Showing 7727 results

A collection of research papers, mostly of the period 1970-80, accumulated by musicologist Joan Rimmer, largely relating to Nansi Richards (Telynores Maldwyn), with some relating to John Parry (John Parry Ddall) and Edward Jones (Bardd y Brenin). The papers include letters, offprints, and manuscript music scores, including one copied in 1895 by W. Ll. Roberts of Penyceunant.

A visitors' book, 1990-1995, of the exhibition 'New Traditions: contemporary Welsh craft / Traddodiadau Newydd: crefftau Cymreig cyfoes' by Charles and Patricia Aithie, which accompanied the Welsh-Yemeni Festival held in Sana, Yemen. Most entries are in Arabic; a typescript containing an English translation is included in the front of the volume. The visitors' book was transferred to NLW among the Charles and Patricia Aithie photographic collection.

Autograph album, 1909-1924 (mainly 1909-1910), also containing verses and illustrations. The name inscribed inside the front cover is M. Evans, Penlan, Pontyberem, who may have been a student at Carmarthen Presbyterian College and Aberystwyth University. Most of the entries are written in English but there are some in Welsh, including verses by Eifion Wyn, Ben Bowen, and Ben Davies.

A dissertation, by the donor, submitted in partial fulfillment of the requirements for the BA History degree at the University of Southampton (13/5/2021), entitled 'You can't make an omelette without breaking eggs: an investigation into the role of Western correspondents and governments in the cover-up of the Ukrainian Famine, 1932-33'. The contribution of the journalist Gareth Jones in uncovering the Holodomor is covered in this study.

Seven typed letters signed (all ‘Megan Lloyd George’) to J.W. Robertson-Scott, editor of ‘The Countryman’ (1942 (2), 1943 (3), 1951 and 1957).

Three letters, dated 1892 and 1901-1902, from Archdeacon D. R. Thomas addressed to P. B. Davies-Cooke of Gwysaney, together with a prospectus for his publication The Life and Work of Bishop Davies & William Salesbury (Oswestry, 1902).

Six scripts, 2016, of the television programme 'Adrian's Election Bites', being interviews between Adrian Masters, political editor at ITV Wales, and leaders of the political parties in Wales, broadcast on ITV Cymru Wales prior to the 2016 Welsh Assembly elections. The leaders interviewed were Alice Hooker-Stroud (Wales Green Party), Nathan Gill (UKIP), Kirsty Williams (Liberal Democrats), Leanne Wood (Plaid Cymru), Andrew R. T. Davies (Conservatives) and Carwyn Jones (Labour).

177 letters, 1915-1918, from Sapper Robert Glynn Griffiths (1898-1991), Royal Engineers, mainly to his parents in Deganwy whilst receiving military training in Bletchley and Birmingham, and in the battlefields of France. Also included is a volume compiled by his son D Geraint Griffith, the donor, entitled: ‘Letters of the First World War from Sapper Robert Glynn Griffiths’, 2009-2015, together with a Welsh version.

Manuscript story, [1896x1908], entitled 'Gibbet or Cross?', by Allen Raine; together with a copy of Carmarthenshire Life (Autumn 2008), including an article 'Allen Raine, a voice from the past' by Carol Byrne Jones.

