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Correspondence and other papers, 1952-1990, of Morag Owen (née McLennan; later married name Bulbrook), relating to her friend the painter-poet David Jones, including eighteen letters and cards to her from Jones, 1952-1973 (ff. 1-15, 17-25), and one to her first husband Richard Owen, 28 July 1965 (f. 16), mostly concerning personal matters, Jones's health, Welsh grammar and placenames and the 'Old North'.
Four of the items are photographic reproductions of Jones's inscriptions, sent as Christmas, and other, cards (ff. 1, 3, 9-10); in three instances Jones has altered the photographs with the addition of further painted inscriptions (ff. 3, 9-10). A copy of the 1961 Faber Christmas card, designed by Jones, was sent by him as a ' Spring 1962' card (ff. 11-12; for a clean copy of the same card see ff. 39-40). Also included are letters to Morag from Barbara, [Countess of] Moray, 31 August 1977 (f. 26), Diana L. Austin, Oxford, April-May 1978 (ff. 27-31), and Thomas Dilworth, University of Windsor, Ontario, 1986-1990 (ff. 33-35), all concerning David Jones, as well as two draft inscriptions, presumably by Jones (ff. 36-37), a photograph of him, [1950x1970] (f. 38), a pencil drawing by Jones of a young woman in profile, [c. 1967] (f. 41), and press cuttings of three book reviews from The Times, 15 May 1978, p. 12 (f. 44), The Tablet, 3 June 1978, pp. 532-3 (ff. 45-46) and The Sunday Times, 18 June 1978, p. 40 (f. 47).

The file comprises two typescript copies of Chapters 1 and 2 of the Commentary, with corrections and related notes. There are also letters to René Hague from Tom Dilworth, 'Helen', 'Mollie', Harman Grisewood, William Blissett, William Cookson, R. Brinley Jones and others, 1974-1976; and typescript copies of letters from René Hague, 1974-1976.

A file of correspondence, 30 March-7 May 2017, between Valerie Wynne-Williams and her solicitors Kuits on the one hand and Thomas Dilworth and his publishers Penguin Random House UK on the other, relating to the contents of Dilworth's biography David Jones: Engraver, Soldier, Painter, Poet (London, 2017). The correspondence resulted in a number of amendments being made to subsequent editions of the book.