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The file comprises a manuscript copy of a poem entitled 'The weeping Queen', with a note in the same hand signed René [Hague] and dated 22 January 1930; a typescript copy of three poems by Harman Grisewood, dated 1931, one entitled 'Rigor'; a typescript copy of two poems, one entitled 'Esurientes' (in an envelope marked 'Harman's Poems'); and a typescript and manuscript copy of an untitled poem. The hand appears to be that of René Hague.

The file comprises an uncomplete typescript paper, principally concerning the Holy Shroud of Turin. The author's name is not noted.

The file comprises a typescript text of an English translation of the letters of Ann Griffiths (1776-1805), the Welsh hymn-writer.

The file comprises a typescript essay by Harman Grisewood entitled 'Why am I still a Catholic?' and dated 16 March 1954.

The file comprises a typescript text of a piece of impressionistic prose by an unnamed author.

The file comprises three manuscript items, not in David Jones's hand, comprising a fragment of Latin prose (possibly an extract from the vita of a saint), a ballad 'The Unquiret [sic] Grave' (see F. J. Child, The English and Scottish Popular Ballad, part III (Cambridge, Mass., 1885), pp. 234-8) and what appear to be notes for a lecture entitled 'David Jones, Himself at the Cave-Mouth (cf. William Blisset, 'David Jones : Himself at the Cave-Mouth', University of Toronto Quarterly, vol. XXXVI (1966-7), pp. 259-273).

The file comprises miscellaneous papers and fragments, including 'The slugs weekly' by René Hague and W. Tegetmeier, 17th July 1960, a pamphlet on Dr Gregorio Maranon, typescript copies of poems, political candidates opinion on Catholic matters, 1950, and a BBC 'Sound News' typescript, 1957.

The file comprises Emblems by Eric Gill, a volume of six wood engravings selected from twelve illustrations made for The Devil's Devices or Control versus Service by Douglas Pepler, 1915. Thirty three copies of this, the second edition, were printed at Ditchling, February 1916. The volume is inscribed by David Jones 'from Eric Gill and Hilary Pepler (the printer of this work) circa 1921, Ditchling common, Sussex'. It has been numbered 'No. 3 Eric Gill'.

The file includes seven pamphlets, many of them presented to David Jones by the author, including The Dance of Earth by William Hayward, Life is a lousy drag by Dominic Milroy, O. S. B., 'Charles Sorley's Bright promise' by J. H. Johnston, 'Words fail me' by Harman Grisewood, 'Les Deux Mains de Dieu...' by Jean Mambrino, 'The trumpets of Tut-ankh-amen and their successors' by P. R. Kirby, and 'Another Damned Scotsman' by Burns Singer.

The file includes ten pamphlets, including The Anglo-Welsh Review, Vol. 9, No. 24; Agenda, July 1960, September-October 1961 (2 copies), February-March 1962, May-June 1962 and September-October 1962 (2 copies); Dock Leaves, Spring 1956, and a signed copy of 'Requiem for a Poet ' by Raymond Garlick, a Dock Leaves Pamphlet (No. 1), 1953. David Jones designed the lettering for the title page of Agenda, which was edited by William Cookson.

The file comprises another set of proofs No. 3, entitled 'Author's Corrections' stamped by the printers '7 April 1937'. It has been corrected by David Jones and returned to the press. Each section is signed 'DJ', with the date '14 April 1937' on Section 2, and with corrections by him in red ink and pencil. There are some comments by René Hague, mostly in blue crayon. Proof No. 7 was made from this.

The file comprises a complete set which is a revise of No. 5. It has been marked by David Jones in ink, pencil and red ink, and includes minor revisions of text. On p. 66 a line is added in the hand of René Hague, which is not in No. 5. This originates in No. 4 and was presumably added by David Jones after the return of No. 5 to the printers. All but four sections are marked by David Jones 'passed for press' at dates between 27 April and 8 May 1937 and 'printed' with stamped dates, presumably of printing, between 29 April and 7 May.

The file comprises two typescript copies of a radio programme entitled 'Theme for poetry: poems by Welsh poets' chosen by Keidrych Rhys, and presented by Robert Speaight. It was broadcast by the BBC Home Service on 8 February 1943, and includes an extract from Part VII of In Parenthesis.

The series comprises a contract for In Parenthesis with Faber and Faber, a copy of the introduction, reviews, publicity, notes and correspondence.

The file comprises a letter from René Hague to David Jones, [May 1937] relating to the In Parenthesis proofs (possibly No. 11); a letter from Coutts bank to Harman Grisewood, 1976, relating to the manuscripts of David Jones which were deposited there, and a carbon copy of a letter from René Hague to Harman Grisewood, 1976, discussing the In Parenthesis manuscripts and proofs.

The file comprises a manuscript draft of the Preface to the Anathemata, numbered 1-43 with gaps by David Jones.

The file comprises a final manuscript text of the Preface to the Anathemata, numbered 1-46 with gaps by David Jones. There is also a list of illustrations, also numbered page 1 and a note by Harman Grisewood.

The file comprises a manuscript draft dated 1949 by David Jones which includes notes for the typist on typesetting. This, combined with A7, is the nearest to the 'final' manuscript which is extant. It is written in black ink and many pages are numbered 5 A-F and 37 A-P, as well as 1-73 by David Jones. The text corresponds to the first four sections and the beginning of section V (pp. 49-61, 84-98, 110-134) of The Anathemata. See AZ for manuscripts that correspond to the missing pages 97-113, and AX and AX-Y for material corresponding to missing pages 61-82 to be inserted on folio 16.

The file comprises a manuscript draft by David Jones written in black ink, which includes markings for the typist. This, combined with A6, is the nearest to the 'final' manuscript which is extant. The text corresponds to part of section V, and all of sections VI-VII except for the last page, (pp. 134-242) of The Anathemata. Many pages at the beginning are numbered 37P by David Jones.

The file comprises a manuscript in pencil of material added to the proofs of the preface, explaining why the notes are printed with the text, and also an acknowledgement dated April 1952. There is also a note by Harman Grisewood (f. 6).