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Manuscript pencil sketch, [1965], of Alun Hoddinott's 'Dives and Lazarus', a cantata for soprano and baritone soloists, choir and orchestra, with words written and adapted by Gwynno James.
The work was commissioned for the 1965 Farnham Festival and first performed on 20 May 1965. Also included is a manuscript copy of the words [?in the hand of Gwynno James] (ff. ii-iii) and a letter from Hoddinott to Felix Aprahamian, [28] March 1966 (f. i).

Nine letters, 1965-1971, from the poet, novelist and film director B. S. Johnson to the poet Bryn Griffiths, discussing the latter's poetry and prose contributions to Transatlantic Review and other publications edited by Johnson, as well as giving news of Johnson's own work.
Also included are a carbon copy of a testimonial from Johnson, supporting Griffiths's application for a bursary from the [?Welsh] Arts Council, [1967] (f. 4), and a contract (ff. 7-8) and letter (f. 9), February 1968, from the publishers Victor Gollancz, concerning Griffiths's article for The Evacuees, ed. by B. S. Johnson (London, 1968).

Correspondence and papers, 1964-1993, accumulated by J. E. Caerwyn Williams, mainly as editor of Y Traethodydd and Ysgrifau Beirniadol. Correspondents include John Gwilym Jones (2) 1976-1978, Saunders Lewis (7) 1967-1979, Thomas Parry (3) 1976-1978, and Kate Roberts (15) 1964-1978. Also included are manuscript and typescript drafts of contributions published in Y Traethodydd, including a short story, Pryder Morwyn, by Kate Roberts (ff. 47-54).

A revised manuscript ink score, [1964], of the overture for orchestra 'Jack Straw' by Alun Hoddinott.

Twenty letters, 1964-74, from David Jones (1895-1974), artist and writer, to the archaeologist Nancy K. Sandars. As well as containing references to his work, the letters discuss a range of topics including the history and prehistory of Wales.

Six letters and three telegrams, [?1963]-1972, from Richard Burton (in some instances jointly with wife Elizabeth), to his childhood friend and actor Dennis Burgess, containing personal and professional news, but mainly concerned with acting roles secured by Burton for Burgess in the films Bluebeard (1972) and Massacre in Rome (1973).
The letters were sent from the Dorchester Hotel, London, [?1963] (ff. 1-2), Sardinia, 1967 (ff. 3-4), Budapest, 1972 (ff. 5-10), and Munich, 1972 (ff. 11-12). Also included are letters to Burgess from Lord Snowdon, 18 May 1973 (f. 13), and Sir John Gielgud, 15 October 1979 (f. 15), and a photocopy of a telegram from Elizabeth Burton, 4 November 1975 (f. 14), inviting Burgess and his wife to Richard Burton's fiftieth birthday party. There are references to the films Becket (1964) (ff. 1-2), Doctor Faustus (1967) (ff. 3-4), Where Eagles Dare (1968) (f. 7), Bluebeard (ff. 5-10) and Massacre in Rome (ff. 11-12), and to the actor Hugh Griffith (f. 8)

A copy of a typescript draft, 1962, with autograph revision, of Saunders Lewis's play Problemau Prifysgol (Llandybïe, 1968).

A typescript copy, [1962]-1979, of Saunders Lewis's Welsh play 'Excelsior', first published Swansea, 1980, with corrections in the author's hand (ff. 1-56); together with correspondence, 1980, in English and Welsh, of the publisher Christopher Davies, regarding its publication in view of the allegation, when broadcast in 1962, that it libelled the Rev. Llywelyn Williams, MP (ff. 57-81).
The typescript consists of pages from the original script, [1962], transmitted on BBC TV on St David's Day 1962 (ff. 5-16, 20-21, 42-51), interspersed with revised sections, [1979], for an abortive stage version (ff. 17-19, 22-41, 52-56), and the new Preface for the published volume, April 1980 (ff. 2-4). The correspondence consists of nineteen letters, April-October 1980, including copies and drafts, mostly between Saunders Lewis, Christopher Davies, Sir Alun Talfan Davies and Glyndwr Williams, brother of Llywelyn Williams. A cutting of Clive Betts' article, 'Saunders Lewis publishes play BBC abandoned' (Western Mail, 1 December 1980, p. 9), is on f. 82. The 1962 and 1980 versions of the play both appear in Dramâu Saunders Lewis: Y Casgliad Cyflawn, Cyfrol 2, ed. by Ioan M. Williams (Cardiff, 2000), pp. 273-414.

