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Eight letters, 1957-1961, from John Cowper Powys, Blaenau Ffestiniog, to Miss Marjorie L. Gay, Edinburgh, together with two letters, 1960, 1964, from Phyllis Playter, Blaenau Ffestiniog, to Miss Gay.

Typescript Report on Welsh manuscripts contained in the muniments of the College of Arms, by Major Francis Jones, presented to the College of Arms, 5 October 1957.

Twenty-two letters, 1957-1958, to George Ewart Evans as editor of the revised edition of Welsh Short Stories (London, 1959), from authors or their representatives, relating to prospective stories for the volume.
The authors include Glyn Daniel, 10 July 1957, [1957x1958] (ff. 1-2), Rhys Davies, May-July 1957 (ff. 4-5), Islwyn Ffowc Elis, May-June 1957 (ff. 6-7), Nigel Heseltine, 11 April 1958 (f. 8), Emyr Humphreys, 13 January 1958 (f. 10), Glyn [Jones], 3 January 1958 (ff. 11-12), Gwyn Jones, May-July 1957 (ff. 13-14), Roland Mathias, 1 July 1957 (f. 16), Idris Parry, 18 May 1957 (f. 18), Alun Richards, 19 January 1958 (f. 19), and Aled Vaughan, 11 June [?1958] (f. 22). There are also letters from David Higham, 9 July 1958, representing Margiad Evans (f. 9), Gweno Lewis, [1957x1958], widow of Alun Lewis (f. 15), and Paul Scott, March-April 1958, representing Cledwyn Hughes (ff. 20-21).

A typescript draft of Caitlin Thomas's autobiography, Leftover Life to Kill (London, 1957), apparently typed from tape or dictation (see, for instance, ff. 64-65), bearing her more or less final autograph revision, and containing some passages which do not appear in the published work, e.g. the summary of Dylan's usual domestic small talk (f. 39), and his inability to cope with the pestilent 'Bible manglers' of New York (f. 83).

Twelve holograph poems by Waldo Williams, [1956] (ff. 1-10), written down from memory with the encouragement of Prof. J. Gwyn Griffiths and Dr Kate Bosse-Griffiths at their flat in 1 Eaton Crescent, Swansea; with the exception of 'Arfau' (ff. 6 verso-7), all the poems appeared in the volume Dail Pren (Llandysul, 1956). Also included are page proofs of the first typesetting of Dail Pren prepared by Gwasg Gomer in June 1956 (ff. 11-103), arranged by the poet with the help of Prof. Griffiths and Dr Bosse-Griffiths and including a few manuscript emendations in the hand of Prof. Griffiths.
The first typesetting differs significantly from the first published version of November 1956, with the poet having omitted twenty of the sixty-three poems and added twenty-three new poems.

Papers of and relating to Thomas Harri Jones, [1956]-[2007], an Anglo-Welsh poet and to the publishing of his biography entitled T.H. Jones : poet of exile (Cardiff, 2001) by P. Bernard Jones and Don Dale-Jones, and a collection of his poems Lucky Jonah and other poems (Llanrwst, 2004) in The corgi series edited by Meic Stephens. The correspondence, 1992-2004, relating to the biography is between the two authors and Madeline Mitchell, widow of T. H. Jones and the papers include a typescript of his critical study on Dylan Thomas published in 1963, 'The birds of Rhiannon', a comedy in three acts, and three short stories by him, together with a BBC script 'Homage to a poet' written and read by Edward Richards, transmitted in 1965. Also two sketches of T. Harri Jones, one by M. Hew, [1960s].

Exhibition catalogues and other printed material, 1955-1988, relating to the artist and writer Brenda Chamberlain (1912-1971).

Letters, 1955, addressed mainly to T. I. Ellis, relating to securing a knighthood for Dr T. H. Parry-Williams 'for his services to Wales', including letters from Goronwy [Roberts] and James Griffiths. [He was knighted in 1958].

An autograph letter, 1955, from David Jones, artist and writer, enclosing proof corrections to his article 'History and pre-history' to be published in the literary magazine Dock Leaves.

Seven letters, 1955-1956, from Augustus John to Mrs Edith Saunders of the Hotel Santa Clara, Torremolinos, Spain, where the artist stayed from December 1954 to March 1955 (ff. 1-7 verso), together with one letter, 1955, from Dorelia McNeill to the same (f. 8); the letters contain mainly personal news and references to John painting a portrait of Mrs Saunders.

Seven letters and a postcard, 1953, from David Jones, artist and writer, to Elwyn Evans, principally concerning the arrangements for broadcasting 'Wales and the Crown', a radio talk by David Jones (see David Jones, Epoch and Artist, ed. Harman Grisewood (London, 1959), pp. 39-48); with some related papers, 1953-1962.

