Manuscript and typescript drafts, [1951]-[1969], of poetry by Clifford Dyment, consisting mostly of drafts of twenty-six of the twenty-eight dream poems first published in section VI of his Collected Poems (London, 1970), pp. 89-106 (ff. 2 verso, 5 verso, 6 verso, 9-94, 96-104, 106-109).
Also included are a few additional poems, most apparently unpublished; these comprise 'The Found Postman' (f. 46 verso), 'The Trap' (f. 95), 'The Thames' (ff. 105, 108), 'The Crow' (f. 108; published in Fur, Feather and Fin (London, [1968]), p. 71), 'Crucifixus' (f. 109; published in Poems 1935-1948 (London, 1949), p. 22), 'The Worm is near its Victory' (f. 109), 'Strict Life Takes Toll' (f. 109), 'The Shadow in the Corn' (f. 110), 'Harvest' (f. 111), 'The Dumble' (f. 112), 'Landscape' (f. 113) and 'The Off-beat' / 'The Tramp' (ff. 114-115). The presence of a draft foreword (ff. 4-7), notes (f. 8) and title page, 'Poems in the Night' (f. 20 verso), gives an indication of Dyment's intention to publish the dream poems as a separate volume. Most of the poems are listed, in Dyment's hand, on ff. 1-2. Some of the poems are written on the backs of old letters and circulars, as well as fragments of a typescript for his autobiography The Railway Game (London, 1962) (ff. 33-35, 45, 55, 73, 75-76, 81, 92, 96, 99-101, 104, 114-115, versos only) and the beginning of his introduction to the first edition of Robert Greacen's autobiography, Even Without Irene (Dublin, 1969) (f. 4 verso, 12 verso).

Miscellaneous papers of Clifford Dyment, 1951-[late 1960s], comprising the first five pages of a typescript prose story entitled 'She Wanted to Pick Bluebells' (ff. 1-6); a typescript autobiographical fragment entitled 'I / dep. Nottingham (Victoria)', possibly the beginning of his follow-up to The Railway Game (London, 1962), [late 1960s] (ff. 7-9); a typescript page, apparently of a voiceover script for a television programme concerning animals, [?1960s] (f. 10); a manuscript piece beginning 'We are none of us the same person always', [mid 1960s] (f. 11); a rough draft of a poem, [mid 1950s] (f. 12); miscellaneous notes (ff. 13-20), containing references to Turgenev's 'The Torrents of Spring' (f. 14) and to Germany and the Nazis (ff. 15-20); and a letter, 1 April 1953, from E. N. Hogben of the Religious Drama Society apparently concerning Dyment's play 'Mr Everyman' (f. 21).

Gohebiaeth, teipysgrifau a phapurau eraill, 1994-1998, Ned Thomas, fel Cyfarwyddwr Gwasg Prifysgol Cymru, mewn perthynas â Places / Y Man a'r Lle, cyfres o ddeuddeg cyfrol fer (chwech yn Gymraeg a chwech yn Saesneg) a gyhoeddwyd gan Wasg Gregynog. = Correspondence, typescripts and other papers, 1994-1998, of Ned Thomas, as Director of the University of Wales Press, relating to Places / Y Man a'r Lle, a series of twelve short volumes (six in Welsh and six in English) published by Gregynog Press.
Ceir gohebiaeth gydag un ar ddeg o'r deuddeg awdur, Ruth Bidgood, Gillian Clarke, Menna Elfyn, Christine Evans, Nigel Jenkins, Robin Llywelyn, Christopher Meredith, Twm Morys, Myrddin ap Dafydd, Ioan Bowen Rees a Wiliam Owen Roberts, yn ogystal â David Esslemont o Wasg Gregynog. Ceir hefyd ddrafftiau o ysgrifau'r awduron yma, heblaw am Christine Evans and Twm Morys; nid yw'r awdur arall, John Barnie, wedi ei gynrhychioli yn y ffeil. = The correspondents include eleven of the twelve contributors, Ruth Bidgood, Gillian Clarke, Menna Elfyn, Christine Evans, Nigel Jenkins, Robin Llywelyn, Christopher Meredith, Twm Morys, Myrddin ap Dafydd, Ioan Bowen Rees and Wiliam Owen Roberts, as well as David Esslemont of Gregynog Press. Drafts of of each author's contributions are included, with the exception of Christine Evans and Twm Morys; the remaining contributor, John Barnie, is not represented in the file.