Dangos 4316 canlyniad

Deunydd sy'n ymwneud a phrosiect ieuenctid gan gynnwys cais gwreiddiol, adroddiadau cynnydd, astudiaethau achos, a gwerthusiad.

Papurau cyfarfodydd Pwyllgor Cyd Ddyn, gan gynnwys agenda, cofnodion, anfonebau, gohebiaeth: 2010; 2014-15.

Adroddiadau allanol am yr Urdd o wahanol ffynonellau gan gynnwys Comisiwn Bywyd a Gwaith Urdd Gobaith Cymru, ac amrywiol ymgynghorwyr allanol (David Ford, Coopers and Lybrand ac ati).

Memorandum book, 1848-1856, of John Naylor (1813-1889) of Leighton Hall, near Welshpool, the estate he inherited on his marriage in 1846 (see, for example: https://www.leightonnews.com/2013/the-history-of-the-naylor-family-of-leighton-hall/). The inside front cover is inscribed in the hand of Captain Thomas Humphrey Naylor (1890-1966) of Ashton, near Chester, grandson of John Naylor of Leighton Hall, and in the hand of Thomas Humphrey's son, Richard Christopher Naylor of Ellesmere, Shropshire, the donor of the additional papers described here. This item forms part of the 'proof of evidence' submitted by architectural historian Teresa Sladen (see under Evidence with regard to the historic importance of Leighton Hall).

Material relating to the Naylor family of Leighton Hall and to Leighton Hall itself, including newspaper cuttings containing obituaries, birth and marriage notices of family members and accounts of events relating to the Leighton estate and surrounding area, most of which date from the early part of the twentieth century, with one newspaper extract taken from Eddowes's Shrewsbury Journal of 15 August 1855 (newspaper inscribed 'John Naylor Esqr Leighton Hall Welshpool'); Naylor family correspondence, which includes a letter from John Murray Naylor (1888-1969) of Easter Ogil, Forfar, grandson of John Naylor of Leighton Hall, to Dorothy Naylor (née Holt), wife of Captain Thomas Humphrey Naylor (1890-1966), also grandson of John Naylor (see under Memorandum book of John Naylor) and an undated letter from Dorothy Naylor, correspondence between Captain Thomas Humphrey Naylor, his son, Richard Christopher Naylor (see under Memorandum book of John Naylor) and J. N. Naylor and various representatives of art galleries and art auctioneers in relation to art works at Leighton Hall, particularly as regards the sale of Leighton Hall in 1931, correspondence regarding Naylor family graves and memorials in Leighton churchyard and church, together with printed information and newspaper cuttings relating to Holy Trinity Church, Leighton.

Papers relating to the 'Proof of Evidence of [architectural historian] Teresa Sladen to be given on behalf of Montgomeryshire District Council with regard to the historic importance of the Turret Clock with Carillon in the Entrance Tower and the Gasaliers in the Great Hall at Leighton Hall in Montgomeryshire.' Amongst the evidence submitted is a memorandum book belonging to John Naylor (1813-1889) of Leighton Hall, which is described separately (see under Memorandum book of John Naylor); a photocopy of the text forms part of the evidence submitted by Teresa Sladen. Included in the material are letters, 1962, to and from Captain Thomas Humphrey Naylor, grandson of John Naylor of Leighton Hall, and, 1998, 2003, 2005, to and from Captain Naylor's son, Richard Christopher Naylor, great-grandson of John Naylor of Leighton Hall and donor of this additional material (see also under Memorandum book of John Naylor).

1970; 1996-2004.

Erthyglau Cymdeithasiad a Rheolau Sefydlog Cwmni Urdd Gobaith Cymru.

Cynlluniau Corfforaethol 1994-1997; 1998-2001; 2001-2005; 2005-2008; 2008-2011; 2013-2018; 2016-2019. Strategaeth Chwaraeon 2002-2012.

