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Letters, press cuttings and other papers, most of them relating to The Welsh Colonising and General Trading Co. Ltd (Cwmni Ymfudol a Masnachol y Wladfa Gymreig) and to Congregational affairs in Wales, etc. The papers include a list of subscribers in the U.S.A., mainly Welshmen, for shares in the Colonising Company, and letters, 1871-1911, from [R. D. Edwards] ('Derfel'), E. Herber Evans ('Herber'), H. Tobit Evans, Thomas Gee, William Grifth (Holyhead), Walter D. Jeremy, D. Ll. Jones (Ruthin, secretary of the Colonising Company), George James Jones (Findlay, Ohio, U.S.A.), J. Spinther James ('Spinther'), Lewis Jones, Michael D. Jones, R. Gwesyn Jones (Utica, U.S.A.), Wm. S. Jones (Swyddfa Baner America, Scranton, U.S.A.), Job Miles (Aberystwyth), Thomas Nicholas, Joseph Parry (Mus. Doc.), Thomas Rees (Swansea), Daniel Rowlands (Normal College, Bangor), Edward Stephen ('Tanymarian'), John Thomas (Liverpool), Robert Thomas ('Ap Vychan'), etc.

A volume containing Welsh poetry in free and strict metres, in the hand of David Evans (Dewi Dysul), Llandysul, Cardiganshire (see W. J. Davies, Hanes Plwyf Llandyssul (Llandysul, 1896, repr. 1992), pp. 253-5), mostly written by himself and relating to local events and personalities. Also included are diary entries, 1839-1872, relating to the weather and agricultural memoranda (ff. 70-81verso, inverted text).
The volume contains a Welsh carol, 1828 (ff. 1-2), Welsh poems sent as Valentines, 1850-1851 (ff. 13, 15, 33), a poem in praise of Llanover Hall, [1860s] (f. 52 verso), a poem in praise of John Hopkins (Ioan Glan Tees), 1863 (ff. 53 recto-verso), a Welsh metrical version of Mother Shipton's Prophecy, 1873 (f. 59), a poem on the death of the son of David Davies (Glan Cunllo), 1867 (f. 55 verso), and a chart of early-nineteenth century Welsh poets compiled by John William Thomas (Arfonwyson), [c. 1840] (f. 74 verso).

Draft of a speech by Paul Silk at Aberystwyth University on the constitutional history of Wales, devolution, relations between the constituent countries of the United Kingdom and the work of the Independent Commission on Devolution in Wales.

Minutes of the twenty-third meeting of the Commission held on 25/26 July 2013.

A papers with the file name "Stephen_Laws__annex.pdf" explaining considerations of relations between legal jurisdictions in the UK.

The pedigree of John Trevor III of Trefalun, in the hand of Wiliam Llŷn (pp. 25-109), and on p. 110 his coat of arms, written in 1569 (p. 26). On pp. 5-21 is his 'Tabl', covering pp. 25-109 only. On pp.1-4 are arms in trick and, on p. 3, draft couplets of a cywydd in his hand; further pedigrees in his hand are on pp. 112-28; on p. 114 is an autograph englyn by him with an anonymous englyn by a contemporary hand.

