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A notebook containing genealogical notes and pedigrees of North Wales families in the hand of W. W. E. Wynne. 'Book No 3' has been deleted from the front cover.

A brief autobiography of Private Thomas Jeremiah of the 23rd Regiment of Royal Welch Fusiliers, possibly written soon after his discharge from the army in 1837 (see f. 74). The volume contains an account of his youth in the parish of Goetre, Monmouthshire, 1797-1812 (ff. 1 verso-8), of his life in the army in England and Belgium, 1812-1815 (ff. 8 verso-27 verso), of marching and foraging for victuals previous to the battle of Waterloo (ff. 27 verso-56) and a detailed account of the battle itself (ff. 56-73 verso).

Over eighty letters in Welsh, 1862-1864, from Corporal John Griffith Jones (1843-1864; born at Penisa'r-waun, Caernarvonshire), 23rd Regiment, Wisconsin Volunteers, to his family in Beaver Dam, Wisconsin, relating his experiences as a soldier with the Union Army during the American Civil War (see Y Casglwr, 33 (1987), 13 and Y Cyfaill o'r Hen Wlad, 28 (1865), 27). Also included are five letters, 1862-1872, from his fellow soldiers to his family; two letters, 1863-1864, to him from his mother, Mary Jones, and his grandfather John Jones, Llanrug, Caernarvonshire; and two letters, 1860-1865, from his grandfather to his father Richard M. Jones. A photograph of Corporal Jones in uniform, purchased with the letters, has been transferred to the Department of Pictures and Maps and a reproduction placed with the letters.

Largely disconnected papers of Edward Thomas, comprising journals, on loose sheets, for 29 August-18 September 1903 (ff. 3-5), 30 December-8 January 1904 (ff. 6-7), 14-20 February 1904 (f. 8), 11 April 1904 (f. 9), 28 September-11 November 1904 (ff. 10-15), 31 December 1909 (ff. 16-20), 18-25 April [1911] (f. 21) and a visit to Paris, [1912] (ff. 22-30); lists of essays sent to publishers, 1899 and 1914 (ff. 1, 35); notes on income, 1908-1916 (ff. 31-34); part draft of a book review, [1913] (ff. 38-40); photographs of Edward Thomas, 1895 (f. 41), and Gordon Bottomley (f. 42).

Over one hundred letters, 1896-1900, from Edward Thomas to Helen Ashcroft Noble, whom he married on 20 June 1899. The letters contain mainly personal news and reflections, notably impressions of his life at Oxford and of visits to Wales; also included are a few draft poems, probably c. 1897 (ff. 297-301).

Diary of Edward Thomas, 12 December 1900-20 October 1901, recording details of books read, letters and articles written, payments for published work, meetings with friends and other personal notes, together with passages of description and personal reflection.

Twelve letters, 1900-1902, from Edward Thomas to Sir Owen M. Edwards, his erstwhile tutor at Lincoln College, Oxford, written shortly after Thomas had left university, their main purpose being to ask for guidance in seeking employment; they also reflect his attachment to Wales and his interest in the Welsh language.

A scrapbook, compiled [1901]-[1909], containing fifty-nine letters addressed to Osmond Williams, 1901-1903, and press cuttings mostly relating to him, 1901-1904, 1907, [1909].
The letters are mostly tipped in between leaves and contain a mixture of congratulations, acknowledgements, routine party business and constituency matters. The correspondents include cabinet ministers, Liberal party supporters and activists in Merioneth, and statesmen including Henry Campbell-Bannerman, 1901, 1903 (ff. 11, 13), Lord Rosebery, 1902 (f. 14), H. H. Asquith, 1902 (f. 17-18), A. J. Balfour, 1902 (f. 25), and David Lloyd George, [1903] (f. 63). The press cuttings relate to his Parliamentary and constituency work and include a colour portrait entitled 'The Champion of the Ladies', [1909] (p. 86). A group of cuttings, 1901-1904, relate to Lieut. Osmond Williams in South Africa (pp. 77-80).

Diary of Edward Thomas, 21 October 1901-12 September 1902, recording brief details of articles and reviews sent out, payments received for published work, and letters received and sent, with short notes of other activities.

Over one hundred and twenty letters, 1901-1913, from Edward Thomas to his wife, Helen Thomas, containing mainly personal news and reflections, including accounts of his visits to Wales in 1910 and 1911, and to Paris in 1912.

Diary of Edward Thomas, 13 September 1902-13 June 1904, recording brief details of articles and reviews sent out, payments received for published work, and letters sent and received, with short notes of other activities and a few longer passages of personal reflection.

