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Winifred Coombe Tennant Papers
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Art patronage,

Correspondence with Welsh artists, art patrons and administrators of art institutions, together with annotated catalogues, ephemera and press cuttings, almost all relating to Winifred Coombe Tennant's activities as a patron of Welsh art and art in Wales. Throughout this group of papers are notes added by Alexander Coombe-Tennant.

Vincent Evans,

Letters from Vincent Evans concerning his work and that of Evan Walters, together with a letter from Evan Walters about him.

Evans, Vincent, 1895-1976.

Cedric Morris,

Letters from Cedric Morris concerning art and social matters, together with related catalogues and press cuttings and a letter to him from Geoffrey Crawshay.

Morris, Cedric, 1889-1982.

Huw Owen Williams ('Huw Menai'),

Correspondence with Huw Menai concerning literature, art, social and personal matters, together with related notes, poems, press cuttings, and letters from mutual friends, and material relating to a petition for him to be granted a Civil List pension.

Menai, Huw, 1886-1961.

Isaac Williams,

Letters from Isaac Williams concerning art matters, especially in connection with the National Museum of Wales.

Williams, Isaac, art curator.

Margaret Lindsay Williams,

A letter from Margaret Lindsay Williams concerning the Artists' General Benevolent Institution, together with a social invitation card from her and an exhibition catalogue.

Williams, Margaret Lindsay, 1888-1960.

Japanese prints: : donation to the National Museum of Wales,

Letters relating to Winifred Coombe Tennant's acquisition of 57 Japanese prints in Normandy, and her subsequent donation of them in 1926 to the National Museum of Wales with the intention of their being used for educational purposes, together with a list of the prints, and letters on this subject and personal matters from Laurence Binyon.

Binyon, Laurence, 1869-1943.

Anthony Devis: : Glamorgan landscapes,

Correspondence, notes, catalogues and press cuttings relating to two paintings by Anthony Devis that were purchased by Winifred Coombe Tennant and lent to the Glynn Vivian Gallery in 1934, and subsequently exhibited at Preston in 1937.

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