Dangos 683 canlyniad

The file comprises letters to David Jones from editors and publishers (other than Faber and Faber), with letters from Alwyn D. Rees, Moelwyn Merchant, George Ewart Evans, Raymond Garlick, Keidrych Rhys, Stephen Spender, Louis G. Cowan, John H. Johnston, Neville Braybrooke, Myra Owen, K. M. E. Murray, Bernard Bergonzi, Elizabeth Pakenham, Fr. Illtud Evans, Ffransis Payne, Kenneth Clark, Henry Rago, Eleanor Farjeon and others.

The file comprises letters to David Jones, 1943-1966, from the BBC (some incomplete and undated) including letters from Douglas Cleverdon, Glyn Jones, Alun Oldfield Davies, Elwyn Evans, Aneirin Talfan Davies, Anna Kallin, Meirion Edwards, and Tristram Powell, with also contracts and payment slips, 1946-1962, and a letter to Douglas Cleverdon from Stanley Honeyman.

The file comprises two letters to David Jones from the Lord Mayor of London awarding him the City of London Midsummer prize, with draft replies.

The file comprises letters to David Jones arranged alphabetically, A-B, including Margaret Aeron-Thomas, Peter Abbs, Tom Burns, Vera Bassett, Bill Blissett and others.

The file comprises letters to David Jones arranged alphabetically, E-F, including Jim Ede, Clarissa Eden, Illtud Evans and others, with 42 letters from Faber and Faber Ltd, mainly relating to the publication of The Anathemata.

The file comprises letters to David Jones arranged alphabetically, S-V, including Helen Sutherland, Nancy Sandars, Meic Stephens, Walter Shewring, Tony Stoneburner, Stephen Spender, Frances Stevenson, Lilian Somerville, Denys Sutton, Petra Tegetmeier, Andrew Vicari and others.

The series comprises letters from Alun Oldfield-Davies, Lynette Rees, Nancy Sanders, Saunders Lewis, Colin Hughes, Aneirin Talfan Davies, Jackson Knight and others.

The file comprises a letter from Lynette Rhys (née Roberts), 30 Aug. 1943, to David Jones.

The group comprises draft letters from David Jones to friends and acquaintances, and draft letters to editors of The Tablet, The Times and other newspapers relating to art, literature, history and religion.

The series comprises draft and incomplete letters from David Jones to friends and acquaintances, relating to his work as author and artist, as well as other disparate topics. The series also includes some draft letters to the press which are mixed within the same files.

The file comprises manuscript drafts of letters to Tony Stoneburner. There appears to be one complete draft letter and incomplete drafts of six others, one of which is dated 10 November 1964 and another 17 February 1966. Amongst the subjects discussed in these drafts are the vernacularization of the Mass, Welsh history, The Anathemata and English translations of the Bible.

The file comprises manuscript drafts of letters from David Jones, many of which concern his published works. The addressees, which include Peter Orr and Sister Mary Ursula, are listed on the wrapper. There are drafts of letters concerning In Parenthesis, The Anathemata, Epoch and Artist and the 'fragments' published in The Sleeping Lord and other fragments. Other subjects include lettering for the cover of the Rutgers edition of Poetry and Prayer by Father Thomas Noon; biographical details (principally concerning the period 1921-1934); pictures by David Jones referred to in a letter from a Mr Witaker; Gwyn Williams's translations of Welsh poetry; Owen Glendower by J. C. Powys; together with an essay by Jeremy Hooker on The Anathemata and an article by him in the Winter 1970 number (vol. 6, no. 3) of Poetry Wales (there are drafts of four letters to Jeremy Hooker, one dated 20 October 1970) and suggestions that David Jones contribute an article to New Blackfriars on the general attitude implicit in his work and explicit in his occasional essays, and another to Encounter about Eric Gill (1966).

The file comprises manuscript drafts of letters from David Jones. The addressees are listed on the wrapper. These letters principally concern his financial affairs. There is also a laundry list.

The file comprises manuscript drafts of letters from David Jones, most of which concern his work as a writer and artist. The addressees are listed on the wrapper. There are drafts containing information about In Parenthesis, the inscription 'Care Wallia derelicta' ('My favourite inscription I think.'), 'A, a, a, Domine Deus' (the meaning of 'causation projects from pillar to pylon') and the other 'fragments' published in The Sleeping Lord and other fragments, The Anathemata, the drawing 'Merlin Land' and the watercolour drawing 'Caregl Blodeuol'. There is also a draft letter concerning Christopher Dawson.

The file comprises miscellaneous manuscript drafts of letters from David Jones to friends and associates, including William Blissett, Jim and Helen Ede, Dame Edith [Sitwell], Ethel [Watts], Rachel Bromwich, Vernon [Watkins], Aneirin [Talfan Davies], [Rhydwen] Williams, [Thomas] Charles Edwards, Prof. Thomas Jones and others. Many of the drafts are incomplete, many only of the first paragraph of the letter. There is also a short note from D. Gwenallt Jones, 1957.

The file comprises miscellaneous manuscript drafts of letters from David Jones to friends and associates, including Mr Alcock, Jackson Knight, Tony Stoneburner, Walter Shewring, Glyn Jones, Harman Grisewood, Alun Oldfield-Davies, T. Charles Edwards, Gwynfor Evans, Peter Orr, Valerie Wynne-Williams, Rachel Bromwich, and others. Many of the drafts are incomplete, many only of the first paragraph of the letter. There are also many letters to editors of newspapers.

The file comprises manuscript drafts of five letters from David Jones to Raymond Garlick, December 1952-June 1955, relating to Dock Leaves, and The Anathemata, with seven unsent addressed envelopes.

The file comprises manuscript drafts, mainly of letters to The Tablet, concerning changes in the Liturgy.

The file comprises copies of The Tablet, 1948-1962, (and one of The Listener, 1956) found amongst David Jones's papers.

The file comprises manuscript drafts of writings relating to religion, principally to the form and significance of the Liturgy. Very many of these writings appear to have been inspired by David Jones' increasing disquiet at liturgical change in the Roman Catholic church from the mid 1950s onwards. Some of the drafts are of letters to The Tablet (and possibly also to other periodicals) and others appear to be of letters to private correspondents. A few drafts can be identified as being of part of 'A Christmas Message 1960' (The Dying Gaul, pp. 167-76). One draft has on its dorse a pencil sketch of a female head in profile.