Manuscript and typescript drafts by Berta Ruck, [1955]-[1974x1978], of chapters of projected and published autobiographical works, mainly concerned with her life in Wales.
They include a manuscript draft of the first chapter of An Asset to Wales (London, 1970), [?1969] (ff. 1-24); drafts, mainly typescript, of various chapters for projected works entitled 'Welsh Harlequinade' and 'Fanfare for Wales', [1974x1978] (ff. 25-137); a typescript poem entitled 'Stair-case Remorse', [1970x1978] (f. 138); a typescript of various fragments of fiction and autobiographical prose, [1970x1978] (ff. 139-144); a cutting of an article by Ruck, 'A Golden Prince Came to the Castle', [1955] (f. 145); and a cut-out watercolour sketch of a young man (f. 146). There are references to N. C. Hunter (ff. 47-50), Stephen Peet, producer of the 1970 television documentary featuring Ruck (ff. 106-120), and to E. Nesbit (ff. 141-142).

Notebook of Berta Ruck, October 1926-September 1927, containing a journal, mainly of her visits to Le Portel, near Boulogne, October 1926 (ff. 1-6), August-September 1927 (ff. 19-70 verso), and notes for fiction. Some sixteen letters, playbills and other ephemera have been pasted in.
The correspondents include Sir E. Ray Lankester, November [1926]-August [1927] (ff. 9, 64 verso), Edgar Wallace, 8 February 1927 (f. 18 verso), and Rebecca West, [8] July 1927 (f. 58). There are references to Rebecca West (f. 12 verso) and the late E. Nesbit (f. 23), and descriptions of a travelling French theatre company at Le Portel (ff. 30-31 verso, 33 recto-verso, 35, 45 verso-47 verso, 52-53 verso, 56-57 verso, 65), and of a visit to Paris (ff. 24 verso-28). Ink, pencil and watercolour sketches by the author are on ff. 4 verso, 32, 36 verso-37, 38 verso, and a photograph of her is on f. 55 verso. A ticket for a lecture in Pantperthog, 26 February 1895, is on f. 15.

Notebook of Berta Ruck, September-November 1927, containing a journal mainly of her visits to Le Portel, near Boulogne (ff. 1 verso-14 verso), the Côte d'Azur (ff. 31 verso-58 verso), and Paris (ff. 59-68 verso), France, and notes for fiction. Some twelve letters from family and friends, playbills and other ephemera have been pasted in.
The correspondents include Ivor Nicholson, 28 September 1927 (f. 23 verso), and S[alomon] Reinach, 1 October 1927 (f. 24). There are references to Norman Haire (f. 15 verso), the death of Isadora Duncan (f. 9), and Sir Ray Lankester's ill health (ff. 25 verso-26 verso, 31, 34 verso, 47 verso). Also included are ink, pencil and watercolour sketches by Ruck (inside the front cover and on ff. i recto-verso, 3, 4 verso, 7, 8, 10 verso, 28, 40, 57, 65) and photographs of her (ff. 13 recto-verso, 14 verso), and her family (f. 22 verso). The photograph on f. 13 was published in A Story-Teller Tells the Truth (London, 1935), facing p. 276.

Drawings, [1900x1920], by Berta Ruck, including illustrations for publications and rough sketches.
They include ink, pencil and charcoal illustrations, some coloured; the main subjects are children at play, mothers with babies and scenes of daily life, some probably in France and Holland. Two leaves from the children's magazine The Jabberwock, [1905x1907], contain four illustrations by Ruck (ff. 30-31 verso). A portrait of Mrs Patrick Campbell is on f. 7. Also included are some miscellaneous notes (ff. 16, 17, 27 verso).