Dangos 59 canlyniad

Four notebooks and a series of disbound notebooks and loose leaves, [c. 1900]-[c. 1902], containing parts of a projected first novel by John Cowper Powys comprising substantial drafts of a romance set on the Sussex Downs; together with numerous, shorter fragments of narrative, mainly passages of prolix theological and philosophical discussion, and Rabelaisian fantasy, involving characters based on the author's friends. Also included are heavily worked drafts of unpublished poems (NLW MS 23672E, ff. 57-60 and ff. 135-137 verso, 138 verso, 139 verso-140, inverted text; NLW MS 23673E, ff. 146 recto-verso, 147 verso, 154 recto-verso, 155 verso, 156 verso-60 verso, 161 verso-162, inverted text; NLW MS 23676E, ii, ff. 250 verso-251, 253 verso-255, 259 verso, 260 verso, 261-262 verso, 263 verso, 264 verso-265 verso, 266 verso, 267 verso-268 verso, 269 verso, 270 verso, inverted text); and notes on Shakespeare's The Tempest, Macbeth, Richard III and The Taming of the Shrew (NLW MS 23673E, ff. 148-153 verso, inverted text), possibly for use in Powys's lecturing work.

Manuscripts, typescripts, and press cuttings of poetry, largely in free metres, by John Bryn Evans ('Peiran'), London. The compositions belong approximately to the period 1925-1936. Among the titles are 'Eisteddfod [Genedlaethol] Abertawe 1926', 'Pont ar Fynach (Devil's Bridge)', 'Y Rheidol', 'Yr Ystwyth', 'Nant Peiran', 'Eifion Wyn', 'Aberystwyth', 'Dr. T. Charles Williams', 'Hafod Uchtryd', 'Beriah Gwynfe Evans', 'Yr Athro David Jenkins, Mus. Bac.', 'R. S. Hughes', 'Teifi', 'Strata Florida (Ystrad Fflur)', 'Cadair Idris', 'Sir Ellis Griffith Bart.', 'Islwyn', 'Ceiriog', 'A Tribute to A. G. Prys-Jones', 'Y Prifathro y Dr. Thomas Rees, M.A.', 'In Memory of the late Rev. J. Cynddylan Jones, D.D.', etc.

Two hundred and twenty-nine autograph letters and postcards, and a few Christmas cards, 1873-1903, addressed principally to George Eyre Evans, the material being primarily of Unitarian interest.
Included among the correspondents are Sir Edward Anwyl; Walter de Gray Birch; John Humphreys Davies, Cwrtmawr; David Lewis Evans, Llanybydder; Walter Jenkin Evans, Carmarthen; Rees Jenkin Jones, Aberdare; William Rathbone; and Thomas Francis Roberts. Also included are a copy of a testimonial, 1873, to George Eyre Evans from William Thomas ('Gwilym Marles'); printed poems in English by Evan Ceredig Jones, 1901-1903; and an index to the entire volume prepared by George Eyre Evans in January 1905.

Miscellaneous prose and verse submitted for publication in The Rhyl Advertiser and other papers, adjudications, etc., the contributors including Meredith J. Hughes, Robert Parry ('Robin Ddu Eryri'), John Williams ('Glanmor'), Richard Williams, (Celynog, Newtown), Morris Williams ('Nicander'), Samuel Roberts ('S.R.'), etc.

