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Correspondence comprising letters and cards sent between Gwyneth Lewis and friends, family, colleges, editors and other writers concerning personal, social and literary matters, including the performance and publication of her work, her posts at Girton and Stanford, together with associated press cuttings and poems by Dannie Abse and others, as well as a letter to Gwyneth Lewis’s parents from her aunt and uncle containing press cuttings, letters, cards, notes and ephemera relating to her life and career, including a typescript copy of her poem 'Bri'.

Correspondence comprising letters, emails and cards sent between Gwyneth Lewis, friends, publishers, agents, literary associates, members of the public, academics, colleges, archival institutions, family, neighbours, commercial companies, local councils and road safety enforcement bodies concerning literary, professional, social, personal and domestic matters including the publication and performance of her work in a variety of formats, reaction to her work (notably Two in a Boat, Sunbathing in the Rain and A Hospital Odyssey), a job reference for a fellowship at Stanford written for her by the editor of Poetry Review, her relations with agents, her research, the problems of translation, a letter composed by her to John Milton (1608-1674), the registration of four of her published works under public lending right, the transfer of her papers to an archive, the sale of an antique by her to Girton College, Cambridge, literary prizes, and the work of other poets, as well as a letter to Gwyneth Lewis’s parents concerning a family friend, together with related offprints, photocopies and forms. The paper on which some of the emails are printed comprises documents relating to insurance for Gwyneth Lewis’s yacht ‘Jameeleh’.

Correspondence including emails, letters and cards between Gwyneth Lewis, friends, agents, publishers, academics, other writers, universities, festival organisers, broadcasters, readers of her work and members of her family concerning personal, social and literary matters including the writing, quality, impact, publication and performance of her work, her research (notably on birdsong, genetics and physics), her collaborations with others, depression, college fellowships, her life at Stanford, health insurance in the USA, and her status as a former National Poet of Wales, with related press cuttings and publicity material for literary events, as well as publishers’ proofs of ‘A Hospital Odyssey’ with manuscript emendations by Gwyneth Lewis, a typescript copy of an introductory address given by her at a poetry reading by Paul Muldoon, manuscript notes and personal memoranda by her, photographs (mostly printed from emails) relating to her family and work, menus of meals held in honour of Gwyneth Lewis and others, and a typescript draft of the poem ‘Roe vs Wade’ by C.K. Williams. The paper on which some of the emails are printed comprises: documents relating to health insurance in the USA; and a completed form relating to a submission for the Arts and Business Cymru Awards on behalf of a youth arts project.

Letters, cards and email correspondence between Gwyneth Lewis, friends, publishers, agents, colleagues, academics, family, universities, government agencies, funding bodies, event organisers, artists and readers of her work concerning literary, social, personal and broadcasting matters, including the creation, publication, performance, translation, sales and impact of her literary work, her research, her literary collaborations and appearances, depression and illness, her inscription for the Wales Millennium Centre, her tributes to other writers, family news, fellowships at Girton College, Cambridge, and the Radcliffe Institute for Advanced Study at Harvard, and the potential purchase of her archival papers, together with draft letters from Gwyneth Lewis, a typescript draft of the introduction to her verbal presentation on ‘The Health of Poetry’ and manuscript notes and memoranda relating to her work, and manuscript notes by her on typescript poems by George Szirtes, as well as related press cuttings, forms, booklets and event schedules, and also email printouts of family photographs, a short typescript essay by an unidentified author on Welsh attitudes to Ireland, a funeral address relating to her uncle in the United States, and a draft letter from Leighton Denver Davies to the Mountain Ash Golf Club. The paper on which some of the emails are printed comprises: letters and documents concerning listing agreements, insurance and radio licensing, 2001-2007, relating to Gwyneth Lewis’s yacht ‘Jameeleh’; a copy of parts of her CV; printouts of parts of 'A Hospital Odyssey'; copies of work sent to her by Tom Bullough and C. K. Williams; a proof copy of part of Byron Rogers, The man who went into the West: the life of R.S. Thomas (Aurum : London, 2007); a completed form relating to a submission for the Arts and Business Cymru Awards on behalf of a youth arts project; and other literary miscellanea, as well as part of a typescript report on the use of the Welsh language, reports and statistics concerning the media in Wales, and an equipment list relating to a trip to Lundy.

Letters and postcards to Gwyneth Lewis from Les Murray concerning their writing, notably Y Llofrudd Iaith, Sunbathing in the Rain and Two in a Boat, and also their careers and the publication of Gwyneth Lewis's poetry in Quadrant magazine; other topics include wider issues of literature, culture and philosophy, as well as depression, health, travel, and a wide range of personal, professional, family and social matters, with associated photographs and annotated typescript copies of Les Murray's own poetry.

Letters and cards to Gwyneth Lewis from friends, family, writers and universities concerning personal, social, family, literary, artistic, medical and academic matters, including her published work and her fellowships at Harvard and Girton College, Cambridge, as well as projects in which she took part, together with a proof copy; also included are cards from Gwyneth Lewis to Leighton Denver Davies and a letter to her parents from friends concerning her ordination into Gorsedd y Beirdd, with related photographs.