Cyfrol o achau, cerddi a nodion hynafiaethol, dyddiedig 1766 (ond a luniwyd tua 1763-1769), yn llaw Hugh Hughes (Y Bardd Coch o Fôn), ac sy'n dwyn y teitl 'Llyfr Melyn Tyfrydog [ne]u'r Gell Gymmysg' (t. xxv). Canolbwyntia rhan gyntaf y gyfrol ar achau disgynyddion Pymtheg Llwyth Gwynedd, y mwyafrif yn deuluoedd o Fôn (tt. 1-91; rhestrir y teuluoedd ar tt. xxvii-xxix). Ychwanegwyd arfbais liwiedig teulu Llwydiarth Esgob i gyd-fynd ag ach Hugh Hughes ei hunan ar t. 40. = A volume of pedigrees, poems and antiquarian notes, dated 1766 (but compiled around 1763-1769), in the hand of Hugh Hughes (Y Bardd Coch o Fôn), and entitled 'Llyfr Melyn Tyfrydog [ne]u'r Gell Gymmysg' (p. xxv). Pedigrees of the descendants of the Fifteen Tribes of North Wales, mostly Anglesey families, fill the first part of the volume (pp. 1-91; the families are listed on pp. xxvii-xxix). The coloured arms of the family of Llwydiarth Esgob are appended to the pedigree of Hugh Hughes himself (p. 40).
Cynhwysa'r gyfrol hefyd nodiadau hynafiaethol (t. 97 passim), trioedd a chynghorion (tt. 107-110, 116-119), ynghyd â nifer helaeth o gerddi Cymraeg (t. xiii passim), rhai wedi eu copïo o 'Delyn Ledr' William Morris, Caergybi (bellach BL Add. MS 14873) (tt. xvi, 119), ac eraill o gyfrol Evan Evans, Some Specimens of the Poetry of the Antient Welsh Bards (London, 1764) (t. 182). Ymysg cerddi cyfoes y llawysgrif, ceir rhai gan David Ellis (t. 282), Evan Evans (Ieuan Brydydd Hir) (t. 269), Hugh Hughes (tt. 260, 272, 275), Robert Hughes (Robin Ddu yr Ail o Fôn) (t. 235), a Goronwy Owen (t. 263). Diweddarwyd rhai o nodiadau hynafiaethol y gyfrol mewn dwylo diweddarach, hyd oddeutu 1858 (t. 50). Am restr o gynnwys y gyfrol, yn llaw Hugh Hughes, gweler t. xvii. = The volume also contains antiquarian notes (p. 97 passim), triads and wisdom (pp. 107-110, 116-119), together with a great number of Welsh poems (p. xiii passim), some copied from the 'Telyn Ledr' of William Morris of Holyhead (now BL Add. MS 14873) (pp. xvi, 119), and others from Evan Evans' Some Specimens of the Poetry of the Antient Welsh Bards (London, 1764) (p. 182). Amongst contemporary poems in the manuscript are compositions by David Ellis (p. 282), Evan Evans (Ieuan Brydydd Hir) (p. 269), Hugh Hughes (pp. 260, 272, 275), Robert Hughes (Robin Ddu yr Ail o Fôn) (p. 235), and Goronwy Owen (p. 263). Antiquarian notes of a later period were added to the manuscript, until c. 1858 (p. 50). For a list of the volume's contents, in the hand of Hugh Hughes, see p. xvii.

Twenty-three letters, 1940-1971, from David Jones, artist and writer, to his friend T. F. (Tom) Burns, nineteen of which date from the period 1940-1944 and form a valuable source for the life and work of the writer during the war years. The principal subjects discussed in the others are the history of Wales, the early history of the compass, Malory's Morte Arthur and the writer's experiences in the First World War. Twelve of these letters were printed, wholly or in part, by René Hague in Dai Greatcoat: A self-portrait of David Jones in his Letters (London, 1980).

The journal of Mrs Elizabeth Baker, Dolgelley, 1778-1786. Part I in ten volumes.

The letter book of Mrs Elizabeth Baker, relating to mining ventures in Merioneth, 1770-1775. With printed appeals for contributions towards her relief, 1787-1788, and lists of donors.

A pedigree in roundlets, evidently copied from a roll, from Beli Mawr to Cynan ab Iago of Gwynedd, Tewdwr ab Einion of Deheubarth and Bleddyn ap Cynfyn of Powys (ff. 13-23 verso); an armorial in Welsh, of Pum Brenhinllwyth Cymru and other Welsh arms, painted, two to the page (ff. 24-80). All in the hand of Wiliam Llŷn. Above many of the arms in the armorial the name is written in pencil by a contemporary hand, not that of Wiliam Llŷn. On ff. 81 verso-86 verso are additions in the hand of Siôn Cain. Folios 1-12 verso and 87-102 are blank. The index on ff. 103-106 verso is in the hand of Robert Vaughan.

Diary, 1915-1916, of Ethel Dora Heins (1886-1933) of Brecon, recording her service as a Voluntary Aid Detachment nurse in Alexandria.
A photograph of Heins is on f. 26.

Mae’r ffeil yn cynnwys un bocs mynegai gwyrdd (ff. 1-320) a ddefnyddiwyd gan Phyllis Kinney o bosibl ar gyfer ei chyhoeddiad Welsh Traditional Music (2011) yn trafod arferion Mari Lwyd, Hela'r Dryw, a chalennig. Mae’r penawdau wedi eu trefnu yn ôl gwlad (Irish, Manx, Shetland, Orkneys, Scotland, England, Wales) ac yn cynnwys y penawdau Cyfri’r geifr, Gŵyl Fair, Hela’r Dryw / Hunting the Wren, Shrove Tuesday, Tri thrawiad, Un o fy mrodyr i, Calennig, Mari Lwyd, a Compass of 3/4/5/6/7.