Notebook, 1905-1907, of T. Gwynn Jones, mostly written in pencil, used by him during his stay in Egypt during the Winter of 1905-6 as a diary and for composing English poetry.
The volume contains diary entries for his voyage to Egypt, 21 October-5 November 1905 (ff. 22 verso, 23-28 rectos only), the beginning of his stay there, in Alexandria, Cairo and Helouan, 6 November-23 December 1905 (ff. 28, 29, 30, 31, 32, 33, 34-37), and the return voyage, 28 April-13 May 1906 (ff. 21 verso-22). Also included are some eighteen poems in English, dated 4 December 1905-6 April 1906, mostly drafts, some crossed through or heavily revised, the majority being love poems to his wife (ff. 2 verso-5, 6, 7-17, 18-19, 20, 21). Some are published: 'The Ferry' (f. 7 recto-verso) in David Jenkins, Thomas Gwynn Jones: Cofiant (Denbigh, 1973), p. 169, 'I saw thee' (ff. 8 verso-9) in ibid., p. 109, and 'A Memory' (f. 10 verso) in the Western Mail, 30 September 1920, p. 4; while 'The Rising Sun' [published as 'Come my love'] (f. 11) and 'I will come to thee' (f. 13 verso) were set to music by Robert Bryan (both scores published 1921). Three further verses, October 1905 and February 1907, are in Welsh (ff. 23 verso-24, 37 verso). Eight pages are written in shorthand (ff. 17 verso, 24 verso-31 verso, versos only), these remain undeciphered by the cataloguer. Jones's travel book Y Mor Canoldir a'r Aifft (Caernarfon, 1912), which relates incidents recorded in the diary, such as the Coptic wedding (ff. 34-35 verso), is based mostly on his letters to his wife rather than on the present manuscript.

One hundred and thirteen letters, cards and telegrams, 1934-1959, from Augustus John to Mavis de Vere Cole (later Mavis Wheeler). They contain personal and family news, including news of their son Tristan, letters of a more intimate nature, instructions regarding paintings and a few letters to Mavis in prison in 1954.
The letters are sent from various locations including his home, Fryern Court, various studios in London and from Provence and Jamaica. Also included are letters from John to A. P. Herbert, 10 September 1954 (f. 132), and to Tony Vivian, September-October 1954 (ff. 133-135), all relating to Mavis' trial. There are sketches by John on ff. 91 verso, 92, and 116 verso, and poems by him on ff. 4, 95-98.

Nine letters, 1934-[1942], from Brenda Chamberlain, writing from Bangor and Tŷ'r Mynydd, to her husband John Petts (ff. 1-18). The correspondence reflects the increasing distance between husband and wife, and includes references to Hugh MacDiarmid (f. 14), local War experiences (f. 15), and a commission for a National Eisteddfod certificate (f. 16).
Also included is a holograph song, 1942, presented by Sydney Burkinshaw to Chamberlain (ff. 19-20), and a printed poem by Chamberlain, entitled 'Christmas Eve' (ff. 21-22).

Two holograph poems and an autobiographical sketch by Peggy Eileen Whistler ('Margiad Evans'), 1952, written for a special issue of Promenade: the weekly review for Cheltenham (no. 3, 26 July 1952). The poems are 'Epitaph' (f. 3) and 'The Shiny Crown' (f. 4). Also included is a printed copy of Promenade (ff. 5-14), including the sketch (ff. 12 verso, 13), 'Epitaph' (f. 14) and 'The Shiny Crown' (f. 14 verso).

A collection of holograph poems, 1953-1956, by Peggy Eileen Whistler ('Margiad Evans'), including 'The Country Churchyard' (1955) (f. 3), 'God's Love' (1953) (f. 4), 'Autumn' ([1956]) (f. 5), 'Bather' ([1953]) (f. 7), 'The Old Name' ([1953]) (f. 8), and 'Cherry Orchard in Bloom' (f. 9).
Other fragments, also in Whistler's hand, include a page of an original play 'Dear Desdemona' (f. 10) [cf. NLW MS 23373E & NLW, Margiad Evans MS 29], and an excerpt from the second part of her unfinished 'Widower's Tale' (ff. 11-14).

A holograph copy of the poem 'Leisure' by W. H. Davies, signed and dated 8 May 1914.
The poem was first published in William H. Davies, Songs of Joy and Others (London, 1911) and thereafter appeared in various collections and anthologies, including William H. Davies, Collected Poems (London, 1916), The Essential W. H. Davies (London, 1951) and The Complete Poems of W. H. Davies (London, 1963). This fair copy was possibly written whilst the poet was in Gloucestershire visiting friends among the Dymock poets (see Selected letters of Robert Frost, ed. by Lawrance Thompson (London, 1965), pp. 122-124).

