Dangos 34 canlyniad

Symphax copy of vocal score, ink and pencil sketches for orchestral version, together with correspondence relating to performances commissioned by the BBC in 1976.

Seven telegrams, 1942-1947, from Dylan Thomas to his friend, the writer and art critic, Thomas Wade Earp, regarding arrangements for meetings; together with a telegram, 1944, from Caitlin Thomas to TWE.

Papers of, and relating to, Dylan Thomas, [1925x2013], collected and collated by Jeff Towns, including scripts, correspondence, programmes and papers relating to the publication of Under Milk Wood, and radio, stage, film and audio productions of the play, 1953-2005; research papers and works relating to Dylan Thomas, 1937-2006; letters by Dylan Thomas, and the letters and papers of his wife Caitlin, their three children and his parents, 1935-2007; autograph prose works, [1925x1953], and personal papers, [1929]-1960; poetry, [1928x2010], mostly comprising autograph drafts; unpublished autograph letters by Dylan Thomas, [1926]-1995; and a small group of material, 1939-[2013], including four autograph letters, 1939, from the author, relating to The map of love.

The file comprises David Jones' typescript copy of the broadcast script of In Parenthesis written and produced by Douglas Cleverdon, transmitted on 19 November [1946] by the BBC Third Programme. It includes a script of the introduction by David Jones and some marginal notes by him, and a draft billing slip. The cast list includes Dylan Thomas as Pte. Dai Evans.

A page from an autograph album containing an original poem of two stanzas signed by Dylan M[arlais] Thomas and written at Hendre Farm, St. Dogmaels, co. Pembroke, in 1930.

A holograph draft of a section of Dylan Thomas’s story 'The Outing'.

Over a hundred letters, 1901-1991, of miscellaneous provenance from twentieth-century Anglo-Welsh writers to various recipients; the correspondents include Gillian Clarke (10, and three poems) 1986-1988, Rhys Davies (10) 1928-1929, 1975-1978, W. H. Davies (13, together with press cuttings, 1905-1950s, and four printed poems) [1909x1913]-1925, David Jones (8) 1960-1973, John Cowper Powys (7) 1927-1953, Dylan Thomas (10) 1938-1952, Edward Thomas (7) 1901-1912, Gwyn Thomas (2) 1952-1953, R. S. Thomas (6) 1956-1960 and Vernon Watkins (5) 1962-1966.

Letters, 1933-1953, to Idris Davies from over forty correspondents including T. S. Eliot, 1944-1949 (ff. 30, 39, 60), Dylan Thomas, 1949-1953 (ff. 53, 77), Vernon Watkins, 1950 (ff. 62-65 verso, 83), and W. B. Yeats, 1936 (f. 11).

Autograph and typescript drafts, 1948-1967, of published poetry and published and unpublished prose by Vernon Watkins, mostly composed following the death of Dylan Thomas in 1953, including drafts of Vernon Watkins's poem 'Elegy for the Latest Dead', 1954, and two unfinished poems by Dylan Thomas, 'Elegy' and 'In Country Heaven', completed by Vernon Watkins; and radio scripts, lecture notes, draft reviews and articles by him relating to Dylan Thomas and his work.

Eleven letters, [1930]-[1934], from Dylan Thomas to Percy Eynon Smart, a schoolfriend with whom he had co-edited the Swansea Grammar School Magazine, 1929-1930. The letters refer to this magazine, which Thomas was editing, 1930-1931, and to a literary periodical entitled 'Prose and Verse', which they proposed to publish, and include a draft preface by Thomas for the latter (f. 5 verso); they also include personal news and a rough draft of a poem by Thomas (f. 15 verso).

Thirty-three autograph and typescript letters, 1935-40, from Dylan Thomas to the novelist, critic and broadcaster Desmond Hawkins, containing personal news and comments on his literary work, including a detailed response (ff. 25-9) to Hawkins's questions about poems included in The Map of Love (London, 1939). Two sketches pasted on to ff. 18 and 19 do not appear to be Thomas's work. The letters were published in Ferris, Paul (ed.): The Collected Letters of Dylan Thomas (London, 1985).

