Showing 44 results

Lis Hughes Jones' papers relating to productions performed during 1981, including Branwen, Rhiannon, Rhosys Cochion and Gaeafdaith comprising production scores for Branwen and Rhosys Cochion, Branwen work notes, general production notes and other related documents and production texts for Rhiannon and Gaeafdaith.

Lis Hughes Jones' papers relating to the Manawydan and Gwaed neu Fara productions, comprising production song scores and lyrics and texts for the Gwaed neu Fara production.

Lis Hughes Jones' papers relating to the Gernika! production including a copy of the production score and melody lines, together with production notes and notebooks.

Papers and photographs relating to the Ymfudwyr production including photographs of performances, production notes and ideas and a production prop; together with Lis Hughes Jones' workbook.

Lis Hughes Jones' papers relating to the Pedole Arian, Rhydcymerau and Lleuad, Lleuad/Luna, Luna (Farfa) productions including Lis Hughes Jones’ workbook, comprising [research] sources, production texts, and general production notes, including songs, scenarios, ideas and notes on actions.

Lis Hughes Jones' papers relating to the 8961 - Caneuon Galar a Gobaith production including draft texts and notes, research material and Lis Hughes Jones’ workbook.

Correspondence, papers and photographs relating to the Bible banners and the touring exhibition and to the Bible Festival in Llanrhaeadr-ym-Mochnant, including papers relating to the design of the banners and the devising, planning and production of the street performance; together with copies of festival and exhibition publications, articles regarding the banners and Lis Hughes Jones' workbook.

Papers relating to the Boris production, including copies of the John Berger texts, a Welsh script, devising notes and notes regarding general arrangements.

Papers relating to the Pandaemonium production, including devising notes, a scenario, production texts, research material, and other production notes; together with Lis Hughes Jones’ workbook.

Correspondence, papers and photographs relating to three productions of the Disasters of War project, including Part 3/Besatt, Part 8/Y Gadair Ddu and Part 10, comprising reviews, work notes, research material, production information, publicity material, and design and production notes; together with papers relating to the project in general.

Correspondence, papers and photographs relating to the Gododdin production, regarding the performances in Scotland, Holland, Italy, Germany and Cardiff and the production in general, comprising mainly scenographic designs and sketches, production workbooks, work plans, scenarios, previews, reviews and publicity material; together with papers relating to the exhibition held at the Chapter Arts Centre relating to the Gododdin production and Clifford McLucas’ visual diary artwork.

Papers and photographs relating to the EXX-1 production comprising mainly stage directions, prospectus, scenographic designs, reviews, and a soundtrack information leaflet; together with a copy of Clifford McLucas’ visual diary artwork which was based on the EXX-1 production and a file of the production manager, Giles Parbery's papers.

Correspondence, papers and images relating to the Pax project, including the Los Angeles production, the preparatory etudes and the productions in Cardiff, Glasgow and Aberystwyth, comprising items such as notes, scenographic sketches, research material, scenarios and scores, prospectuses, booklets, publicity material, reviews and previews.

Papers and photographs relating to the Gwynt, Glaw, Glo a Defaid production, including a notebook, an information leaflet, previews and reviews, and design and final copies of the production poster.

Photographs and papers relating to the Patagonia production, including photographs taken during visits by some members of Brith Gof to Patagonia in 1986, of Tomi and Eddie Davies at their home in Patagonia and performance photographs; devising notes and research material; publicity material; scenographic plans and designs; venue information; previews and reviews; and draft copies of pages from the production [prospectus]; together with correspondence and papers relating to the arrangement of the performance of Patagonia at the various venues, the correspondence and papers of the production manager, Giles Parbery and Lis Hughes Jones' workfile.

Photographs and papers relating to the performance of Ar y Traeth/Patagonia Remics at the National Eisteddfod, including suggestions for the production and papers relating to the arrangement and promotion of the production; together with papers of the production manager Giles Parbery.

Correspondence, photographs and papers reating to the Haearn production at the Old British Coal Works, Tredegar and to possible re-stagings of the production, including publicity papers, scenographic papers, administrative and financial papers, together with details of performance structures, storyboards, scores, copies of production texts and scripts, and devising notes and papers.

Papers and photographs relating to productions that were part of the Auturius Rex Project, including press, marketing and publicity material, production information, notes and ideas, and production texts/scripts.

Correspondence and papers relating to the general arrangements and planned activities for the Brith Gof stall during the Eisteddfod.

Correspondence, papers and photographs relating to the Tri Bywyd production and also associated publications, including correspondence and papers regarding arrangements and administration of all aspects of the production, research material, production ‘scores’, production texts and scripts, explanatory or descriptive notes, publicity and information material, a production proposal, reviews, devising notes and sketches, joiner photographs, and notes on performance actions.