Two Brenda Chamberlain holograph MSS: 'How the Caseg Broadsheets began' and 'How I came to illustrate the Ann Jones broadsheet'.

Letters to Rachel Bromwich from David Jones, artist and writer (3) 1961-1965, together with a copy of Agenda, vol. 4, no. 1 (April-May 1965), containing David Jones's poem The Hunt, with notes and corrections in the author's hand, and from Colin Wilcockson, Cambridge (2) 1974, one enclosing a copy of a letter, 1974, from David Jones (ff. 39-46).

Personal copies of J. P. Brown, Llangollen, of ‘Cylch Translations’, 1960-2007 (with gaps), a newsletter which he produced for members of the Cylch Catholig and others; included are items from the Welsh-language press of interest to Catholics. = Copïau personol J. P. Brown, Llangollen, o'r cylchlythyr ‘Cylch Translations’, 1960-2007 (gyda bylchau), a gynhyrchodd ar gyfer aelodau o’r Cylch Catholig ac eraill; maent yn cynnwys eitemau o’r wasg Gymraeg oedd o ddiddordeb i Gatholigion.

Typescript final draft, [c. 1962], of A Burnt Offering by Jack Jones (1884-1970), an unpublished biographical novel based on the life of Dr William Price (1800-1893), Llantrisant, pioneer of cremation.

A typescript draft of 'Have a Cigarette', an English translation by Saunders Lewis of his play 'Gymerwch Chi Sigaret? (Llandybie, 1956); the translation is apparently unperformed and unpublished.
The English translation amends the original Welsh version in some places, particularly in the second act, the most substantial emendation being an entirely new beginning to that act (ff. 18-21). There are also manuscript emendations and annotations by the author and another unidentified hand. The manuscript title-page (f. i) is in the hand of Saunders Lewis.

Ten letters, February 1960-April 1961, from the painter Augustus John, Fordingbridge, Hampshire, to the art collector [Emerich (Emo)] Telt[s]ch, mostly concerning John's work (ff. 1-3, 5-10, 13); together with one letter from Dorelia John to Teltsch, 19 August 1960 (f. 4), and one from the painter Jo[sette] Jones to Teltsch, [February 1961] (ff. 11-12).
The letters contain references to work on John's triptych 'Les Saintes-Maries de la Mer with Sainte Sara, l'Egyptienne' (ff. 3, 5-9, 13); Teltsch offered him up to £8000 for the work (see NLW MS 22786D, f. 68, and Michael Holroyd, Augustus John: The New Biography (London, 1996), p. 597). There are two letters, from John (f. 10) and Josette Jones (ff. 11-12), concerning John's apology for an ill-advised letter (not present) to Teltsch, criticizing drawings by Teltsch's God-child (unidentified).

One hundred and thirty-two letters and cards, 1959-1967, from Helen Thomas to Terence Cooper, London, containing mainly personal news and comments on Edward Thomas; also included are two letters, 1962-1965, from Myfanwy Thomas, daughter of Helen and Edward Thomas (ff. 45, 144).

A negative photostat facsimile of Welsh MS. 2 in the John Rylands Library, Manchester, being an incomplete early eighteenth century collection of poetry, largely in the form of 'cywyddau', by Sion Philip, Rhisiart Philip, Edmund Price [sic], William Cynwal, Evan Bry[dy]dd hir, Lewis Môn, Sion Cent, Tudyr Aled, David ap Gwillim [sic], David Nanmor [sic] and others. On p. 76 is a text of 'Brenin dlysau ynys Brydai[n]'. Later eighteenth century additions include a certificate of a declaration of an oath by Edd. Vaughan of Lanymowddy, Merioneth, 2 November, 1750, that a red heifer sold at Dinnas Mowddy and the herd from which it is taken are free from the infection now raging among horned cattle in the Kingdom.

Typescript transcripts, [?1977], by Myfanwy Thomas of letters and cards, dated 1959-1967, from her mother Helen Thomas to Terence Cooper, now NLW MS 23299C (ff. 9-175), together with a related letter, 1977, from her to Terence Cooper (f. 7), and typescript notes by the latter on his first three visits to Helen Thomas in 1959 (ff. 1-6).

Notebook, 1959-1961, of Caradog Prichard, poet and journalist, containing a fragment of a diary, in English, 3 November 1959-26 January 1960 (ff. 3-14 rectos); 'A Scheme For A Daily Newspaper In The Welsh Language' (ff. 16-18 rectos); notes for, and fragmentary draft of, Un Nos Ola Leuad (1961) (ff. 18v, 19-23 rectos, 61v); numerous drafts of poems, mainly of parts of 'Cân yr Hen' from his ode 'Cymru'; and miscellaneous notes and personal memoranda.