A letter, 30 January 1940, from Dylan Thomas to E. F. Bozman at J.M. Dent & Sons, his publishers, sending corrected proofs of his Portrait of the Artist as a Young Dog (London, 1940), and discussing the listing of his previous works in the volume.
This letter is published in Dylan Thomas, The Collected Letters: New Edition, ed. by Paul Ferris (London, 2000), p. 497.

An apparently unpublished letter, [Autumn 1937], from Dylan Thomas, Blashford, Hampshire, to Hermann Peschmann, poet and editor. Thomas discusses giving a poetry reading and asks Peschmann to forward a letter to the poet Anna Wickham.
For a subsequent letter to Peschmann, 21 November 1937, thanking him for forwarding the letter, see Dylan Thomas, The Collected Letters: New Edition, ed. by Paul Ferris (London, 2000), pp. 306-307.

A sample copy, [1929], of part of a projected printed book by Ezra Pound, to be called 'The Complete Works of Guido Cavalcanti', containing also four autograph poems and a prose fragment by Dylan Thomas, [1936]-[early 1940s], and two typescript poems by Vernon Watkins, [c. 1939]. Pound's book was intended for publication in 1929 but was abandoned, with only the first 56 pages printed, when the Aquila Press went bankrupt. The present volume appears to be a sample copy, of which two similar ones are recorded (see Donald Gallup, Ezra Pound: A Bibliography (Charlottesville, 1983), p. 153), consisting of the first two gatherings only (ff. 2-9) and filled out with blank leaves (ff. 10-74). The original Aquila Press fragments were later incorporated into the composite work Guido Cavalcanti Rime, ed. by Ezra Pound (Genoa, [1932]).
The Dylan Thomas poems are 'Then was my neophyte', [1936] (f. 11) (published in Twenty-five Poems (London, 1936), pp. 40-41), 'We lying by seasand', [1937x1939] (f. 74 verso) (first published in Poetry (Chicago), 49.4 (January 1937), 183, and collected in The Map of Love (London, 1939), p. 8), 'Paper and sticks', [early 1940s] (tipped in on f. 12) (first published in Seven, 6 (Autumn 1939), 6, and collected in Deaths and Entrances (London, 1946), p. 23), and 'Once below a time', [early 1940s] (tipped in on ff. 13-14) (first published in Life and Letters Today, 24.31 (March 1940), 274-275; see Collected Poems 1934-1952 (London, [1952]), pp. 132-133); the prose fragment (tipped in on f. 15) is the end of 'One Warm Saturday', [1938], the last story in Portrait of the Artist as a Young Dog (London, 1940), pp. 253-254. The two Vernon Watkins poems, 'The windows', 1939, and 'A bronze head', [c. 1939], are apparently unpublished (tipped in on ff. 16-17). A dried leaf found loose within the volume has been placed in an archival sleeve.

A facsimile copy, [1965x1985], of a letter, 15 July 1937, from Dylan Thomas, Mousehole, Cornwall, to Vernon Watkins, announcing his marriage to Caitlin Macnamara and apologising for altering a poem by Watkins prior to publication.
The original letter is now BL Add MS 52612, f. 5. It was first published in Dylan Thomas, Letters to Vernon Watkins, ed. by Vernon Watkins (London, 1957), pp. 27-28; see also The Collected Letters of Dylan Thomas: New Edition, ed. by Paul Ferris (London, 2000), p. 294.

Letter, 14 June 1939, from Dylan Thomas, Laugharne, to the poet and writer Charles Fisher, arranging to meet and referring to a new poem, his baby son, Llewelyn, and a forthcoming broadcast with Keidrych Rhys.
The letter was published in The Collected Letters of Dylan Thomas: New Edition, ed. by Paul Ferris (London, 2000), pp. 435-436.

Three letters, 1951-1953, from Dylan Thomas and his parents to Dylan's cousin, Mai Griffiths of Cross Hands.
They consist of: a letter from Dylan, 16 December 1952, informing Mai of the death of his father that day (ff. 3-4; apparently unpublished); a letter from his father David John (Jack), 28 June 1951, sympathising with Mai on the recent loss of her husband and giving family news (ff. 1-2); and a letter from his mother Florence (Florrie), 4 May [1953], on the recent death of Florence's daughter Nancy (ff. 5-6).