Photocopies (from originals and from printed sources) and typescript and manuscript transcripts of letters and cards to/from Alun Lewis, the correspondents comprising: Jean Gilbert, librarian of the former Pontigny Abbey in Burgundy, France (1938-1939); novelist, poet and literary historian Glyn Jones (1939-1941), the majority of the letters being photocopies of transcripts made by Alun John; Richard Mills ([1939-1941, 1943-1944]) (suggested dates inserted in John Pikoulis's hand), with accompanying notes by Pikoulis, some of which appear to refer to earlier correspondence between Lewis and Mills; poet and man of letters John Lehmann (1940-1943 and undated); Sir Bryan and Lady Renée Hopkin ([1940] (suggested date inserted in Pikoulis's hand)-1942), with annotations and rough notes in Pikoulis's hand; artist and engraver John Petts and his wife, artist, poet and writer Brenda Chamberlain (1940-1944 and undated), with annotations, including suggested dates of letters, in the hands of John Petts and John Pikoulis, with some items annotated by the poet, writer and literary critic Roland Mathias, and rough notes in the hand of John Pikoulis, also a batch of mostly duplicate letters (1941-1944 and undated) from Alun Lewis to John Petts and Brenda Chamberlain which have been annotated with observations in red ink by Roland Mathias (see also note under System of arrangement, below); poet and novelist Lynette Roberts and her husband, literary journalist, editor and poet Keidrych Rhys ([1941],1943 and undated) (suggested date of 1941 inserted by Pikoulis), with rough notes and annotations by Pikoulis; publishing houses Chatto & Windus (1941), Faber & Faber (1941) and Thomas Moult, editor of The Best Poems of 1941 (Jonathan Cape, 1942) ([1941]); photocopies of originals and transcripts of letters between poet, novelist and critic Robert Graves and Alun Lewis (1941-1944), together with related letters to John Pikoulis from Professor Paul O'Prey (1980, 1981) and Louisa Bowen at the Southern Illinois University at Carbondale, Illinois (1982) and rough notes in Pikoulis's hand; Leslie and Bill Sykes (1942 and undated); novelist Llewelyn Wyn Griffith (1942) (see also John Pikoulis: Alun Lewis: A Life (Poetry Wales Press, 1984), p. 306); Professor Bonamy Dobrée (1942); Alun Lewis family members (parents Thomas J. and Gwladys Lewis (undated), uncle and aunt Timothy and Nellie Lewis (undated) and sister Mair Lewis (later Fenn) (1943)) (see also under Gweno Lewis, under Gwladys Lewis and under Other Lewis family members); Wendon Mostyn (aft. Jones) (1944) (this letter is referenced in a 1986 letter to John Pikoulis from Wendon Jones (see under Letters to John Pikoulis from academic and work colleagues of Alun Lewis and from academic institutions)); and poet and editor Seumas (or Seamus) O'Sullivan (undated).

Dates noted are those of original letters, not of photocopying/transcription.

Each envelope marked with correspondent(s') name(s) and date(s) of correspondence.

Note that cross-referencing of names inevitably occurs between friends and acquaintances, military colleagues and academic/work colleagues of Alun Lewis - please refer to all relevant categories.

Ink score with pencil annotations, dated 1956-1961 and titled Opus 10: 'Canticle for Tenor and Piano: Words by 20th-century Anglo-Welsh Poets'. The score is in seven parts: Part 1, 'Lean on the Rail' by Randal Jenkins, dated 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated 16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961.

Facsimile copy of ink score, dated 1956-1961, titled Opus 10: 'Canticle for Voice and Piano', and incorporating 'Words by Twentieth-Century Anglo-Welsh Poets'. Consisting of Part 1, 'Lean on the Rail' by Randal Jenkins, dated 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I Was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; and Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961.

Draft score in ink with pencil annotations, dated 1956-1961 and titled Opus 10: 'Canticle for Tenor and Piano: Words by 20th-century Anglo-Welsh Poets'. The score is in six parts: Part 1, 'Lean on the Rail' by Randal Jenkins, dated 1 - 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated 16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; and Part 7, 'There is No Time' by Raymond Garlick, as a loose page draft pencil partial score, dated 24 January 1961. Part 6 is wanting.

Sgriptiau 'Two Women'/'The Eye of the Wind' (ceir y ddau deitl ar frig un sgript), drama deledu a addaswyd gan J. Mansel Thomas o stori fer Gymraeg gan Dafydd Huw Williams, ynghyd ag amserlenni (call sheets). Dyddir yr amserlenni a'r sgriptiau 8 & 9 Mai 1973.
Methwyd canfod unrhyw wybodaeth pellach (e.e. o ffynhonellau arlein) am y ddrama hon.