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A note, 26 July 1969, from Mary Lago to Michael Holroyd (ff. 111-112) enclosing typescript extracts, [July 1969], of a letter from Mrs George Prothero [i.e. Mary Frances Prothero] to Alice Rothenstein, Rye, 11 September [1907x1909] (f. 111).
Prothero's letter contains gossip and news concerning Roger and Helen Fry, Augustus John, Dorelia McNeill, Henry and Euphemia Lamb and Charles Conder.

Printed material, 1953-1998, comprising mostly press cuttings of articles and obituaries about Caitlin Thomas, together with a postcard of Augustus John's portrait of her, and a copy of her funeral brochure, 1994.

Holograph letter, (2 ff.), dated 5 March 1945, by Dylan Thomas to Augustus [John], written in blue ink (ff. 1r, 2r) and sent from New Quay, thanking the latter for his gift and referring to Mary Keene who is staying at New Quay. Also included is a typescript copy, [1950x1970], of the letter; inscribed '511/?I/NPQ/72' and '214' in pencil in unidentified hands at the bottom of the page.

A scrapbook compiled by Miss Sara John, containing press cuttings, 1948-1985, relating to Augustus John and his family.

Correspondence and papers relating to the artists: James Dickson Innes, Lyn Jenkins, Philip Oswald Jennings, Augustus John and Gwen John, [1946]-[1997].

Letters and other papers of, or relating to, W. H. Davies, 1908-1960, accumulated by his biographer Lawrence Hockey of Newport.
The collection includes twenty-six letters and postcards from W. H. Davies to his literary agent C. F. Cazenove, concerning his literary activities, 1908-1910 (ff. 1, 3-29), and six, mainly personal, letters from Davies to Lawrence Hockey, 1930-1938 (ff. 30-35), as well as letters to Hockey, mainly concerning Davies, from Augustus John, 1941, 1942 (ff. 36-37), Bertram Rota, 22 October 1947 (ff. 38-39), Louis Blake Duff, 1 January 1949 (ff. 40-43), John Gawsworth, 1949 (ff. 44-45), and Huw Menai, 10 February 1955 (f. 51), and a letter from C[harlotte] F[rances] Shaw (wife of G. B. Shaw) to Cazenove, 1 August 1908 (f. 2). Also included are miscellaneous papers relating to W. H. Davies, including typescript copies for publication of three poems, 'The White Horse', [1927] (published in The London Mercury, 15 (1926-27), 344) and 'The Little Devil', [1930], and 'Love Lights his Fire', [1930] (both published in The London Mercury, 23 (1930-31), 105) (ff. 52-54); a photostat copy, [1946], of his will (f. 56); three photographs (ff. 57-59); and newspaper cuttings, [?1930s] (f. 60), 1960 (ff. 62-63); as well as an unpublished letter, 1 February 1955, from Hockey to the Western Mail, in defence of Huw Menai and criticising Dylan Thomas (ff. 47-50).

Screenplay by Robert Bolt titled Augustus, the plot based on the life of artist Augustus John.

The file comprises manuscript drafts, letters and notes by David Jones including a letter to The Tablet about Desmond Chute, 1962; a list of addresses to whom cards are to be sent; an unpublished letter about The Anathemata to the Editor of the New Statesman; typescript and proof copy of David Jones' foreword to Arthur of Albion by R. W. Barber, 1961; comments about The Anathemata and In Parenthesis; two essays written by nuns; an unfinished article on 'The Welsh Aposolate'; galley proof of 'Liturgical Reform' in The Tablet, 1967; letter to Gwynfor Evans, 1966; letter relating to an honorary degree at the University of St Andrews, 1965; letter to Petra [Tegetmeier], 1931; letter to the editor of Poetry relating to proofs of 'The Wall', 1955; important items relating to the insurance value of The Anathemata in 1961 and to the numeration of the manuscripts; corrections to The Anathemata, manuscript drafts of In Parenthesis (pp. 203, 227, 278); a letter about Augustus John; and part of an essay on Eric Gill.

The file comprises manuscript draft letters to The Times, Listener and the Catholic Herald, relating to The Anathemata and its broadcast, Tryweryn, church art, abstract art, changes in the liturgy, A. S. Hartrick, Augustus John, and other subjects, and a draft preface to 'The Dream of Private Clitus'. There are also draft letters to friends and associates, such as Aneirin Talfan Davies, and J. E. Jones (Plaid Cymru secretary).