A postcard in the hand of the novelist E[velyn] Waugh, 1958, sent to a Miss Kirby and other papers relating to his family including a newspaper cutting relating to his son Auberon's accident in 1958, and references from Auberon Waugh, Will this do? : the first fifty years of Auberon Waugh : an autobiography (London, 1991).

One hundred and twenty-four autograph letters, 1959-1974, from painter-poet David ('Dafydd') Jones, all addressed to Valerie ('Elri') Wynne-Williams (née Price), with the exception of two to her husband Michael ('Mihangel') (ff. 54, 112-113) and one to them both (ff. 55-56), discussing a variety of topics including his, and her, health and living conditions, his work, his friends, the Welsh language and Welsh history and politics. Some letters are illustrated with coloured pencil, pen and ink drawings, mainly of animals and flowers (ff. 8, 32, 33, 45 verso, 46 verso-47, 48 verso, 76, 103, 104 verso, 152), inscriptions (ff. 9, 34, 124 verso, 128, 136 verso) and sketch maps of Harrow (ff. 143, 144).
There are references throughout to friends and correspondents including Saunders Lewis (ff. 2-11 passim, 42-188 passim), Harman Grisewood (ff. 4-192 verso passim), René Hague (ff. 42 verso-187 passim), David Blamires (ff. 160, 186, 190 verso, 192), Louis Bonnerot (ff. 123, 186 verso), Tom Burns (ff. 13, 14 verso, 48, 64 verso, 68 verso, 77, 85 verso, 86 verso, 89 verso, 110, 116, 140 recto-verso, 188 verso), Douglas Cleverdon (ff. 68 verso, 160 verso, 162, 163 verso, 187), Aneirin Talfan Davies (ff. 9 verso, 11, 14 verso, 16, 33 verso, 63 verso, 71 verso, 123, 124, 128, 129 verso, 154 verso, 162), Clarissa Eden (f. 107 verso), T. S. Eliot (ff. 51 recto-verso, 62 verso, 67 verso, 69 verso, 71, 73, 74, 85), Gwynfor Evans (ff. 29 verso, 31, 131-192 verso passim), Illtud Evans (f. 6, 11 recto-verso, 37, 46 verso, 57, 61), Arthur Giardelli (ff. 150, 151 verso, 171 verso, 186), Eric Gill (ff. 45 verso, 66, 67 verso, 68 verso, 121), Stanley Honeyman (ff. 84, 140, 154 verso, 159 verso), Morag Owen (ff. 59, 98, 140), Catherine Rousseau (née Ivainer) (ff. 36 verso-127 passim), Stephen Spender (ff. 81 verso-82, 83 verso, 91), Bill Stevenson (f. 158 verso) and Helen Sutherland (ff. 68, 97 verso, 157). There are also occasional references to Desmond Chute (f. 120 verso), Idris Foster (ff. 60 verso, 63 verso), Philip Jones Griffiths (ff. 1, 131), David Lloyd George (ff. 108 verso-109, 127 verso), Megan Lloyd George (ff. 18 verso, 20, 21-22), J. D. Innes (f. 49 verso), Augustus John (f. 85 verso), Alun Oldfield-Davies (ff. 37, 77), Tristram Powell (ff. 142 recto-verso, 144), Caradog Prichard (ff. 19 verso, 77, 108), Kathleen Raine (f. 59 verso), Keidrych Rhys (ff. 6 verso, 8, 9, 16, 30 verso, 36 verso), Meic Stephens (ff. 171, 175), Vernon Watkins (ff. 47, 128 verso), D. J. Williams (f. 106 recto-verso), Kyffin Williams (ff. 49, 63, 77) and R. O. F. Wynne and his family (ff. 61, 62, 63, 64 verso, 67 verso, 81, 94 verso, 96 verso¸ 98, 130 verso), and brief reminiscences of his experiences during the First World War (ff. 70 recto-verso, 76, 79 recto-verso, 108 verso-109, 130 recto-verso, 151 verso, 164). Also included is a copy of his letter, dated 10 August 1959, to Megan Lloyd George (f. 21; for her reply see NLW, David Jones (Artist and Writer) Papers CT3/3, f. 247); cuttings of letters to the Times by David Jones, Valerie Price and others, 1958 (ff. 193-196); and a copy of a 1959 photograph of the two by Philip Jones Griffiths (f. 197). The letter of 23 September 1973 (ff. 178-179 verso) was published under the title 'Yr Iaith' in Planet, 21 (January 1974), 3-5.