Accounts, invoices, receipts, forms, correspondence, agreements, reports, applications and associated ephemera relating to Gwyneth Lewis's professional and personal financial affairs, notably her earnings, expenses, tax, contracts, rights, publications, engagements and projects (including 'A Hospital Odyssey' and 'Poetry and the Body'), and also bursaries and awards, as well as her yacht 'Jameeleh' and domestic bills.

Correspondence between Gwyneth Lewis and family, friends and colleagues concerning domestic, social and literary matters, including a poem written by her for Leighton Denver Davies during an illness, together with invitations to the openings of the National Assembly for Wales and the Wales Millennium Centre, a draft copy of a book by Alistair Peebles based on a project in which Gwyneth Lewis participated, programmes for literary and musical events and the opening of the National Assembly for Wales, publicity material from publishers and the Wales Millennium Centre, photographs, a copy of a published cartoon strip, and material sent to Leighton Denver Davies wishing him good health.

Letters and cards to Gwyneth Lewis from friends, family, writers and colleagues concerning personal, social, family, literary and artistic matters, including her creative work and travels on 'Jameeleh' and also a typescript poem ('La jongleuse') dedicated to her by Tony Conran, as well as cards from Gwyneth Lewis to Leighton Denver Davies and a letter written by her to her parents while at sea, and related photographs and notes.

Papers relating to Gwyneth Lewis’s volume of poetry in Welsh entitled Sonedau Redsa a Cherddi Eraill, including: manuscript and typescript drafts and proofs of poems for the collection (including ‘Hwiangerdd’, ‘Yr Unben’, ‘Hoff Freuddwyd yr Athro Hanes’, ‘Cofio Brwydr Corregidor’, ‘Carcharor Gwleidyddol’, ‘Angladd Aquino’, ‘Mrs Aquino’, ‘Ymladd Ceiliogod’, ‘Prynu Pleidleisiau’, ‘Trechu’r Tanciau’, ‘Gweddi am Heddwch’, ‘Cwymp Marcos’, ‘Palas Marcos, Talisay’, ‘Anrheg Redsa’, ‘Y Milwr’, ‘Dameg y Ferch Chwithig’, ‘Genedigaeth y Bardd’, ‘Cân y Plentyn Undydd’, ‘Adeste Fideles’, ‘Y Gitarydd’, ‘Wrth y Rhyd’, ‘Dyfed’ [not published in this collection], ‘Emyn y Canmlwyddiant’, ‘Iolo Morganwg’, ‘Gwneuthurwr Mapiau’ [published in Cyfrif Un ac Un yn Dri] and ‘Bro Ceridwen’); typescript drafts of some of the same poems, including variations, submitted by Gwyneth Lewis in eisteddfod competitions, with manuscript emendations; manuscript copies of English versions of some of the same poems (including ‘Lullaby’, ‘The History Teacher’s Favourite Dream’, ‘Remembering the battle of Corregidor’, ‘Political Prisoner’, ‘Buying Votes’ and ‘A Prayer for Peace’), with emendations by Gwyneth Lewis; a copy of the agreement between Gwyneth Lewis and Gwasg Gomer relating to publication of the volume, and correspondence between them concerning production and sales; letters from friends and colleagues concerning the poems and translations of them into English; a typescript report on Sonedau Redsa for the Welsh Books Council; a letter from Gwyneth Lewis to Cyhoeddiadau Barddas concerning preparations for the publication of a selection of her Welsh poems entitled Tair Mewn Un: Cerddi Detholedig (taken from her previously published volumes including Sonedau Redsa, Cyfrif Un ac Un yn Dri and Y Llofrudd Iaith), especially the cover design and foreword; and related notes and press cuttings.

Correspondence between Gwyneth Lewis, agents and friends concerning Sunbathing in the Rain: a cheerful book about depression,
including the development of the book and reactions to its publication, as well as literary, personal and social matters, together with copies of press reviews of the book and interviews about it, guest lists for the launch, publicity material, a published copy of the book and a published extract from it, and related notes.

Letters and cards to Gwyneth Lewis from friends, family, agents, writers and colleagues concerning personal, social, family and literary matters, including a typescript copy of a poem ('Flood') by Gillian Clarke, and also cards from Gwyneth Lewis to Leighton Denver Davies and cards to him from relatives, with related press cuttings..

Letters, agreements, accounts, statements, receipts, invoices, claims and notes concerning Gwyneth Lewis’s earnings, expenditure and tax returns as a writer (outside of her salaried work for the BBC) in collaboration with literary, educational, cultural, academic, publishing and broadcasting organisations and agents, with particular regard to her published volumes of poetry and prose, contributions to journals and academic works, research, readings, talks, conference and festival contributions, shows, media work, translation work and lyrics to be set to music, as well as her financial savings and investments.

