.

Music scores of works to be performed by larger ensembles.

The group consists of election addresses, leaflets, circulars and other miscellaneous items, 1905-2019, deriving from the Welsh constituencies and relating to parliamentary general elections, 1979-2019, parliamentary by-elections, 1966-2019, the elections to the European Parliament, 1979-2019, general elections to the National Assembly for Wales, 1999-2016, by-elections to the National Assembly for Wales, 2001-2018, and local (county and district) elections, 1952-2017. There are also files of election materials, 1905-1999, deriving from various localities and containing items from an array of different elections.

Arranged by record type into legal and other papers, many relating to the diocese of Bangor, 1315-[c.1800]; papers relating to tithes, taxes, etc., in the diocese of Bangor, including the parishes of Gyffin and Aber, co. Caern., 1609-1690; letters, 1619-1780, many to John Jones, Dean of Bangor; undated letters, [1689x1743], many to John Jones, Dean of Bangor; poetry, mostly undated; and printed matter, 1654-1841.

Additional estate and family papers relating to Trewern Hall.

Additional estate and family papers relating to Trewern Hall.

Manuscripts In Loose Covers (Folders), relating to railway investments in America, and to several estates, including Hilston Park, Caversham Park and other Crawshay properties.

Arranged into letters to John and Jane Johnes of Dolaucothi, 1763-1782 (L 1-10); correspondence of John Johnes (d. 1815) of Dolaucothi, 1772-1815 (L 11-368); correspondence of Mrs Elizabeth Johnes (d. 1852), his wife, 1778-1852 (L 369-1547); letters to Jane Beek (née Johnes), 1836-1880 (L 1548-1647); letters to James John Charles Beek, her son, 1863-1869 (L 1648-1664); correspondence of John Johnes (d. 1876) of Dolaucothy, 1815-1876 (L 1665-4230); letters to Mrs Elizabeth Johnes (d. 1848), his wife, 1822-1848 (L 4231-4335); correspondence of Charlotte A. M. Johnes (1825-1911), [c. 1848]-1911 (L 4336-5182), correspondence of Elizabeth ('Betha') Johnes (1834-1927), 1842-1925 (L 5183-10700); correspondence of Sir James Hills-Johnes (d. 1919), 1842-1918 (L 10701-10375); letters to Thomas Johnes of Dolaucothi and Hafod, 1726-1802 (L 14376-14387); letters to Augusta Hall, lady Llanofer, 1853-1882 (L 14388-14436); letters to Sir Benjamin Hall of Llanofer, 1855-1858 (L 14437-14450); miscellaneous letters, 1781-[c. 1930] (L 14451-14568); and correspondence notebooks, 1891-1912 (L 14569-14573). The correspondents in L 1-14573 (volumes 1-10 of the typescript schedule of the Dolaucothi Correspondence) are indexed in volume 11, which is available in hard copy only.

Additional papers, [1928x2010], relating to Dylan Thomas known as the Dylan Thomas Poetry Manuscripts, mainly consisting of autograph drafts and worksheets, [1928x2010], of poems by Dylan Thomas, including unpublished juvenilia, 'Elegy', 'In Country Heaven', 'Poem on his Birthday', 'There was a saviour', and 'Letter to Loren'; typescript copies, [1937x1990], including two poems published in The map of love (London, 1939); printed proofs, [1939]-1953, of various poems; and manuscript and typescript poems, [1930x1950], mostly in Daniel Jones's hand, on which they both appear to have collaborated.