Opus 2: String Quartet No.1 in G
- 1/2
- Ffeil / File
- 1953
Draft score in ink and pencil, dated 23 August 1953, titled Opus 2: 'String Quartet No.1 in G'. The score includes parts for violins 1 and 2, viola, and cello.
Opus 2: String Quartet No.1 in G
Draft score in ink and pencil, dated 23 August 1953, titled Opus 2: 'String Quartet No.1 in G'. The score includes parts for violins 1 and 2, viola, and cello.
Opus 20: Quintet for Piano and Strings
Ink score, dated 25th October 1964, titled Opus 20: 'Quintet for Piano and Strings'. Commissioned for the Aberystwyth Arts Festival 1964, and including parts for violins 1 and 2, viola, cello, and piano.
Opus 17: Variations for Clarinet and Piano (original)
Ink score, dated February-11th April 1963, titled Opus 17: 'Variations for Clarinet and Piano'. Originally commissioned for the Guild for the Promotion of Welsh Music, 1963.
Opus 17: Variations for Clarinet and Piano (facsimile)
Facsimile copy of ink score, dated February-11th April 1963, titled Opus 17: 'Variations for Clarinet and Piano'. originally commissioned for the Guild for the Promotion of Welsh Music, 1963.
Ink score, dated 3rd January-19th May 1962, titled Opus 15: 'Clarinet Quintet'. Commissioned by the Guild for the Promotion of Welsh Music for the Cheltenham Festival, 1962.
Opus 15: Clarinet Quintet (draft)
Draft score in ink and pencil, dated 3rd January-19th May 1962, titled Opus 15: 'Clarinet Quintet' and for performance at the Cheltenham Festival, 1962. The score also includes a typed programme note for the Cheltenham Festival brochure, 1962, signed by David Harries.
Opus 12: Epithalamium for Two Violins (original)
Ink score, dated 11th January 1961, of the work titled Opus 12: 'Epithalamium for Two Violins'. The first page is wanting.
Opus 12: Epithalamium for Two Violins (bound facsimile)
Bound facsimile copy of ink score, dated 11 January 1961, and titled Opus 12: 'Epithalamium For Two Violins'. Dedicated to Edward Bor and Edith O'Hanrahan.
Opus 8 No.2: Three Stanzas for Violin and Violoncello
Ink score, dated February 1959, titled Opus 8 No.2: 'Three Stanzas for Violin and Violoncello'. First composed May-June 1956, with this copy transcribed in February 1959.
Opus 10b: Three Ricerari for String Quartet (bound facsimile with address note)
Bound facsimile copy of score, 1957, titled Opus 10b: 'Three Ricerari for String Quartet', including 'Ricercare 1' (dated 12th January 1957); 'Ricercare 2' (dated 10th May 1957); and 'Ricercare 3' (dated 24th July 1957). The score contains parts for violins 1 and 2, viola, and violoncello.
Opus 10b: Three Ricercari for String Quartet (bound facsimile)
Bound facsimile copy of score, 1957, titled Opus 10b: 'Three Ricercari for String Quartet', including 'Ricercare 1' (dated 12th January 1957); 'Ricercare 2' (dated 10th May 1957); and 'Ricercare 3' (dated 24th July 1957). The score incorporates parts for violins 1 and 2, viola, and violoncello.
Opus 1: Introduction (Quasi Notturno) and Allegro Scherzoso for String Quintet
Ink score with pencil annotations, dated April-May 1952, titled Opus 1: 'Introduction (Quasi Notturno) and Allegro Scherzoso for String Quintet', based on the Welsh folk melodies ‘Hun Gwenllian’ and ‘Hela’r 'Sgyfarnog’. The score includes parts for violins 1 and 2, viola, and cellos 1 and 2. A title note added indicates that this piece was first performed at the University College of Wales, Aberystwyth, March 1953, and was awarded a prize at the National Eisteddfod, Aberystwyth, 1952. Dedicated to Grace Williams.