Letters and cards to Gwyneth Lewis from friends, family, agents, writers and other literary associates concerning personal, social, family, literary and artistic matters, including a manuscript poem ('A birthday') by Gillian Clarke and an invitation to attend a reception for the arts at Windsor Castle, with related photographs, press cuttings and ephemera.

Letters to Gwyneth Lewis from R.S. Thomas and his wife, Betty, concerning developments in their respective literary and personal lives, as well as wider literary matters; also included are letters relating to an interview with R.S. Thomas conducted by Gwyneth Lewis and Peter Robinson at Jesus College, Oxford, together with two typescript copies, one with manuscript amendments, of the interview in which he discusses his work and his views on poetry and its relationship with prose, religion and language.

Manuscript and typescript drafts with emendations by Gwyneth Lewis of published and unpublished poems by her, including 'Melangell Variations', 'Cân y Gofotwr', 'Er Cof am Hugh Williams', 'The Reference Library', 'Coconut Postcards', 'Midwinter Marriage', 'Annunciation', 'A Calm', 'A Golf Course Resurrection', 'Opening the Tomb', 'Dark Ages', 'Bayeux Tapestry', 'Herod's Palace', 'Siege', 'Walking with the God', 'Tara's Visit', 'The Bonfire', 'The Telegraph Baby', 'The No Madonnas', 'Resurgence Pool', 'Sunday Park', 'Old Statues' Park in Budapest', 'Chernobyl Icon', 'Epilogue', 'Rhyfel a Heddwch', 'The Correctional Centre', 'Hive to the Vine', 'Death and the Maiden', 'Abbey Cwmhir', 'Emyn y Canmlwyddiant', 'In Central Park', 'Leaving Nantucket', 'Cân y Gwneuthurwr Mapiau', 'First Haunting', 'On the Air', 'Dalton's Geranium', 'In the Dead of Winter', 'Parable of the Awkward Woman', 'Leaving America', 'At the Airport', 'Purloined and Pursued', 'Full Fathom Five', 'Part the Third' (including a draft annotated by Derek Walcott), 'The Death of Mrs Davies', 'To a Hermit Crab', 'Thanks for a Conger Dinner', 'In the Snow Queen's Palace', 'Meat', 'The West', 'After the Snow Queen', 'The Death of Mrs Dylan', 'The Voledom of Skomer', 'Going Primitive', 'Welsh Espionage', 'The Bad Shepherd', 'A Welcome to East Oxford', 'On Mayon Volcano', 'A Love Alphabet', 'On the Estate', 'Spring at the Leper House Allotments', 'The Cut of Women's Clothes' and 'Looking for the Celts', as well as many poems not bearing names, together with notes on poetry by Gwyneth Lewis, a poster for a poetry event organised by the Oxford University Poetry Society, a printout from Poetry Review featuring Gwyneth Lewis, a printout of an article about Irina Ratushinskaya, and draft copies of pages from Parables and Faxes including the contents, acknowledgements and biographical note.

Letters to Gwyneth Lewis from publishers, writers, academics, friends, journals (including The Poetry Society, Planet, Parnassus: Poetry in Review, The Kenyon Review, The New Republic, and Poetry Wales), agents and the Arts Council of Wales concerning the publication of her volume of poetry entitled Parables and Faxes, and in particular publicity and reviews, as well as the publication of other poems by Gwyneth Lewis, and also literary prizes other literary business, as well as personal and social matters; together with typescript, photocopied and published press reviews of Parables and Faxes, related publicity material including lists of contacts for reviews and the launch, copies of other published work by Gwyneth Lewis and interviews with her, material from Bloodaxe Books (including guidance on house style, invoices for books ordered, and catalogues), lists of poems published by Gwyneth Lewis, and related notes and press cuttings.

Letters and cards to Gwyneth Lewis from friends, family, agents, writers and colleagues concerning personal, social, family, domestic and literary matters, including Gwyneth Lewis's career and her work on 'Zero gravity', with copies of typescript and email replies from her to Elizabeth Grossman, and a letter from Liverpool Crown Court concerning her appearance as a witness in a trial, as well as related photographs and press cuttings, and notes by Gwyneth Lewis relating to a trip to Mexico.

Letters and cards to Gwyneth Lewis from friends, family, agents, writers and publishers concerning personal, social, family, domestic and literary matters including her career and published work, together with related photographs and a card written by her to Meic Stephens concerning a review by him of her work.

Letters and cards to Gwyneth Lewis from friends, family, agents, publishers, writers, academics, colleagues and businesses concerning personal, social, family, literary, academic, medical and domestic matters, notably the publication of her poetry and observations relating to her D.Phil. thesis and its possible publication, together with related photographs and press cuttings, as well as a letter and a card from Gwyneth Lewis to her husband, Leighton Denver Davies, and a letter from Roy Davies to BBC Wales staff concerning Gwyneth Lewis’s work in the Factual Programme Department.