Dangos 268 canlyniad

Correspondence between Jen Wilson and John Barnie, editor of Planet magazine, relating to Jen Wilson's article 'Wales and Negro Minstrelsy: a socio-cultural interchange 1830-1910', which appeared in the June 2006 edition.

Material relating to an article by Mike Dewe titled 'Oh, Didn't She Ramble! Jen Wilson and the Women in Jazz Archive', published in Planet magazine, 2003, comprising transcribed interview with Jen Wilson and correspondence between Jen Wilson and Mike Dewe.

Material relating to Jen Wilson's article 'Redefining the Sixties Myth: Letters Home to Swansea', contributed to Changing Times: Welsh women writing on the 1950s and 1960s (ed. Deirdre Beddoe, Honno Press, 2003), including annotated draft texts of article; photocopied contents page of Changing Times; and correspondence addressed to Jen Wilson from Honno Press.

Material relating to entries contributed by Jen Wilson to the The Welsh Academy Encyclopaedia of Wales (2008), including agreements for the writing and contribution of entries; notes for contributors; texts of Jen Wilson's entries; notes towards the writing of entries; correspondence addressed to Jen Wilson from editors Nigel Jenkins and Menna Baines; and printed invitation to launch of publication. The Welsh Academy Encyclopaedia of Wales was edited by writer and editor Menna Baines, poet and writer Nigel Jenkins and historian and author John Davies and was published in January 2008. Jen Wilson's contributions to the publication centred around jazz music and jazz musicians.

Material relating to Jen Wilson's article 'Devil's Music, Swansea Clerics and the W.I.', published in Planet magazine, December 1998, comprising draft and fair copies of article; photocopied section of published article; correspondence between Jen Wilson and Planet magazine; and correspondence relating to research material and to copyright of illustrations used within the article.

Annotated text of what appears to be an article titled 'Discrimination in British Jazz: Issues of Race, Class and Gender Between the Wars 1918-1939'.

Material relating to an article by Jen Wilson titled 'A Sociocultural and Historical Perspective, and its relevance to Popular Culture, of the Bed belonging to Haulwen Mary and William John Evans of Swansea, now deceased', published in SWAGMag No. 4 [1995], the periodic magazine of the Swansea Writers' and Artists' Group (SWAG), comprising annotated text of article; copy of SWAGMag No. 4; and letter from Honno Press suggesting Jen Wilson contribute a piece for a forthcoming collection of women's writings (later published as Changing Times: Welsh women writing on the 1950s and 1960s (ed. Deirdre Beddoe, Honno Press, 2003).

Material relating to article by Jen Wilson titled 'Zen and the Art of Thelonious Monk', contributed to On My Life: Women's Writing from Wales (ed. Leigh Verrill-Rhys; Honno Press (1989)), including agreement relating to publication of article; correspondence from Honno Press, the Arts Council of Wales and Seren Press, the latter relating to the inclusion of Jen Wilson's article in A Swansea Anthology (ed. James A. Davies (1996)); reviews; and dust jacket of On My Life.

Text of article by Jen Wilson titled 'Jazzing the Hwyl: Women in Wales and the African American Legacy 1850-1935', which appeared in Women in Jazz/Donne in Jazz (ed. Fondazione Adkins Chiti); Donne in Music, Editore Colombo, International Music Council, Ministero per I Beni e le Attivita Culturali, Universita degli Studi 'Roma Tre' (2008).

Draft article by Jen Wilson titled 'Women in Jazz: Heroines or Victims?'.

Material relating to Honno Welsh Women's Press, in which Jen Wilson was a shareholder, including meeting agendas and minutes; details relating to a day of events to celebrate Honno's eighteenth year of publishing; and correspondence.

Material relating to Swansea Women's History Group, of which Jen Wilson was a member, including a significant amount of material relating to Swansea during the Second World War, with a particular focus on the rôle of women in wartime.

Material relating to Jen Wilson's contribution as tutor at a University College of Wales, Swansea's Department of Adult Continuing Education Day School held at the Welfare Hall, Ystradgynlais titled 'The "Silent Village" Re-Visited'.

Material relating to the DACE (Department of Adult Continuing Education) Big Band course run by Performing Arts tutors Jen Wilson, Cris Haines and others, together with material relating to Jen Wilson's nomination of Cris Haines for an Adult Tutor Award in 2003.

Material relating to Jen Wilson's studies on the MSc (Econ) Women's Studies course at University College of Wales, Swansea's Department of Adult Continuing Education, from which she graduated in 1996, comprising essay text, with tutor feedback; course outline; essay questions; and correspondence confirming Jen Wilson's acceptance of her place on the course.

Material relating to a course titled Ladies Sing The Blues, run by Jen Wilson in her capacity as one of the Performing Arts tutors within University College of Wales, Swansea's Department of Adult Continuing Education.

Material relating to a course titled Blues Women, run by Jen Wilson in her capacity as one of the Performing Arts tutors within University College of Wales, Swansea's Department of Adult Continuing Education.

Material relating to a course titled Women In Jazz, run by Jen Wilson in her capacity as one of the Performing Arts tutors within University College of Wales, Swansea's Department of Adult Continuing Education.

Letter to Jen Wilson relating to a course organised by West Glamorgan Community Service Council titled Home Service, for which Jen Wilson was one of the tutors.

Letter to Jen Wilson relating to a course organised by West Glamorgan Community Service Council titled How To Get Your Message Across, suggesting Jen Wilson as tutor.