Welsh poetry -- Wales, North

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Welsh poetry -- Wales, North

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Welsh poetry -- Wales, North

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Welsh poetry -- Wales, North

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Miscellanea,

Miscellaneous papers containing lists, notes, etc., in the hand of Edward Williams ('Iolo Morganwg') bound together in one volume. The contents are extremely varied and include miscellaneous series of Welsh triads including series with the superscriptions 'Trioedd Ieuan ap Hywel Swrdwal', 'Trioedd o Lyfr Esaia Pywel sef Trioedd Llelo Llawdrwm', 'Trioedd Iaith ac Ymadrodd Iorwerth Fynglwyd', 'Trioedd Dwyfolaeth', 'Trioedd athronddysg', 'Trioedd Serch Dafydd Morganwg Bardd Ifor Hael', and 'Trioedd Esaia Powel' (pp. 1-3, 12, 14-15, 18, 24, 26, 28, 30-33, 35, 54-5, 83); lists of Welsh words sometimes with English definitions (pp. 10, 81-2, 86-7, 91-2, 101, 103, 105-06, 115-16, 120, 127, 129-33, 138, 149-52, 157- 203, 244-5, 251-4); lists of Welsh proverbs and proverbial expressions including one list headed 'Meteorological and Terracultural proverbs in Glamorgan' (pp. 28, 69-72, 77-80, 107-08, 113-14, 260-61); notes relating to the order of Welsh bards and musicians (pp. 6-7); a copy of an English poem with the superscription 'Bardic Institutes Written at Carn Moesen an ancient Druidical pile on the top of Craig y Llynn Mawr, a high mountain in the northern part of Glamorgan in Wales' (pp. 20-22); miscellaneous genealogical notes (pp. 39-42); lists [of Glamorgan relevance] headed 'Tai Cre[fydd]' (p. 47), 'Hen Gaste[lloedd] . . . Morgan' (pp.48-9), 'Llysoed[d]' (p.50), 'Hen Drefydd' (p.50), 'Glamorgan Topography' (p. 52), 'Beirdd Morganwg' (p. 56), 'Villages in Glamorgan wherein Town Halls and Market houses are still standing and kept up in good repair. They were originally used for holding markets and Baronial Courts of the Lords Marchers, now the hall is used as a school room, for dancing, . . .' (pp. 64-5), 'Present Market Towns' (p. 65), 'Antiquities in Glam[organ]' (p. 66), and 'Old names in Glamorgan' (p. 98); a short list of the names of Welsh bards, 12th - 17th cent. (p. 53); Welsh stanzas with the superscription 'Bedd bennillion a gant I. Mg.' (p. 58); notes relating to a reputed attempt by King Arthur to regulate the rules relating to armorial bearings (p. 68); a chronological list of events in British / Welsh history, 5th - 6th cent. ( pp. 73-6); Welsh verse with the superscription 'Hen ddiarhebion ar fesur dyri gan Iolo Morganwg' (p. 77); two short Cornish-Silurian lists of words (pp. 85, 88); the first lines of thirty nine 'awdlau' and 'cywyddau' ? attributed to the poet Iolo Goch 'yn Llyfr R. Jones' (pp. 96-7); 'Deuddeg Cynneddf Doethineb' (p. 117); notes relating to the poet Rhys Goch ap Rhiccart and his possible imbibing of Norman - French poetic influences ( pp. 121-2); a brief note on the 'stile and dialect and idiom' of the Welsh bards (p. 128); notes relating mainly to the Glam[organ] system and the North Wales system [of Welsh strict metres] (pp. 136-7); an incomplete account of ? rules and regulations reputedly drawn up by King Arthur at a conference at Caerleon for regulating the conduct, etc., of the Welsh bardic order (pp. 225-8); notes headed 'Llyma'r Drefn a wnaeth yr Amherawdr Arthur ar Fonhedd ag Anfonedd yr hon drefn y dylai bob bardd ei gwybod . . .' (pp. 229-34); notes relating to successive Welsh princes, etc., who had drawn up or revised codes for regulating the conduct, etc., of the Welsh bards and musicians (p. 235); miscellaneous notes relating to Welsh bardism and strict metres (pp. 236-40, 264); miscellaneous extracts of varying length from the works of various Welsh poets sometimes to provide examples of specific words (pp. 241-56); and extracts 'Ex Cwtta Cyfarwydd o Forganwg' listing the cantrefi and cymydau of Glamorgan (p. 262). In one instance the blank dorse and margins of a printed pamphlet bearing the superscription 'An Affectionate Address to Colliers, Miners, and Labouring People', 1785 (pp. 61-2, 67-8) have been used for writing notes, and in two other instances notes have been written on leaves bearing two poems entitled 'War' and 'Liberty' attributed to Morgan Williams, 1821 (pp. 109-12) and a poem entitled 'Picture of a Good Man' attributed to Edward Martin, 1818 (pp. 101-02, 119-20).