Manuscript and typescript papers, [?1932]-[c. 1965], of the poet and author Clifford Dyment, comprising poetry, [?1932]-[?1965] (ff. 1-76), and miscellaneous prose, [1948]-[c. 1965] (ff. 77-95).
The poems appear to be mainly unpublished; those which appear in his published collections are 'Mouse' (f. 12) (Straight or Curly (London, 1937), p. 36), 'The Suicide' (f. 35) (Experiences and Places (London, 1955), p. 42), and ff. 46-76 which are drafts, [1955]-[1965], of sixteen out of the twenty-eight new dream poems in section VI of his Collected Poems (London, 1970), pp. 89-102 passim; 'Gedicht voor mijn Verjaardag', [late 1950s] (f. 37), is a Dutch translation by G. K. van het Reve of Dyment's 'Poem for my Birthday' (f. 36). The prose includes a corrected typescript, [1948], of the introduction to Thomas Hood, Selected Poems, ed. by Clifford Dyment ([London], 1948) (ff. 77-88, see also f. 26 verso); a draft letter to Bernard Miles, [early 1950s] (f. 89); and part of an essay on his dream poetry, [c. 1965] (ff. 91-92). Many of the later items are written on the backs of old letters, circulars and other ephemera as well as fragments of a typescript for his autobiography The Railway Game (London, 1962) (ff. 44 verso, 45 verso, 48 verso, 76 verso). A photocopy of the front cover of the original binder is f. i.

Notebook, 1914-1916, kept by Nursing Sergeant Davies of 'C' section of the 130th (St John) Field Ambulance unit, attached to the 38th (Welsh) Division of the British Army. It includes a diary, November 1914-June 1916 (ff. 1-12), describing duties in Britain before embarkation for France on 3 December 1915, and subsequent activities on the Western Front prior to the Battle of Mametz Wood.
A draft application for an army commission (ff. 45, 46 verso) suggests that Sergeant Davies was a native of Carmarthenshire and a former miner. The notebook also contains medicinal recipes (ff. 13-14, 44 verso, 45-6), ration tables (ff. 8 verso-9, 14), and poetry in both English and Welsh (ff. 22 verso-23, 31-44, 49-53). An additional folio, tipped into the volume (f. 16a), contains further diary entries, October 1916, and suggests the existence of a second volume, subsequently lost.

A sample copy, [1929], of part of a projected printed book by Ezra Pound, to be called 'The Complete Works of Guido Cavalcanti', containing also four autograph poems and a prose fragment by Dylan Thomas, [1936]-[early 1940s], and two typescript poems by Vernon Watkins, [c. 1939]. Pound's book was intended for publication in 1929 but was abandoned, with only the first 56 pages printed, when the Aquila Press went bankrupt. The present volume appears to be a sample copy, of which two similar ones are recorded (see Donald Gallup, Ezra Pound: A Bibliography (Charlottesville, 1983), p. 153), consisting of the first two gatherings only (ff. 2-9) and filled out with blank leaves (ff. 10-74). The original Aquila Press fragments were later incorporated into the composite work Guido Cavalcanti Rime, ed. by Ezra Pound (Genoa, [1932]).
The Dylan Thomas poems are 'Then was my neophyte', [1936] (f. 11) (published in Twenty-five Poems (London, 1936), pp. 40-41), 'We lying by seasand', [1937x1939] (f. 74 verso) (first published in Poetry (Chicago), 49.4 (January 1937), 183, and collected in The Map of Love (London, 1939), p. 8), 'Paper and sticks', [early 1940s] (tipped in on f. 12) (first published in Seven, 6 (Autumn 1939), 6, and collected in Deaths and Entrances (London, 1946), p. 23), and 'Once below a time', [early 1940s] (tipped in on ff. 13-14) (first published in Life and Letters Today, 24.31 (March 1940), 274-275; see Collected Poems 1934-1952 (London, [1952]), pp. 132-133); the prose fragment (tipped in on f. 15) is the end of 'One Warm Saturday', [1938], the last story in Portrait of the Artist as a Young Dog (London, 1940), pp. 253-254. The two Vernon Watkins poems, 'The windows', 1939, and 'A bronze head', [c. 1939], are apparently unpublished (tipped in on ff. 16-17). A dried leaf found loose within the volume has been placed in an archival sleeve.

