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Includes letters from Meurig Walters (9), J. P. Ward (3), Vernon Watkins (6), Harri Webb (9), [?] Geoffrey West (2), Laurence Whistler, Alun Llywelyn-Williams (12), Barbara Prys-Williams (2), Gareth Williams, Gwyn Williams (5), Herbert Williams (4), Huw Menai (16), John Stuart Williams (4), Kyffin Williams (2), Morris T. Williams (3), and Woodrow Wyatt (7).

Includes letters from John Wain (3); John Powell Ward (21); Gwen Watkins (3); Jon Manchip White (6); Herbert Williams (14); and Penny A. Windsor (15).

The file comprises mainly of correspondence, 1968-1969, relating to the preliminary meeting and other early meetings of the English Language Section of the Academi. The preliminary meeting was arranged by Meic Stephens and the file includes invitations sent out by him, letters of reply, and letters commenting on this first meeting. The file also includes letters inviting writers to become members of the Academi, their replies and lists of those writers who have accepted or declined membership. There are a few references to discussions about the establishment of a new English language literary magazine, an idea which was rejected for the time being. There are letters from and references to, many prominent Anglo-Welsh and Welsh language writers including Dannie Abse, Alison Bielski, W. H. Boore, Alexander Cordell, Brenda Chamberlain, Tony Conran, Rhys Davies, Tudor David, Menna Gallie, Bryn Griffiths, Peter Gruffydd, Raymond Garlick, Ll. Wyn Griffith, Gwenallt, Cledwyn Hughes, Richard Hughes, Emyr Humphreys, A. G. Prys Jones, David Jones, Dedwydd Jones, Glyn Jones, Gwyn Jones, Jack Jones, John Idris Jones, Sally Roberts Jones, Bill Meilen, Gerald Morgan, Robert Morgan, Roland Mathias, Leslie Norris, John Ormond, Alun Owen, D. Parry-Jones, Cecil Price, Alun Richards, Gwyn Thomas, R. S. Thomas, John Tripp, Aled Vaughan, Richard Vaughan, Harri Webb, Gwyn Williams, Herbert Williams, John Stuart Williams and Raymond Williams.

The file contains corresondence, 1968-1969, accumulated by Sally Roberts Jones as secretary of the English Language Section of the Academi. The correspondence relates to the first and other early meetings of the section and includes letters and references to many prominent Anglo-Welsh and Welsh language writers including Dannie Abse, Alison Bielski, W. H. Boore, Brenda Chamberlain, Alexander Cordell, Aneirin Talfan Davies, Pennar Davies, Rhys Davies, Tom Earley, Raymond Garlick, Ll. Wyn Griffiths, Peter Gruffydd, Cledwyn Hughes, Richard Hughes, A.O.H. Jarman, Glyn Jones, Harri Pritchard Jones, John Idris Jones, R. Brinley Jones, R. Gerallt Jones, Sally Roberts Jones, T. Gwynn Jones, Roland Mathias, Bill Meilen, Gerald Morgan, Robert Morgan, T. J. Morgan, James Morris, Leslie Norris, D. Parry-Jones, T. H. Parry-Williams, Cecil J. L. Price, A. G. Prys-Jones, Alun Richards, Kate Roberts, Meic Stephens, Gwyn Thomas (Bangor), R. George Thomas, Aled Vaughan, Richard Vaughan, Gwyn Williams (Trefenter), Herbert Williams and Raymond Williams.

Letters, 1967-2010, to Herbert Williams from the writer Richard Jones, and letters from novelists, poets and artists, relating to the donor's literary and radio work.

The file includes seventy-eight letters to Sam Adams, 1970-1975 and undated, from Peter Abbs (6), Cary Archard (1), John Barnie (3), D. A. Callard (1), Elwyn Davies (6), Tom Earley (1), Christine Furnival (2), David Greene (2), Steve Griffiths (6), Peter Gruffydd (2), Robert Havard (3), Cyril Hodges (2), Daniel Huws (1), Nigel Jenkins (1), John Ackerman Jones (3), Peter Levi (1), Peter Elfed Lewis (6), Robert Minhinnick (5), John Montague (1), C. B. O'Neill (1), Dora Polk (2), John Pook (3), Richard Poole (1), Peter Preece (1), Sheenagh Pugh (2), Sally Roberts Jones (2), Meg Seaton (1), R. George Thomas (3), Chris Torrance (3), J. P. Ward (6), and Herbert Williams (1). The letters mainly relate to Poetry Wales, and include copies of poems by John Barnie and Peter Elved Lewis, and biographical details provided by Elwyn Davies, Sheenagh Pugh, and Meg Seaton.

Two manuscript drafts and a typescript draft of ‘Real Aberystwyth’ with manuscript and typescript annotations by Niall Griffiths and the publisher, and related letters and email correspondence between them concerning the writing and production of the book, as well as correspondence between Niall Griffiths and the predominantly literary contacts whom he consulted about the content of the book, together with other material accumulated during the writing of the book and relating to people, places, events, activities, issues and phenomena in Aberystwyth and the surrounding area as well as the ‘Real Aberystwyth’ project itself, comprising manuscript and typescript notes by Niall Griffiths, typescript copies and photocopies of poems (notably ‘One, Rheidol Place’, ‘Symbols’ and ‘River Moods’ by Herbert Williams, ‘An Aberystwyth Canto’ by Matthew Jarvis, ‘Nietzscheanism and the meaning of the superman’ and ‘Aberystwyth short fiction’ by Tiffany Atkinson, and ‘The Buoy’ by Gwyneth Lewis), typescript copies of articles (including ‘“In a very deranged state”: notes on the Iolo Morganwg Project’ by Mary-Ann Constantine, ‘The English in Wales: an Englishman’s view’ and ‘Flag waving’ by Simon Rodway, ‘Crud cenedlaetholdeb Cymreig’ [‘A cradle of Welsh nationalism’] by Rhys Jones and Carwyn Fowler, and ‘Teithio yn y nos / Nachtreise’ by Patricia Duncker), photographs taken by Niall Griffiths (in labelled envelopes which have since become jumbled), printouts from websites, press cuttings and tourist information literature. Also included, bound in a volume with a draft of ‘Real Aberystwyth’, is a manuscript draft of ‘Real Liverpool’ with manuscript notes by Niall Griffiths and an outline proposal by him for the book, together with a copy of related email correspondence between him and the publisher.