Papers, [1903]-[1922], of Jack Haines relating to Edward Thomas, comprising: an apparently unpublished holograph book review by Thomas, [?early 1903], entitled 'Pioneers! O Pioneers', reviewing Gerald Stanley Lee, The Lost Art of Reading (New York and London, 1902) (ff. 1-4); a carbon copy typescript of 'The West Wind', being an abbreviated, and otherwise unknown, version of 'The Wind's Song', consisting of the last ten lines only of that poem ('The Wind's Song', composed in April 1916, is No. 110 in The Collected Poems of Edward Thomas, ed. by R. George Thomas (Oxford, 1978), pp. 300-301) (f. 5); a carbon copy typescript of the poem 'Lights Out', written in early November 1916, first published in Edward Thomas ("Edward Eastaway"), Poems (London, 1917), pp. 59-60, and No. 139 in The Collected Poems of Edward Thomas, pp. 366-7 (f. 6); a typescript copy of the poem 'Out in the dark', written on Christmas Eve 1916, first published in Edward Thomas, Last Poems (London, 1918), p. 96, and No. 143 in The Collected Poems of Edward Thomas, pp. 374-5 (f. 7); a manuscript copy, undated and in an unidentified hand, of the poem beginning 'I may come near loving you', first published as 'P.H.T.' in Edward Thomas, Collected Poems (Fifth Impression) (London, 1949) and No. 99 in The Collected Poems of Edward Thomas, pp. 272-3 (f. 8); a letter, [28] June 1915, from Edward Thomas, at Bablake School, Coventry, to Haines, sending a [?typescript] draft of his poem 'Words' (the poem is not named in the letter and is no longer present; Thomas also sent a revised version to Haines on 30 June 1915, see NLW, R. George Thomas (Edward Thomas) Research Papers /1) (f. 9); a letter card, 10 September 1915, from E[dward] T[homas], Balham, to Haines (f. 10); and a letter, [1922], from Helen Thomas, Otford, Sevenoaks, to Haines, discussing her marriage to Edward Thomas and his friendship with Robert Frost, and sending Haines the manuscript now NLW MS 24122B (f. 11-12).

Exercise book once belonging to Edward Thomas, containing autograph drafts, 1914, of two of his earliest poems 'The Mountain Chapel' and 'Birds' Nests', together with a draft, [1915], of 'House and Man'.
'The Mountain Chapel' material, dated 17 December 1914 (f. 2), seems to consist of an initial draft (ff. 1 verso-2, 3, 4), a second draft (ff. 5-6) with further revisions to the opening section only (f. 4 verso), and a final draft (ff. 2 verso, 3 verso) which closely corresponds to the published versions; it was first published in his Last Poems (London, 1918), pp. 62-63. The 'Birds' Nests' material, dated 18 December 1914 (on ff. 7, 8), consists of an early draft (f. 6 verso), a second draft (f. 7) and a final draft (f. 8); the latter is very close to the poem as first published in his Poems (London, 1917), p. 54, with only three substantive variants (lines 3, 7 and 15). The single, revised, draft of 'House and Man' (f. 7 verso) closely corresponds to the other known autograph copy in London, British Library Add. MS 44990, and the version printed in Last Poems (London, 1918), p. 90, except for the omission here of the last line-and-a-half ('…veering about, / A magpie like a weathercock in doubt'). 'House and Man' was first published, with a few variants, in Root and Branch, 1.4 (1915), 59, making it (jointly with 'Intervals') his first poem to see print. In The Collected Poems of Edward Thomas, ed. by R. George Thomas (Oxford, 1978) 'The Mountain Chapel' is poem No. 10 (pp. 44-47), 'Birds' Nests' is No. 9 (pp. 42-43) and 'House and Man' is No. 33 (pp. 104-105); the dating of the first two in the present manuscript suggests the conjectured chronological arrangement of that volume (and also Edward Thomas, The Annotated Collected Poems, ed. by Edna Longley (Tarset, 2008)), is incorrect.