Nine letters and one card, 1953-1967, from David Jones, artist and writer, to Stuart Piggott (d. 1996), Abercromby Professor of Prehistoric Archaeology, University of Edinburgh, 1946-77 (ff. 1-11); together with a photocopy, 1996, of a journal entry by the latter, 16 June 1967, describing a visit to David Jones (ff. 12-14).

A holograph letter, dated 16 June 1953, from Dylan Thomas, Boat House, Laugharne, to his lover Elizabeth (Liz) Reitell, New York, concerning various personal and work matters. It was written soon after Thomas's return to Wales from his American tour and he describes his flight to London and his stay there in the days after the Coronation.
The letter is published in Dylan Thomas, The Collected Letters New Edition, ed. by Paul Ferris (London, 2000), pp. 994-5. The original envelope is included (f. 2a).

Ten letters, 1953-1964, from David Jones, artist and writer, to the painter and engraver Richard Shirley Smith and his artist wife Juliet Wood, mostly written, 1960-1961, while the latter were abroad studying in Italy. The letters, containing comments on David Jones's work and that of the recipients, were published in a limited edition, David Jones, Ten Letters ..., ed. by Derek Shiel (London: Agenda Editions, 1996); copy no. 1/150 was acquired with the letters and is filed with them.

A holograph draft of a section of Dylan Thomas’s story 'The Outing'.

One page of untitled holograph notes by Dylan Thomas, 1953, written whilst composing his last poem, the unfinished 'Elegy' to his father, David John (D.J.) Thomas, who died on 16 December 1952.
The work first appeared in print, as a 'previously unpublished poem', in Encounter, 6/2 (February 1956), and was included by Vernon Watkins as an appendix to the Collected Poems after 1956. For a copy of the poem as completed by Vernon Watkins, see NLW MS 22552E.

Correspondence and other papers, 1952-1990, of Morag Owen (née McLennan; later married name Bulbrook), relating to her friend the painter-poet David Jones, including eighteen letters and cards to her from Jones, 1952-1973 (ff. 1-15, 17-25), and one to her first husband Richard Owen, 28 July 1965 (f. 16), mostly concerning personal matters, Jones's health, Welsh grammar and placenames and the 'Old North'.
Four of the items are photographic reproductions of Jones's inscriptions, sent as Christmas, and other, cards (ff. 1, 3, 9-10); in three instances Jones has altered the photographs with the addition of further painted inscriptions (ff. 3, 9-10). A copy of the 1961 Faber Christmas card, designed by Jones, was sent by him as a ' Spring 1962' card (ff. 11-12; for a clean copy of the same card see ff. 39-40). Also included are letters to Morag from Barbara, [Countess of] Moray, 31 August 1977 (f. 26), Diana L. Austin, Oxford, April-May 1978 (ff. 27-31), and Thomas Dilworth, University of Windsor, Ontario, 1986-1990 (ff. 33-35), all concerning David Jones, as well as two draft inscriptions, presumably by Jones (ff. 36-37), a photograph of him, [1950x1970] (f. 38), a pencil drawing by Jones of a young woman in profile, [c. 1967] (f. 41), and press cuttings of three book reviews from The Times, 15 May 1978, p. 12 (f. 44), The Tablet, 3 June 1978, pp. 532-3 (ff. 45-46) and The Sunday Times, 18 June 1978, p. 40 (f. 47).

Some thirty letters, 1951-1960, from John Cowper Powys to Ron[ald] Hall, [?Coventry and Exeter] (ff. 1-61), three of which are incomplete (ff. 5, 11-13) and seventeen of which are in the hand of Powys's companion Phyllis Playter, as his amanuensis (ff. 14-57). The letters, some of which include line drawings by Powys, refer mainly to literary topics, including Powys's own works in progress, and to health and family matters. There are references throughout to Henry Miller. Also included are typescript transcripts of the letters, [?2000s] (ff. 62-93).
Extracts from the first two letters (ff. 1-4) were published in John Cowper Powys, Letters to Henry Miller, introduction by Ronald Hall (London: Village Press, 1975), pp. 13-14.

Three letters, 1951-1953, from Dylan Thomas and his parents to Dylan's cousin, Mai Griffiths of Cross Hands.
They consist of: a letter from Dylan, 16 December 1952, informing Mai of the death of his father that day (ff. 3-4; apparently unpublished); a letter from his father David John (Jack), 28 June 1951, sympathising with Mai on the recent loss of her husband and giving family news (ff. 1-2); and a letter from his mother Florence (Florrie), 4 May [1953], on the recent death of Florence's daughter Nancy (ff. 5-6).