Dangos 152 canlyniad

A bound volume of transcript letters, containing letters from Molly Williams in the United States to Emlyn Williams in England, 1940-2, 1946; letters from Emlyn Williams in the Middle East to Molly Williams in England, 1944, and letters from Molly Williams in England to Emlyn Williams in the Middle East, 1944.

Scrap-book, 1937-1943. Including: material on Shakespeare's Richard III (ff. 3-6v); Night Must Fall (ff. 7-10v); The Corn is Green (ff. 17-50v, 78-89v and passim); the film of They Drive by Night from the novel by James Curtis (ff. 41-2, passim); The Light of Heart (ff. 53v-62, passim); The Morning Star (ff. 123-142); and including letters from John Gielgud (f. 13); Sybil [Thorndike] (f. 17); J. P. [Mitchelhill] (f. 17); Vera Caspary, addressed to Thomas Jones, CH (f. 35); C[harlotte] F[rances] Shaw (f. 37); Mary T[empest] (f. 47); Harley Granville Barker (f. 52v); Charles B. Cochran (f. 52v); Augustus John (f. 73v); Rudolf Besier (f. 74); Flora [Robson] (copy letter to Eric Barker, f. 77); and Gladys Cooper (f. 131v).

Scrap-book, 1949-1952. Including: material on Montserrat by Emmanuel Robles (ff. 7v-31), Hollywood life (ff. 36-57); Accolade (ff. 64v-80); Dickens tour (ff. 84-132, passim); and including letters from Mary Martin (ff. 12v, 91); Lynn [Fontanne] (f. 23); Vera Caspary (f. 28); Diana [Wynyard] (f. 40); Oliver [Messel] (to Alan Williams, f. 52); Glen [Byam Shaw] (ff. 70, 72); Douglas Fairbanks (ff. 72, 81v); Allan Aynesworth (f. 76); Benjamin Britten (f. 79v); Orson [Welles] (ff. 82, 107v); Noël [Coward] (ff. 84, 88, 91v, 113); Alison Uttley (f. 87v); James Marchant (f. 93v); Monica Dickens (f. 99); Gracie Fields (f. 100); Bette [Davis] (ff. 101, 107); Eric Portman (f. 109); Larry [Laurence Olivier] (ff. 111, 133); and Tallulah [?Bankhead] (f. 127).

Scrap-book, 1952-1957. Including; material on the Dickens and Dylan Thomas tours (passim); Someone Waiting (ff. 30-9); Ibsen's The Wild Duck (ff. 68-75); and letters from Janet Beveridge (f. 3); G[erald] C. Dickens (f. 6); Richard C[harles] D[ickens] Shuckburgh, (f. 8); Nedda and Josh Logan (ff. 14v, 34v); Richard [Burton] (ff. 49, 56); Larry [Laurence Olivier] and Viv[ien Leigh] (ff. 50, 56); Sinéad de Valera (f. 50); Florence Thomas (mother of Dylan, ff. 51v, 89); Yehudi Menuhin (f. 56); Yvonne [Arnaud] (f. 63); Flora [Robson] (f. 72); W. Angus MacLeod (f. 84); Tony [Guthrie] (f. 86v); Kate [Katherine] Hep[burn] (f. 88); Victor Borge (f. 116v); and John [Gielgud] (ff. 56, 132v).

Scrap-book, 1961. Including; material on George and letters from Eliot Hodgkin (f. 2); Alfred [Lunt] (f. 2v); Richard [Burton] (f. 4); Sybil [Thorndike] (f. 6); Blanche Yurka (f. 7); B. S. Fidler (f. 9); Noël [Coward] (f. 9); and Lillian [Gish] (f. 11), together with letters and cards from Miss Cooke, Noël [Coward], Bette [Davis], Edith [Evans], Winifred [Clemence Dane], John [Gielgud] and Hilda Morris, which were loose in the volume and which have been placed in an envelope attached to folio 12. There are many loose photographs and newspaper cuttings in this volume.

The date of the original production of the play is given in brackets.

Typescript, c. 1933.

French published version, adapted by André Roussin, 1955; six typescripts, 1984, together with related correspondence and papers, including letters to and from Tom Courtenay (D14/9-10); a letter from Peter Barkworth (D14/12); and a copy letter from Emlyn Williams to Anthony Hopkins (D14/13).

Unfinished novel, manuscript version and two typescripts, 1919.

Unfinished novel, typescript with manuscript revision, 1920-1, and incomplete manuscript draft.

Play, typescript with manuscript revision, 1933.

Play, two unfinished typescripts, 1959, one with manuscript revision.

Various typescripts, many with manuscript revision, of articles and writings in Welsh and English principally by Emlyn Williams: including a manuscript of The Diggories', c.1922, which Emlyn Williams adapted from Les Femmes Savantes by Molière (E 21/84); typescript, 1926, of the OUDS production ofCountry Life' marked `a musical comedy', 1926 (E 21/85); together with a few undated and incomplete works.

A bound file of articles, broadcasts and writings by Emlyn Williams, including duplicates of some of the articles included in E 21; typescripts for radio and television plays including The Power of Dawn', 1978; typescripts of theRadio Postscript' broadcasts, and published copies of Pepper and Sand (London: Deane, 1948) and Thinking Aloud (London: French, 1946).

Eight Women adapted from the French of Robert Thomas, typescript, 1963.

This group, consisting principally of newspaper cuttings, correspondence and papers, had been arranged prior to its arrival at the Library. This arrangement has not been substantially altered, even though it does not always maintain a strict chronological order. Class I2 includes some similar material.

Reviews and papers, principally relating to the film of the L-Shaped Room, from a novel by Lynne Reid-Banks, in which Emlyn Williams performed with Leslie Caron, and to Emlyn Williams's introduction to The Collected Plays of Emlyn Williams (Random House, 1962).

Reviews of The National Theatre's production of Ibsen's The Master Builder adapted by Emlyn Williams, and including a letter to Emlyn Williams from Larry [Laurence Olivier].