Dangos 282 canlyniad

Miscellaneous material relating to Ffilm Cymru and to the film industry in general, including details relating to festivals, courses and conferences; minutes of a Welsh Arts Council meeting; and newsletters and magazines.

Twelve boxes containing card indexes, the boxes labelled alphabetically.

Accounts and invoices detailing financial transactions, bills and expenses of Ffilm Cymru, with related correspondence.

Contracts and agreements relating to loans and funding made between Ffilm Cymru, BBC Wales and S4C, with accompanying correspondence and notes.

Correspondence largely relating to production and funding within the film and television industry, most of which is addressed to or from Ffilm Cymru artistic director John Hefin. One letter, 1991, contains an invitation to a seminar discussing new Labour Party film industry policies from the then Shadow Secretary of State for Trade and Industry Gordon Brown.

Letters, 1966-1967, 1975, to the author and playwright Emlyn Williams from David Smith, brother-in-law of infamous Moors murderer Myra Hindley. Williams spent time with David Smith and his wife Maureen in order to gain insight into the lives of Myra Hindley and her partner Ian Brady for his 1967 novel Beyond Belief: A Chronicle of Murder and its Detection, a semi-fictionalised account of the criminal activities of Brady and Hindley. The novel was published a year after Brady and Hindley were sentenced to life imprisonment for the murder of five children aged between ten and seventeen in and around Manchester between July 1963 and October 1965. David Smith, who witnessed at least one of the murders, was the chief prosecution witness at Brady and Hindley's trial.

Film and television proposals, including the proposed adaptation of published books; casting applications from prospective actors, enclosing photos and resumés; employment enquiries and funding applications from students; employment applications/promotional literature from crew personnel, props providers, catering companies, etc; report on Hay Festival Screenwriting Masterclass of 1992; and correspondence.

Several copies of draft screenplay by Frank Vickery titled In The Mood; together with detailed plot synopses, character notes, critical evaluation/suggested amendments, covering letters, draft deal memorandum, rough manuscript notes and other related material.

Critical evaluation relating to screenplay proposal by Ted Whitehead titled In The Dark.

Draft screenplay, with plot synopsis, by Eric Styles and Allan Niblo titled Ins And Outs.

Radio play script, with plot synopsis, by Tudor Lloyd titled Inheritance.

Screenplay by Morten Arnfred, Jan Stage and Jørn O. Jensen titled The Infiltrator, based on a story by Noel Fox; together with plot synopsis, covering letter and letter of response.

Detailed plot synopsis of script by David Evans titled An Indescribable Pleasure, translated from the original script of Ignasi P. Ferré, Joan Marimón and Lluís Arcarazo titled Un Plaer Indescriptible; together with covering letter, notes on the scriptwriters and producer and material relating to the 1991 San Sebastian Film Festival.

Screenplay by Stephen Cookson titled Immortal Hours, together with detailed plot synopsis and covering letter.

Screenplay, with brief overview, by William Ingram, titled Knock, Knock, Who's There?, together with covering letter.

Draft screenplay by Gwenlyn Parry and Ken Howard titled I Fro Breuddwydion/A Penny For Your Dreams (previous title Dyn Y Llun).

Television screenplay by Christopher Beddows titled Johnny's No Good, together with plot synopsis, character notes, author resumé and covering letter.

Two copies of film outline by Stephen Bayly titled Johnny Onions, together with letter of response from Ffilm Cymru.

Screenplay by Ruth Carter titled Le Jeu Du Roi, based on the novel of the same name by Jean Raspail, together with English version titled Letters From Patagonia and Welsh translation by W. O. Roberts titled Brenin Y Wladfa; also including post-production schedule and contacts list. Some folios annotated.

Two copies of screenplay by John Peacock titled The Jenny Wagon.