Papers, [1903]-[1922], of Jack Haines relating to Edward Thomas, comprising: an apparently unpublished holograph book review by Thomas, [?early 1903], entitled 'Pioneers! O Pioneers', reviewing Gerald Stanley Lee, The Lost Art of Reading (New York and London, 1902) (ff. 1-4); a carbon copy typescript of 'The West Wind', being an abbreviated, and otherwise unknown, version of 'The Wind's Song', consisting of the last ten lines only of that poem ('The Wind's Song', composed in April 1916, is No. 110 in The Collected Poems of Edward Thomas, ed. by R. George Thomas (Oxford, 1978), pp. 300-301) (f. 5); a carbon copy typescript of the poem 'Lights Out', written in early November 1916, first published in Edward Thomas ("Edward Eastaway"), Poems (London, 1917), pp. 59-60, and No. 139 in The Collected Poems of Edward Thomas, pp. 366-7 (f. 6); a typescript copy of the poem 'Out in the dark', written on Christmas Eve 1916, first published in Edward Thomas, Last Poems (London, 1918), p. 96, and No. 143 in The Collected Poems of Edward Thomas, pp. 374-5 (f. 7); a manuscript copy, undated and in an unidentified hand, of the poem beginning 'I may come near loving you', first published as 'P.H.T.' in Edward Thomas, Collected Poems (Fifth Impression) (London, 1949) and No. 99 in The Collected Poems of Edward Thomas, pp. 272-3 (f. 8); a letter, [28] June 1915, from Edward Thomas, at Bablake School, Coventry, to Haines, sending a [?typescript] draft of his poem 'Words' (the poem is not named in the letter and is no longer present; Thomas also sent a revised version to Haines on 30 June 1915, see NLW, R. George Thomas (Edward Thomas) Research Papers /1) (f. 9); a letter card, 10 September 1915, from E[dward] T[homas], Balham, to Haines (f. 10); and a letter, [1922], from Helen Thomas, Otford, Sevenoaks, to Haines, discussing her marriage to Edward Thomas and his friendship with Robert Frost, and sending Haines the manuscript now NLW MS 24122B (f. 11-12).

Diary entries, on loose sheets, for [?22] November [1903] (f. 1), 22-30 November 1905 (f. 2 recto-verso), 24-29 June 1908 (f. 3 recto-verso), and 29 August-16 September [1911] (ff. 4-5 verso), a letter, 1903, to Edward Thomas granting him permission to fish, and a transcript by the poet of the folk-song 'O can ye sew cushions'.

The original manuscript of Edward Thomas, The Heart of England (London, 1906), together with a letter from the author to Jesse Berridge, rector of Little Badow, Chelmsford, [?1913] (f. iii).
The letter was published in The Letters of Edward Thomas to Jesse Berridge, ed. by Anthony Berridge (London, 1983).

A prose piece with the title 'A Castle of Cloud', autograph, 1912, which appeared in a shorter version as 'Cloud Castle' in Edward Thomas's posthumously published collection Cloud Castle and Other Papers' (London, 1922) (ff. 1-6); typescript of the same by Mrs Beryl Thomas (ff. 7-14).

Exercise book once belonging to Edward Thomas, containing autograph drafts, 1914, of two of his earliest poems 'The Mountain Chapel' and 'Birds' Nests', together with a draft, [1915], of 'House and Man'.
'The Mountain Chapel' material, dated 17 December 1914 (f. 2), seems to consist of an initial draft (ff. 1 verso-2, 3, 4), a second draft (ff. 5-6) with further revisions to the opening section only (f. 4 verso), and a final draft (ff. 2 verso, 3 verso) which closely corresponds to the published versions; it was first published in his Last Poems (London, 1918), pp. 62-63. The 'Birds' Nests' material, dated 18 December 1914 (on ff. 7, 8), consists of an early draft (f. 6 verso), a second draft (f. 7) and a final draft (f. 8); the latter is very close to the poem as first published in his Poems (London, 1917), p. 54, with only three substantive variants (lines 3, 7 and 15). The single, revised, draft of 'House and Man' (f. 7 verso) closely corresponds to the other known autograph copy in London, British Library Add. MS 44990, and the version printed in Last Poems (London, 1918), p. 90, except for the omission here of the last line-and-a-half ('…veering about, / A magpie like a weathercock in doubt'). 'House and Man' was first published, with a few variants, in Root and Branch, 1.4 (1915), 59, making it (jointly with 'Intervals') his first poem to see print. In The Collected Poems of Edward Thomas, ed. by R. George Thomas (Oxford, 1978) 'The Mountain Chapel' is poem No. 10 (pp. 44-47), 'Birds' Nests' is No. 9 (pp. 42-43) and 'House and Man' is No. 33 (pp. 104-105); the dating of the first two in the present manuscript suggests the conjectured chronological arrangement of that volume (and also Edward Thomas, The Annotated Collected Poems, ed. by Edna Longley (Tarset, 2008)), is incorrect.

Notebook, 1914-1915, containing autograph drafts and revisions of some twenty-five untitled poems by Edward Thomas (ff. 1v-27), all published in The Collected Poems of Edward Thomas, ed. by R. George Thomas (Oxford, 1978), where the manuscript is designated M1 (p. xxii).

Minute-book, 1914-1918, of the London Welsh Battalion Committee, including related correspondence.

Eleven letters, October 1914, from Edward Thomas to his wife, Helen Thomas, in the form of a journal of his bicycle tour in Hampshire, Wiltshire, Glamorgan and Breconshire, together with an account of his visit to Robert Frost at Dymock, Gloucestershire.

Typescript drafts, [1915x1917], of twenty-three poems by Edward Thomas with collation of texts by R. George Thomas (ff. i-vi). They include two copies of ['Words'], one marked 'unamended' (ff. 34-7), and of 'Lob', one marked 'unrevised' (ff. 38-45), and a copy of 'The Combe' (f. 2) signed 'Edward Eastaway'. The typescripts are working copies used by the poet for revision when selecting poems for inclusion in Poems published in 1917 under the pseudonym 'Edward Eastaway'. Nine of the poems were included in that volume.