Twenty-two letters, 1920-1925, from Gwen John, comprising one to her American patron, John Quinn, 18 December 1921 (ff. 48-50), and the remainder to his mistress, Jeanne Robert Foster, 1920-1925 (ff. 1-46), concerning personal matters and business; together with some eight letters from Foster to Quinn, 1920-1923, mainly relating to Gwen John (ff. 51-63, 67-95).
Also included is a photograph of Gwen John with Jeanne Robert Foster and Henri Pierre Roché in Paris, 1922, presented by Foster to Michael Holroyd in 1969 (f. 47); a typescript copy [?by Holroyd] of Foster's letter and notes on ff. 56-63 (ff. 64-65); and a related note from Foster to Holroyd, 3 April 1969 (f. 66). The letters contain references to John Quinn (ff. 5, 8, 10 verso, 15), Augustus John (ff. 44, 72, 73-74), Pablo Picasso (f. 49), Paul Deschanel (f. 53), the death of the actress Olive Thomas (f. 54), Henri Matisse (ff. 54, 74), Jan Masaryk (f. 70), Arthur Symons (ff. 73-74), Marie Laurencin (ff. 75, 85-86), Ezra Pound (ff. 83, 86-87) and Henri Pierre Roché (f. 93). For extracts from a number of the letters see Sue Roe, Gwen John: A Life (London, 2001), pp. 204-242 passim.

The fonds comprises the research papers of Michael Holroyd mainly relating to his biography of Augustus John originally published in 1974-1975, other editions and the revised edition published in 1996. These include letters from the John family, researchers, British and foreign repositories, photocopies of letters from Augustus John to his family, letters to fellow artists, his writer friends and members of the Gypsy Lore Society; reminiscences of friends and family; press cuttings relating to his works; papers relating to Augustus John's autobiography Chiaroscuro published in 1952, including publishing contracts; photocopies of writings by Augustus John; publishing agreements and book reviews of the biography. Also included are exhibition addresses on the artist by Michael Holroyd; scripts written about him and Gwen John by others, papers relating to the book co-written by Michael Holroyd and Malcolm Easton, The art of Augustus John (London, 1974), together with some research papers relating to Gwen John and to other projects.

Holograph letter, dated 7 January 1938, by Dylan Thomas to Keidrych [Rhys], sent from Blashford, in which he informs KR that Augustus John is trying to contact him regarding a portrait, expresses his own frustration at KR and the publication of Wales magazine, and enquires if KR is compiling a bibliography of his (DT) work.

Correspondence, notes, catalogues and press cuttings relating to the sale by the Leicester Gallery, London, of paintings by J. D. Innes. Among the correspondents are David Bell, Nicholas Brown, Ailleen Cole, Geoffrey Crawshay, Augustus John, Iorwerth Hughes Jones and Euphemia Lamb. The papers in this file were accumulated by Winifred Coombe Tennant and added to by her son, Alexander.

Letters mainly of a personal nature, including a letter concerning the Presentation Goblet to the Queen and Prince Phillip, 1972; a letter from the Royal Institute of British Architects, concerning Sir Clough Williams-Ellis's election as an honorary member; a letter from the University of Wales offering an honorary degree; and letters from the following: Sir Frederick Gibberd; Sir Frederick Osborn; Jonah Jones; James Morris; Earl Lloyd George of Dwyfor; Charles, Lord Aberconwy; Francois Spoerry; Christabel, Lady Aberconway; Augustus John; the Rt Hon. Richard Crossman, MP; Sir Dingle Foot; Henry, Marquis of Anglesey, and other politicians, artists and members of the gentry and the aristocracy, 1930-1976; together with thirteen letters from Lewis Mumford, 1957-1975, and a copy of an article by him, 1930, 'The Wavy Line Versus the Cube', and a photograph of Sir Clough Williams Ellis and Mumford.

Miscellaneous papers relating to Augustus John, comprising a bill, 1930, for artist's materials purchased by him; typescript copies of talks and essays in English and French on him; a list of guests at the Augustus John memorial service, January 1962, and a copy of the address given there by Lord David Cecil; together with notes, ?1973, in the hand of Michael Holroyd.

Some ninety-five letters, 1955-82, to Keidrych Rhys from various correspondents (surnames I-L), mainly in his capacity as editor of Wales and Welsh correspondent of The People, together with poems, short stories and essays submitted to him for publication. The correspondents and contributors include Augustus John (2) 1959, A. G. Prys-Jones (3, with three poems and an article) 1959, David Jones (1) 1959, Elisabeth Inglis-Jones (2) 1955-7, Glyn Jones (7) 1957-82, and Mervyn Levy (5) 1957-8.