A holograph copy, [1910s], of 'A Boy's Sorrow', an apparently unpublished poem of two eight-line stanzas by W. H. Davies.

Some one hundred and forty letters, 1948-1997, in English and Welsh, to John Elwyn from various correspondents (surnames S-W), both personal and work related.
The correspondents include Christopher Sandford, 1953 (ff. 12-13), Meic Stephens, 12 December 1995 (f. 22), Winifred Coombe-Tennant, 19 February 1948 (f. 33), Dewi-Prys Thomas, 1977-1978 (ff. 36-37), David Tinker, 1967 (ff. 44-45), John Ward, 1967-1992 (ff. 75-78 verso), George Weber of Edmonton, Alberta, 1987-1994 (ff. 81-97 verso), Sir Huw Wheldon, 1961, [?late 1970s] (ff. 116-118), Phillip Whitfield, 1991-1996 (ff. 119-146 verso), the Rev. G[wilym] O[wen] Williams, 20 February 1952 (f. 158), Kyffin Williams, [1960s]-1995 (ff. 161-167), Stan Williams, [?early 1990s], (f. 171), and the Royal Cambrian Academy of Art, 1965-1967 (ff. 148-153). Also included are draft letters from John Elwyn (ff. 53, 58 verso-59 verso, 63 verso, 100) and drafts of two poems by Phillip Whitfield, 1991-1992 (ff. 124, 127, 129, 131, 134, 138, 141), with a translation into Welsh of one of them [?by John Elwyn], [?1992] (f. 147).

Notebook of Berta Ruck, October 1931-August 1932, containing journal entries, including an account of her stay in Vienna, October-November 1931 (ff. 2-31), notes for fiction, verses and sketches by the author and a record of her dreams. Some twenty-seven letters, postcards and telegrams from family and friends, photographs, cuttings and other ephemera have been pasted in.
The correspondents include Oliver Onions, [October 1931] (f. 21), Doris Langley Moore, December 1931-February [1932] (ff. 53, 87), Marie Belloc-Lowndes, [1932] (f. 54 verso), Marda Vanne, [1932] (ff. 70 verso, 76a), and Ferdinand Deutelmoser, October 1931, April 1932 (ff. 73, 91). The volume also contains ink sketches (ff. 60, 70, 71, 81 verso) and verse (ff. 47 verso, 66, 68, 93 verso) by Ruck, and a German translation by Deutelmoser of another of her verses (f. 25 verso).

Miscellaneous papers of Berta Ruck, 1902-[early 1970s], including autograph and typescript drafts of verse, [1920s]-[1930s], many in multiple copies (ff. 1-123); lecture notes, [c. 1935]-[c. 1945] (ff. 124-224); a short story, 'April Folly', [c. 1935], apparently related to her novel Half Past Kissing Time (London, 1936) (ff. 225-248); and some thirteen letters to the author in English and German, [1903x1904]-1971 (ff. 264-283).
The correspondents include Clement Scott, [1903x1904] (f. 264), Marda Vanne, 9 October 1936 (f. 280), Harold Nicolson, 14 June 1962 (f. 281, on the death of his wife, Vita Sackville-West), and Quentin Bell, September 1971 (ff. 282-283, concerning his biography of Virginia Woolf); there are also three letters, 1929, from 'Harry', her Austrian lover (ff. 265-272, mostly in German). Also included are two leaves from Ruck's journal, June 1930 (ff. 249-250); reminiscences, [early 1970s], of Lydia Lopokova (ff. 251-259) with a photograph of her, [?1920s] (f. 260); press cuttings of an article by Ruck, September 1936 (f. 261), and of two articles relating to Virginia Woolf, 1972 (ff. 262-263); W. R. Oliver's school report at Shrewsbury School, 1929 (f. 284); programme for 'My Lady Molly' at the Lyceum Theatre, Edinburgh, 1902 (ff. 285-286); and page proofs for Chapter 8 of A Smile for the Past (London, 1935) (ff. 287-292).