Cyfrol o gerddi yn llaw Ellis Roberts (Elis Wyn o Wyrfai), [1866]-[1882], yn y mesurau caeth yn bennaf, gan gynnwys beddargraffiadau a chyfieithiad o emynau; cerdd brintiedig i W. R. M. Wynne, a Mrs Wynne, yn dilyn eu priodas, Mai 20, 1891, a cherdd goffa i’w wraig, 1892; copi o’i bregeth a draddodwyd ganddo yn ei wasanaeth ordeinio yn Eglwys Gadeiriol Llanelwy yn 1893; ynghyd â dau lythyr a ysgrifennodd at ei ferch Esther Margaret (‘Essie’), 1894 a 1895 a ‘Marwnad ar ol y diweddar Barch. Ellis Roberts (Elis Wyn o Wyrfai), Llangwm’ gan awdur dienw. = A volume of poems in the hand of Elis Wyn o Wyrfai, [1866]-[1882], mainly in strict metre, including epitaphs and translations of hymns; two of his printed poems: Welcome home. To W. R. M. Wynne, Esq, and Mrs Wynne, after their marriage, May 20, 1891, and In memoriam. My wife, 1892 and a copy of his ordination sermon preached at St Asaph Cathedral, 1893; together with two letters from him to his daughter Esther Margaret (‘Essie’), 1894 and 1895 and an elegy to the poet by an unknown author.

Five printed volumes and a proof copy, 1935-1956, of poetry by Clifford Dyment, all containing annotations, emendations or inscriptions in his hand; together with a small bundle of miscellaneous personal items, 1929-1978.

Two volumes, [2015], comprising ‘A millennium of Clement ancestry’ by Dillwyn Clement bearing the Clement coat of arms with the motto ‘I's gorau ein gorau’. The first file contains the ancestry of the Clement family especially in Wales and the second file is an appendix to the study.

Pedigree and achievement, 1654, of John Edwards (1619-1673) of Stanste [Stansty], Denbighshire, compiled and executed by Randle Holme II, containing thirty-nine other fully painted coats of arms, mostly impaled, tracing Edwards's descent in the male line from Coel Godebog and Cadwalader ap Cadwallon, through their mutual descendant Rhodri Mawr, alongside his paternal grandmother's descent from Morion ap Morgenew, Lord of Dyffryn Clwyd.
The names of individuals, together with additional biographical and genealogical information, are enclosed in roundels, with those of the earliest royal and noble figures being surmounted by crowns, coronets or caps of maintenance as appropriate. The pedigree is mostly arranged as two parallel lines of descent, except the final three generations where other relatives such as siblings and John Edwards's son and stepchildren are recorded, without heraldry. The title, beginning 'The Genealogie or Pedegree of John Edwards of Stanste', is given in a scroll cartouche at the head of the roll; the achievement of John Edwards, with eleven quarterings, is placed at the foot. There are a few additions in a different hand, [?1670s], including notice of the marriage of John Edwards the younger (aged 2 in 1654) to Mary, daughter of the Rev. Robert Lloyd of Llanychan; two sections of text appear to have been altered by scraping away the original ink. The pedigree is an example of Style 3 in Michael Powell Siddons, Welsh Pedigree Rolls (Aberystwyth, 1996), pp. 11-12.

Travel journal, [late 1790s] (watermark 1796), of Richard Cust [stationer and gentleman naturalist, of Westminster and Carlisle], containing his 'Observations on the Picturesque Scenery of North Wales in the Autumn of the year 1783' (ff. 7-73 passim), together with thirteen monochrome wash watercolours of landscapes viewed (ff. 15, 16, 23, 25, 26, 28, 35, 41, 42, 46, 47, 49, 50). The journal primarily describes Cust's impressions of the scenery in terms of the ideals of the picturesque and the sublime; the entries are undated.
As explained in the introductory section (ff. 2-5) the Observations were transcribed by Cust from his original 1783 travel journal, with the illustrations being based on brief sketches. Cust and his unnamed companion(s) travelled by coach from London (f.7) to Llangollen (ff. 8 verso-9), then via Conwy (f. 10) and Bangor (f. 13) to Anglesey (ff. 13 verso-17 verso) and Caernarfon (ff. 19 recto-verso, 22 recto-verso). From there they went on excursions up Snowdon (ff. 24-34 passim) and to [Aberglaslyn] (ff. 34 recto-verso, 37-38) and Llanbenys [Llanberis] (ff. 39-40 verso, 43 recto-verso, 44 verso-51 passim, 54-55 verso), before returning to Conwy (ff. 57 recto-verso, 59-61 verso) and Llangollen (ff. 64-65 verso, 68-69, 70 verso, 72-73). There are descriptions of the castles at Caernarfon (ff. 19 recto-verso, 22 recto-verso), Dolbadarn (ff. 40 verso, 43, 55) and Conwy (ff. 57 recto-verso, 59-60); four of the watercolours also depict Dolbadarn Castle (ff. 41, 42, 46, 47), the others are mostly views of mountains and rocky outcrops. The narrative is incomplete and breaks off after a description of the River Dee at Llangollen (f. 73); additionally, eleven pages have been left blank to provide space for further illustrations (ff. 20, 21, 29, 32, 36, 53, 56, 58, 66, 67, 71, usually with indicative captions written in pencil on the otherwise blank versos).

