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Manuscript and typescript drafts, [1980x1990], of mostly prose works by Gillian Clarke.

Two pages of a manuscript which appears to be the beginning of a novel by Gillian Clarke.

Papers, 1975-1999 (with gaps), relating to radio and television programmes, most of which were written and read by Gillian Clarke. They comprise scripts, including drafts, together with related correspondence and notes.

Script of the radio poem 'Talking in the dark', 1975, together with manuscript and typescript drafts and related correspondence.

Filming schedule, background information and correspondence, 1981, relating to the television programme 'Poets present', in the general studies series 'Poetry - dead or alive?', which featured Gillian Clarke.

Scripts and correspondence, 1983, relating to the radio series 'Time for Verse' compiled and presented by Gillian Clarke.

Scripts, 1994-1995, of two stories written and read by Gillian Clarke for 'Story Box', namely 'Dylan and the angel' (1994) and 'The magic word-box' (1995).

Script, 1999, of the radio play 'The blue man' by Gillian Clarke, together with related papers and correspondence. Also included are two letters, 1997, regarding other submissions for radio.

Bound typescript of two poems commissioned for radio, 1997, 'Bridgewater' and 'A view from the Bridgewater', written and read by Gillian Clarke. Also included are manuscript and typescript drafts, 1997-1998, of both poems, together with research notes.

Papers, 1972-1999 (with gaps), mainly comprising correspondence relating to, and poems composed during, various writing courses and workshops which Gillian Clarke tutored, organised or attended as guest reader.

Papers, 1975-1983, mostly correspondence, relating to courses held at the Arvon Foundation Centres at Totleigh Barton and Lumb Bank during which Gillian Clarke was a tutor or guest reader. The file includes letters from Wes Magee; Maurice Rutherford (2); Pete Morgan; and Liz Cashdan (2).

Letters, 1979-1982, mostly pertaining to the Creative Writing Weekend at Trefecca College in March 1980, organised by Gillian Clarke.

Correspondence, 1993-1998, including letters from Gillian Clarke, regarding the MA course in Writing at the University of Glamorgan.

Samples of poems, together with related letters, produced by pupils at various primary and secondary schools between 1972 and 1999, having attended workshops tutored by Gillian Clarke. The file also includes papers, 1979-1980, pertaining to her work as poet-in-residence at Radyr Comprehensive School.

Correspondence, 1998, including letters from Gillian Clarke, relating to the poetry masterclass for young people she taught at the Hay Festival. In addition, the file includes poems by those who attended the course, and a typescript anthology of their work entitled 'Five poets in Hay'.

Papers, 1987 and 1994-1995, relating to the book I can move the sea : 100 poems by children compiled by Gillian Clarke (Llandysul, 1996). The file includes correspondence and poems composed by children during workshops held by Gillian Clarke.

Correspondence, 1990-1999, including letters from Gillian Clarke, mainly relating to poetry readings and workshops in which she participated.

Papers, 1907-1984, pertaining to The Anglo-Welsh Review, including typescript copies and galleys of editorials; and correspondence, mainly regarding financial support and material for the journal, together with letters from the previous editor, Roland Mathias, and the reviews editors, John Davies and Greg Hill. In addition, the series contains a photocopy of a typescript index to Dock Leaves.

Typescript copies and galleys of editorials by Gillian Clarke for The Anglo-Welsh Review, 1976-[1984], including related press cuttings, 1974-1981.

Correspondence, 1976-1984, pertaining to The Anglo-Welsh Review, including draft letters by Gillian Clarke and letters from the Directors Gareth and Freda Walters; Sandra Anstey; Meic Stephens (13); Peter Finch; A.J. Heward Rees (2); and Greg Hill. The file also includes statements of income and expenditure and balance sheets of the Dock Leaves Press and The Anglo-Welsh Review, 1963-1974, contents pages, lists of contributors, and fees for contributors.