Diary of Raymond Garlick containing entries for the period 8-22 July 1990, kept during a two week cruise, mostly of the Baltic (ff. 1-51, text on rectos).
The ship called at Amsterdam, Netherlands (ff. 7-8), Leningrad (ff. 19-27) and Riga, USSR (ff. 33-36), Visby, Sweden (ff. 37-39), Copenhagen, Denmark (ff. 40-42), and Oslo, Norway (ff. 43-45). Also included are an incomplete draft of the poem 'Leningrad', dated 18 July 1990 (ff. 77 verso-8) and an apparently unpublished poem entitled 'At the Winter Palace', dated 14 July 1990 (ff. 78 verso- 9).

Notebook of Berta Ruck, Aberdyfi, May 1945-December 1946, containing journal entries including comments on the end of the Second World War and its aftermath and notes for fiction, especially the novel Surprise Engagement (London, 1946) (here called 'They are engaged', ff. 27-73 passim). Some one hundred and forty-six letters, cards and telegrams, mostly from family and friends, January 1945-September 1946, cuttings and other ephemera have been pasted in.
The correspondents include Tony Thorne, January 1945-March 1946 (ff. 4 verso, 12 verso, 17a, 26 verso, 44, 56 verso, 65 verso, 73verso-74 verso, 75 verso, 79 verso), Miriam L. Rothschild, 4 January 1945 (f. 6), Ronald Staples, May-June 1945 (ff. 6, 10 verso), J[oseph] P[eter] T[horp], 6 June 1945 (f. 10 verso), Alec Waugh, July 1945-April [1946] (ff. 22, 75 verso, 80), Vicki Baum, 20 August 1945 (f. 24 verso), Bernard Darwin, 28 August 1945 (f. 26a), Oliver Onions, September-December 1945 (ff. 34, 35, 59 verso), A. E. Chesterton, 26 October 1945 (f. 41), Nancy Rodd [ie. Mitford], 12 January 1946 (f. 43 verso), Gwen Ffrangcon-Davies, [11 November 1945] (f. 52 recto-verso), Marda Vanne, 11 November 1945 (f. 53), Osbert Sitwell, November-December 1945 (ff. 54 verso, 58 verso), Maurice Bowra, 22 December [1945] (f. 60 verso), Hermon Ould, 11 March 1946 (f. 74), Esmond Knight, [1946] (f. 75 verso), Ivor Brown, 20 August 1946 (f. 83 verso), Ambrose Heal, 16 September 1946 (f. 87), and C. A. Lejeune, 24 May [1946] (f. 89 verso). The volume contains references to the deaths of her friends Ménie Muriel FitzGerald (f. 1) and Edith Heal (f. 87), and conditions in London after VE Day (ff. 7, 8); also verse (f. 46) and an ink sketch (f. 51 verso) by Ruck. Pasted into the volume are 1945 General Election leaflets for Merioneth (ff. 17, 20 verso, 22), and photographs of Gwen Ffrangcon-Davies and Marda Vanne (f. 86).

Notebook of Berta Ruck, July-August 1931, containing journal entries and notes on her visit to Vienna and Carinthia, Austria. Four letters, March 1931-September 1932 (ff. 10 verso, 18, 28, inside back cover), photographs and postcards, playbills and other ephemera have been pasted in.
The volume contains a photograph of Ruck (f. 15) and verse by her (ff. 1 verso, 4 verso). There are fragments of text on the stubs of ff. 13-14, 16-17, 21-28 and on the unfoliated stubs between ff. 17 and 18.