A manuscript account of an excursion to North Wales and Cheshire, 3-[6] September 1829, by Elizabeth Bower, [of Broxholme House, Doncaster], travelling with her husband John Seddon Bower (f. 1-19).
The couple left Crosby on 3 September and boarded the Prince Llewelyn steam packet at Liverpool (f. 1 verso), sailing along the North Wales coast (ff. 2-5) to Beaumaris (ff. 5-6 verso). They crossed the Menai Bridge (ff. 7-9) and proceeded to Bangor (ff. 9-10 verso), Conway (ff. 12-13 verso) and Chester (ff. 14 verso-18), returning to Liverpool and then Crosby on the [6] September (f. 19). Included are descriptions of Penrhyn Castle, Bangor (f. 11 recto-verso), and Eaton Hall, Chester (ff. 16-18).

A manuscript draft, [1946], of David Jones's introduction to the BBC radio production of his war poem 'In Parenthesis', first transmitted on the Third Programme, 19 November 1946. The draft contains deletions and revisions in ink and pencil in the hand of the author.
This draft is much closer to the script in its final typescript form (see NLW, David Jones (Artist and Writer) Papers LP5/3, ff. vii-x) than are the other extant drafts (ibid, LP5/4, ff. 1-9). The only significant changes that remained to be incorporated are: a new sentence to replace the line at the beginning of f. 2, the loss of a reference to Brittany (f. 2), the truncation of a section on Maximus the Great (f. 2) and a much expanded ending, with a list of four quotes to be taken directly from the book's introduction substituted with the full quotations (f. 3). The introduction was pre-recorded by Jones; the remainder of the programme was performed live by the cast on 19 November, with a live repeat the following evening.

An uncorrected, bound, proof copy, [?April 1937] of David Jones, In Parenthesis: Seinnyessit e gledyf ym penn mameu (London: Faber & Faber Ltd, 1937).
The proof is effectively identical to the three sets used to produce the corrected proofs now NLW, David Jones (Artist and Writer) Papers LP4/4-6, dated 7-17 April 1937; parts of the subsequent revise (ibid, LP4/8-9) were passed for press. In Parenthesis was published in June 1937, corresponding to the date inscribed on the front cover.

Some ninety-nine letters and postcards, 1975-2013, from the poet and local historian Ruth Bidgood, Abergwesyn and later Beulah, Powys, addressed to the Rev. James Coutts, and frequently also to his wife Stevie, discussing her poetry, publications and public readings, her daily life and her family, containing frequent references to friends including Anne Cluysenaar, Angela Morton and A. M. (Donald) Allchin (ff. 1-188, 191-214).
Also included are typescript copies of eighteen of Bidgood's poems and sequences of poems, published and unpublished, [c. 1979]-2014, notably 'Hymn to Sant Ffraed' (ff. 215-225), most given by her to Coutts and a few re-typed by him, and cuttings and photocopies of a further fifteen poems from periodicals, 1983-2002 (ff. 25, 37-38, 52-53, 70, 116, 120, 215-265); typescript drafts, cuttings and photocopies of articles, interviews and reviews, [1978]-2006 (ff. 266-299), including two typescript articles by Donald Allchin (ff. 279-293); and a letter from Bidgood's friend Mary [MacGregor], of Myddfai, to James Coutts, 2 June 2009 (ff. 189-190). Many of the letters were written on the backs of sixty-three of Bidgood's own photographs, so as to resemble postcards; besides these a further twenty-nine of her photographs are also included amongst the letters.