Miscellanea,

Miscellaneous papers containing notes, transcripts, extracts, etc., in the hand of Edward Williams ('Iolo Morganwg') bound together into one volume. The contents include pp. 1-16, extracts from the works of various Welsh bards under the superscription 'Bardic allusions to ancient usages, institutions, ideas, &c.'; 16, a list of the seven attributes of God ('Saith Angheneddyl Duw'); 16-17, a group of eight Welsh triads attributed to Syr Wiliam Herbert of Raglan; 18-19, a brief note on the Irish in Anglesey and North Wales; 19-20, Biblical allusions to the practice of writing on wood; 22-3, further extracts from the works of Welsh poets similar to those on pp. 1-16; 25, Welsh triads; 26, a transcript of an 'englyn' attributed to Evan Evans y Prydydd Hir; 27, three stanzas of a Welsh poem headed 'Pennillion Iolo Morganwg'; 34-5, a list of thirty-six 'Southwalian Gogynfeirdd'; 35, a brief note on Gruffudd ap Cynan's introduction of 'Scaldic Literature', etc., into Wales; 36-7, notes on the use of the 'englyn milwr' measure by 'Southwalian Bards', and on the meaning of the word 'anaw' and of the element 'chwyfan' in the name of the Flintshire antiquity 'Maen chwyfan'; 38-9, a list of 'Writers on the Art of Poetry now Extant' in South Wales and N[orth] Wales; 41, a query relating to 'the Caerwys Bards or Eisteddfod'; 41, a note on the Welsh bards' refusal to introduce fiction into poetry; 42-4, notes headed 'On Coelbren y Beirdd'; 45-50, notes headed 'Bards of the 11th to the 13th centuries' stressing the impact on Welsh poetry of the Scandinavian Scaldic influence introduced via the court of Gruffudd ap Cynan; 51-9, notes headed 'Bards of the 15th Century in S[outh] Wales' dealing mainly with the influence of Norman and Provencal poetry on the twelfth century Welsh poet Rhys Goch ap Rhys ap Rhiccart and other Welsh bards via the courts of the Norman lords in Glamorgan, its continuance in the work of Dafydd ap Gwilym, etc.; 60-73, notes headed 'Modern Poetry of North Wales' containing general, mainly derogatory comments on North Wales poetry from the seventeenth century onwards with references to Lewys Morris, Edward Morris, Hugh Moris, Rice Jones of Blaenau, Goronwy Owain, and other poets, the practice of borrowing or imitating metres from English songs and ballads, the results of the literary competitions inaugurated by the Gwyneddigion Society, etc.; 74-92 notes headed 'Modern South Walian Poetry' dealing mainly with the 'song writing' or 'popular poetry' tradition in South Wales as contrasted with North Wales; 93-6, notes relating largely to the tale called 'Cyfarwyddyd Einiawn ap Gwalchmai a Rhiain y Glasgoed'; 97-102, miscellanea headed 'Mân bethau perthynas (sic) i'r Beirdd a Barddoniaeth'; (continued)

104-08, notes relating to the society commonly known as 'Gwyr Cwm y Felin' which existed at Cwm y Felin in Betws Tir Iarll [co. Glamorgan], with references to its connection with the druidical and bardic tradition and its association with Lollardy in the past and Unitarianism in the present (see NLW MS 13121B above); 109, a transcript of three stanzas of Welsh verse headed 'Myned yn y maen. To take the chair. . .'; 110, notes on a theory that there were two poets called Dafydd Nanmor, the one a grandson of the other; 121, a list of seven rules headed 'Some Rules of Welsh versification'; 122, a 'scheme' or chapter headings for a 'History of the Bards'; 123-46, a short essay or article on the 'History of the Welsh Language' containing observations on the three main dialects, viz. Silurian, Demetian, and Venedotian, their use in Welsh literature, etc.; 147-9, lists of early bishops of Llandaf and of the bishops of Wales before the time of Garmon ('Escobion Cymru Cynog Amser Garmon'), and notes on the meaning of the words 'cor' and 'bangor'; 151-3, a pedigree of the ? Williams family of Aberpergwm; 163-88, notes and extracts relating to the manufacture of beet sugar, the cultivation of trees and potatoes, the making of varnishes, wines, etc., and medicinal recipes; 201-02, a note headed 'Bards secret and gripe'; 203, a list headed 'Proverbial and idiomatic expressions in Glamorgan'; 215-18, transcripts of miscellaneous Welsh verse including two 'englynion tawddgyrch cadwynog' attributed to Edward Evan 'o Aberdar' and Lewys Hopcin of the parish of Llandyfodwg [co. Glamorgan], an 'englyn' attributed to Siôn Tudur, and six stanzas headed 'Y Credadyn ar farw idd ei enaid' being reputedly a translation from Pope's ode entitled 'The dying Christian to his soul', and extracts from 'cywyddau' attributed to Edmund Prys; 228, notes headed 'Gwehelyth y Simwniaid'; 229, a note on madness in dogs; 240-41, a list of Welsh names of fruits; 247-53, extracts from The Monthly Review, 1790, vol. I, including a transcript of 'Robinson's Elegy on leaving Westminster College'; 278, a note referring to the tradition relating to the alleged Trojan colonization of Italy; 285-6, a ? draft of proposals for publishing a Welsh religious and literary journal to be called 'Goleugrawn Deheubarth Cymry', publication to be annually or quarterly, the first number to appear towards the beginning of 1817; 303- 05, an extract relating to 'healing wounded trees'; 310-11, notes on a proposed 'water wheel at ye present forge [at Kevan] . . ., 29 Jan. 1787'; 315-16, a horticultural note and a medicinal recipe; and 321-7, transcripts of three 'cywyddau' ? attributed to Dafydd ap Gwilym. Also found on various pages are groups or lists of Welsh words, miscellaneous Welsh triads, and other miscellaneous items. Some of the notes have been written on the blank verso or in the margins of copies of printed leaflets advertising 'Sea Bathing' and 'Genteel Lodgings' at the Ball, Swanbridge, seven miles from Cardiff, the wares of Tucketts and Fletcher, Bristol (Tucketts and Fletcher, grocers and tea-dealers, no. 11, Corn-Street, Bristol ([Bristol], [1795?], ESTC T230410)), and the wares of E. M. Downing at his 'Grand Musical Repository', Bristol, and a printed copy of 'An Elegy on the late Reverend John Wesley'.