Twelve letters, [1910]-1959, to Augustus John from various correspondents, concerning both personal matters and work.
The correspondents include Lord Beaverbrook, 26 August 1959 (f. 1), [Nora] Brownsword, [late 1920s] (f. 2), Daniel George, 10 June 1957 (f. 3), Elmer Gertz, 3 December 1932 (f. 4), Wyndham Lewis, [1910]-1952 (ff. 5-7, 12, 14-16), Dorelia McNeill, 12 November 1928 (f. 18), the Royal Academy of Arts, 6 December 1928 (f. 19), and Homer Saint-Gaudens, 7 November 1938 (f. 20). Also included are draft contracts with Little, Brown & Co., Boston, 1938, for the publication of Augustus John's reminiscences (ff. 22-33); and four letters, [1931]-1935, from Mrs Vera Fearing (later Stubbs) to her mother and husband, concerning her extended stays at Fryern Court in order for John to paint her portrait (ff. 34-46), with another brief note by her concerning John, [?1950s] (f. 47). Transcripts and notes [by Michael Holroyd], [?1970s], relating to the Wyndham Lewis letters are ff. 8-11, 13, 17. The letters contain references to Frank Harris (f. 4 recto-verso) and Henry Lamb (f. 6).

Eighty-four letters, 1904-1988, from various artists, addressed to various recipients, and seemingly brought together as examples of autographs.
Among the correspondents are Edward Bawden, 1967 (f. 12), Clive Bell, [?1920s] (f. 85), George Bissill, 1956-1961 (ff. 14-56), Mark Gertler, 1916 (f. 86), Duncan Grant, 1942 (f. 87), Augustus John, 1953-1958 (ff. 4-7, 88), Gwen John, [?1904] (ff. 89-90), Clare Leighton, 1934 (ff. 9-11), Lord Methuen, 1972-1973 (ff. 67-70), Henry Moore, 1950-1951, 1961 (ff. 1-2, 91), John Nash, 1967 (f. 71), Paul Nash, [early 1940s] (f. 92), Sir William Nicholson, 1904-1906 (ff. 93-94), John Piper, 1941-1943 (ff. 72-75), Sir William Rothenstein, 1932 (ff. 96-97), Kenneth Rowntree, 1957 (ff. 78-82), and Sir Matthew Smith, 1950, 1957 (ff. 3, 99). The main recipients are Daniel George, 1953-1962 (ff. 4-8), Cyril Lakin, 1934 (ff. 9-11), Peter Rhodes (ff. 12-56, 58, 65-71, 83-84) and his wife Felicity Rhodes (ff. 57, 59-64, 72-82). The letters include references to the sale of pictures by Peter De Wint (ff. 16, 22-29, 37-40, 44-47) and comments by Augustus John on Caitlin Thomas’s autobiography (f. 6).

Letters, 1900-1995, of miscellaneous provenance. Correspondents include A. J. Balfour (1) 1916, W. H. Davies (2) 1912-1913, Lyubov (Aimée) F. Dostoevskaya (1, in French) 1924, Owen M. Edwards (4) 1900-1916, David Lloyd George (4) 1911-1919, Megan Lloyd George (3) 1948-1951, Richard Hughes (6) 1923-1935, Augustus John (7) [1918]-1950, Daniel Jones (2) 1972-1981, David Jones (1) 1966 (discussing some of his paintings), Jack Jones (2) 1938-1939, Saunders Lewis (5) 1951-1965, Wallis Simpson, later Duchess of Windsor (1) 1937, Edward Thomas (1) 1901, and Ralph Vaughan Williams (1) [1940].

Scripts, letters and photographs, 1974-1975, relating to the production of 'Augustus and Gwen: The Fire and the Fountain', a television documentary film about Augustus John and Gwen John, written by Eric Rowan and first transmitted, 19 March 1975, on BBC2.
The papers comprise a location list, [1974] (ff. 1-3), dubbing script, 25 February 1975 (ff. 4-31), and post-shoot script, [January 1975] (ff. 32-63); letters to Eric Rowan from Michael Holroyd, 1974 (ff. 64-66), Caspar John, [5] August 1974 (f. 67, postcard), Edwin John, 1974-1975 (ff. 68-70, 73), Poppet Pol, 4 October 1974 (f. 75), Romilly John, 1974-1975 (ff. 76-77 verso), and Mary Taubman, 9 October 1974 (ff. 78-79, incomplete); draft and copy letters of Eric Rowan to Edwin John, [December 1974], 19 February 1975 (ff. 71-72, 74); and five photographs taken during the filming in Provence of Poppet Pol's contribution, [Summer 1974] (ff. 80-84).