Manuscript journal of a tour of New York State and the Niagara Peninsula, Upper Canada (now Ontario), 15 August-1 September 1816, written by a Welsh Old Etonian, possibly Pierce Wynne Yorke.
The writer and his companion (identified only as Richard, see ff. 18 and 45) leave New York City on 15 August 1816 (f. 1) and travel by steamer and wagon up the Hudson River valley (ff. 1-10 verso) to Albany, staying there 17-20 August (ff. 10 verso-16); they then continue overland, visiting Utica, 21-[23] August (ff. 21-24 verso), the Finger Lakes (ff. 28 verso-33 verso), and Buffalo, 28-29 August (ff. 35 verso, 38 verso). After crossing the Niagara River into Upper Canada they visit Niagara Falls, 29 August-1 September (ff. 40 verso-45), and continue to Newark [Niagara-on-the-Lake, Ontario] on 1 September (f. 45 verso). The volume contains frequent references to their accommodation, travel arrangements and the often unseasonable weather (1816 being the so called 'Year without a Summer'), as well as descriptions of the scenery and flora, agricultural practices, Indigenous Americans, American manners and politics and the effects of the War of 1812. Also included, in pencil, are a verse on Col. Cecil Bisshopp (inside front cover), brief accounts of bills paid (f. i) and mostly illegible notes apparently relating to the contents of the journal (inside back cover). The author is not named but evidently has close connections with North Wales (see ff. 4 recto-verso, 5 verso, 27 verso, 28 verso-29 verso, 45), is an Old Etonian and a schoolfriend of Bisshopp, whose grave he visits at Lundy's Lane, Niagara (see f. 44); Pierce (or Peirce) Wynne Yorke of Dyffryn Aled appears to be the most plausible candidate.

A transcript, 1853, in the hand of Matilda Pasley, of a version of George Owen of Henllys's 'Description of Milford Haven', dated 17 December 1595 (ff. 2-26), together with a note by the transcriber (f. 1).
The manuscript mostly agrees with the texts of Cardiff 2.46 and BL Add. 22623, as published in George Owen, The Description of Penbrokshire, ed. by Henry Owen, Cymmrodorion Record Series, 4 vols (London, 1892-1936), pp. 529-562; where Henry Owen lists minor variations between those two manuscripts the present transcript does not consistently correspond with one or the other. The wording of the title page (f. 2) is significantly different (see Henry Owen (ed.), p. 533), while the section beginning 'For the more ease…' which concludes the other manuscripts is here interpolated on ff. 17-18. A memorandum concerning Owen's methodology for drawing his map of Milford Haven does not appear to be recorded elsewhere (f. 22). The present manuscript is itself copied from an intermediate transcript made at Worsley [New] Hall, Lancashire, on 22 October 1852, by Mary L[ouisa Egerton, Viscountess] Brackley, from the original 1595 manuscript belonging to her father-in-law [Francis Egerton, 1st] Earl of Ellesmere (probably the manuscript now Huntington Library MS EL 1145 (34/B/32)) (see f. 1). In 1853 Matilda Pasley's husband, Sir Thomas Pasley, Bart, was in command of Pembroke Dockyard and the Pasleys became acquainted with Lady Brackley during visits to Stackpole Court, the seat of her father, the 1st Earl Cawdor (see Lawrence Phillips, 'Captain Sir Thomas Sabine Pasley, Bt., R.N., and Pembroke Dockyard, 1849-1854', Mariner's Mirror, 71.2 (1985), 159-165 (pp. 160-161)).