Ffeil / File 3/3 - Let Paul Robeson Sing

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Let Paul Robeson Sing

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  • 2001-2002 (Creation)

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Material relating to the Let Paul Robeson Sing exhibition, which celebrated the life of African American singer and actor Paul Robeson, including programmes of events; posters; press cuttings; reviews; correspondence; and printed invitation from the Paul Robeson Wales Trust to the launch, 1 November 2001, of Breaking Chains, Making Links, 'a new book of responses to the life of Paul Robeson'.

The Let Paul Robeson Sing exhibition was a component of the Roots exhibition and festival, for which see Roots exhibition and festival.

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See also Exhibitions: Roots exhibition and festival.

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Paul Leroy Robeson, bass baritone singer and actor, was born in Princeton, New Jersey in 1898. Early in his life, Robeson was one of the most influential participants in the Harlem Renaissance, an intellectual, social and artistic revolution which took place in New York's Harlem district during the 1920s, succeeding in making his mark at a time when hostility and racist attitudes towards African Americans was rife. Between 1925 and 1961 he recorded around 276 songs, including Negro spirituals (which he effectively brought into the American mainstream), folk, classical and spoken poetry. He brought dignity and pride to the African American acting profession with rôles in film productions such as Show Boat (1936) and The Proud Valley (1940), the latter filmed on location in the South Wales coalfields, and, in 1943, became the first African American to play the rôle of Othello with a white supporting cast on Broadway. For much of his life, Robeson was active in the field of human rights and social justice, speaking out on behalf of the Civil Rights Movement, the Council on African Affairs (CAA) and the Republican forces in the Spanish Civil War. He was among the first artists to refuse to play live to segregated audiences.

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Some Welsh.

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  • Text: Jazz Heritage Wales Archive 3/3 (Box 9)