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Papers, [c. 1890]-[1974x1978], of Berta Ruck, including notebooks containing journal entries, ideas for fiction, newspaper cuttings and ephemera, 1906-1973; literary and autobiographical manuscripts, typescripts and photocopies, [1950x1955]-[1974x1978]; letters, [c. 1890]-[1972]; poetry, [1920s]-[1930s]; and sketches, [1900x1920].

Manuscripts of Berta Ruck, [c. 1890]-[1974x1978], including notebooks, 1906-1946; manuscripts and typescripts of literary and autobiographical works, 1955-[1974x1978]; letters, [c. 1890]-1971; poetry, [1920s]-[1930s]; and sketches, [1900x1920].
The notebooks typically contain notes and ideas for fiction, drawings and sketches, pasted in letters and ephemera, and journal entries. These detail her home life and travels and give news of her sons Arthur and Bill Oliver, husband Oliver Onions and other family and friends.

Notebook of Berta Ruck, March 1920-January 1921, recording visits to Oxford and London and holidays in Brittany and Scotland; a few extracts were later incorporated in her autobiographical volume A Story-teller tells the Truth (London, 1935).

Notebook, July 1924-July 1926, of Berta Ruck containing diary entries and impressions of her visits to Switzerland, Paris, Germany and Austria; theatre programmes, letters to her and press cuttings relating to her work and to contemporary events have been pasted in.

Notebook of Berta Ruck, March 1921-June 1924, containing diary entries, ideas for fiction, comments on the progress of her work and impressions of holidays in Vichy, Brittany and Haute Savoie, France; a few extracts were later incorporated in her autobiographical volume A Story-teller tells the Truth (London, 1935).
Letters and papers, 1921-1933, found loose inside have been filed separately (NLW MS 23569iiC).

Notebook of Berta Ruck, Aberdyfi, September-December 1939, containing journal entries and comments on the progress of the war. Press cuttings relating to contemporary events, photographs and some forty-six letters and postcards, mostly personal, to the author have been pasted in.
The correspondents include her son Arthur Oliver, October-[November] 1939 (ff. 13-14, 16, 33 recto-verso, 42-44), Ménie Muriel FitzGerald, 2 October 1939 (f. 12 verso), Michael Joseph, October-November 1939 (ff. 12 verso, 40, 59 verso), Anthony Thorne, [1939] (f. 34), Horace Horsnell, 28 November 1939 (f. 59), Harold Nicolson, 21 November 1939 (f. 59a), and Osbert Sitwell, 28 November 1939 (f. 60 verso). There are numerous references in journal and letters to the marriages of both her sons, Arthur and Bill, in October 1939. Among the photographs are one of Ruck (inside front cover) and two of Bill Oliver (inside front cover, f. 36 verso).

The printer's copy, [1969x1970], in typescript, of Berta Ruck, An Asset to Wales (London, 1970), with manuscript additions and emendations by the author.
In addition to minor deletions throughout, there is an entire deleted section (4 ff.) from Chapter 2, most of f. 26 having been crossed through and ff. 27-29 having been omitted entirely. Some folios consist of two or more partial leaves pasted together.

Notebook, December 1935-January 1936, of Berta Ruck containing diary entries, ideas for fiction, and pasted-in letters to her, including one, 1935, from Rudyard Kipling (f. ii). Also pasted in are press cuttings relating to contemporary events, including the death of Kipling and of King George V.

Notebook of Berta Ruck, January-June 1937, containing diary entries, ideas for fiction, comments on the progress of her writing, and pasted-in letters and cards to her, together with her typescript account of attending the trial at the Old Bailey of Saunders Lewis, Lewis Valentine and D. J. Williams, sketches of the defendants and related press cuttings and correspondence. Also pasted in are press cuttings relating to other contemporary events, including the coronation of George VI and the marriage of Edward, duke of Windsor.

Notebook of Berta Ruck, September 1943-January 1945, containing a few diary entries, mainly commenting on the war and on the progress of her writing, and pasted-in letters and cards to her, including one each from Sir Maurice Bowra and Emlyn Williams (f. 38 verso). Also pasted in are press cuttings relating to contemporary events, especially the progress of the war, and a few programmes for concerts and plays performed at Aberdyfi, 1942-1944.

Notebook of Berta Ruck, September 1939, recording her move from London to Aberdyfi, Merionethshire, at the outbreak of war and commenting on contemporary events. Press cuttings relating to the war and thirty-five letters and postcards to the author, August-September 1939, mainly from family and friends, have been pasted in.
The correspondents include Oliver Onions, discussing his own move to Aberdyfi, September 1939 (ff. 16 verso, 45, 47, 53 verso, 59, 60, 64), and Tony Thorne, 17 September 1939 (f. 67 verso). She records the engagements of both her sons (ff. 51, 65).

Three volumes containing a draft, mainly autograph with typescript insertions bearing autograph revision, of Berta Ruck's autobiographical volume, A Smile for the Past (London, 1959).

Letters and papers of Berta Ruck, 1921-1933, found loose inside her 1921-1924 notebook (NLW MS 23569iB).
The correspondents include her father, A. A. Ruck, [1933] (f. 7), and Gerald Gould, 1933 (f. 8).

Notebook of Berta Ruck, January-May 1936, containing diary entries, ideas for fiction, comments on the progress of her writing and on contemporary events, and pasted-in letters and cards to her, including one each from Sir Maurice Bowra (f. 37) and Rebecca West (f. 15). Also pasted in are press cuttings, mainly relating to the European political crisis but also including articles on the death of Rudyard Kipling, George V and A. E. Housman.

Notebook of Berta Ruck, 1914-[1922], containing draft passages of fiction, including passages from The Wrong Mr Right (London, 1922) (ff. 8-26 verso, 35 verso, 62 verso), together with notes and journal entries giving impressions of life in wartime in both Britain and France, March 1914-November 1915.
There are extensive notes concerning a journey to Paris and Bordeaux, apparently in the company of Menié Muriel Dowie, October-November 1915 (ff. 43 verso-48, 50-55, 56 verso-62, 63-64, 66 verso-67); as well as visits to aircraft works, 1914 (ff. 29 verso-32, 64 verso-66); and to Aberystwyth and the family home at Esgair, 1914-1915 (ff. 2, 3, 35, 41 verso-42). There are a number of pen and ink drawings by Ruck (notably ff. 24-25, 59 verso, 61).

Notebook of Berta Ruck, May 1933-May 1934, containing journal entries, including impressions of stays in Vienna, July, September 1933 (ff. 9 verso-10, 71-75, 84 verso-85), and the Tyrol, July-September 1933 (ff. 11-71), and brief notes for fiction. Some forty-nine mainly personal and family letters, cards and telegrams, press cuttings of articles by her, photographs, theatre programmes and other ephemera have been pasted in or are loose in the volume.
The correspondents include Marda Vanne, [June] 1933 (f. 8), Oliver Onions, February-August 1933 (ff. 38 verso, 91, 132, 136 recto-verso), Margaret Storm Jameson, 17 May 1933 (f. 88), A. M. Low, May-November 1933 (ff. 89, 92, 97 verso, 134 verso, 137 verso), James Agate, 25 January 1934 (f. 118), Louis Marlow, 20 March 1934 (f. 119 verso), and Ménie Muriel FitzGerald, April 1934 (ff. 123 verso-124). Her Tyrol journal includes a detailed account of location filming for the Basil Dean directed films The Constant Nymph (1933) (ff. 19 verso-51) and Autumn Crocus (1934) (ff. 52-71), her son Arthur being part of the film crew. Photographs in the volume include Ruck (ff. 36, 42 verso, 56), the actress Victoria Hopper (ff. 40 verso, 56) and other film crew (ff. 32-42 verso), on location, and Alys Meirion (f. 100). There are pen and pencil sketches by Ruck on ff. 21 verso, 75, 96 recto-verso, 114, 127 verso, 128 verso. On f. 91 is Oliver Onions' description, 26 February 1923 [recte 1933], of the funeral of Robin Anwyl, Llugwy.

Notebook of Berta Ruck, August-December 1938, containing a journal of a stay in Italy, mostly around Lake Garda and Venice, August-September 1938 (ff. 1-34), notes for fiction, and comments on the Sudeten crisis in Europe. Photographs, press cuttings, theatre programmes and twenty-six personal and family letters and cards, 1936, 1938, have been pasted in.
The correspondents include Oliver Onions, July-September 1938 (ff. 9 verso, 13 verso, 14 verso, 17 verso, 20 verso, 21 verso, 47 verso), Philip Connard, [1938] (f. 27 verso), and Marda Vanne, 4 August 1938 (f. 48); a letter on behalf of Queen Mary, 3 February 1936, acknowledges Ruck's letter of condolence on the death of George V (f. 3 verso). A programme and cuttings, October 1938, relating to the first production of the Emlyn Williams play The Corn is Green are ff. 34 verso, 36, 43-44. Among the photographs are two of Ruck in Venice and Cologne (ff. 45 verso, 49). The journal entries include an overheard conversation between a German and an Austrian concerning 'the Juden question' (f. 18) and a description of the former residence of Gabriele D'Annunzio at Gardone (ff. 29 verso-30)

Typescript, 1969, by Beryl Gonzales of her apparently unpublished work, 'Berta Ruck. A Study of Literary Romance', containing publishing details and plot summaries of Berta Ruck's novels and autobiographical works, 1914-1967, together with extracts from reviews of them.

Notebook of Berta Ruck, June 1918-September 1919, containing impressions of wartime life in North Wales and London and of her visit to the USA in 1919, later reworked and incorporated into chapters 16-25 of her autobiographical volume A Story-teller tells the Truth (London, 1935); also included are commonplace entries and extracts from letters received.

Notebook of Berta Ruck, September 1919-March 1920, containing impressions of her visit to the USA and comparing British and American life; a press cutting of a review of her novel The Immortal Girl (London, 1925) has been inserted on f. 57 verso.