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Notebook of Berta Ruck, September-November 1927, containing a journal mainly of her visits to Le Portel, near Boulogne (ff. 1 verso-14 verso), the Côte d'Azur (ff. 31 verso-58 verso), and Paris (ff. 59-68 verso), France, and notes for fiction. Some twelve letters from family and friends, playbills and other ephemera have been pasted in.
The correspondents include Ivor Nicholson, 28 September 1927 (f. 23 verso), and S[alomon] Reinach, 1 October 1927 (f. 24). There are references to Norman Haire (f. 15 verso), the death of Isadora Duncan (f. 9), and Sir Ray Lankester's ill health (ff. 25 verso-26 verso, 31, 34 verso, 47 verso). Also included are ink, pencil and watercolour sketches by Ruck (inside the front cover and on ff. i recto-verso, 3, 4 verso, 7, 8, 10 verso, 28, 40, 57, 65) and photographs of her (ff. 13 recto-verso, 14 verso), and her family (f. 22 verso). The photograph on f. 13 was published in A Story-Teller Tells the Truth (London, 1935), facing p. 276.

Notebook of Berta Ruck, October 1929-May 1930, containing journal entries recording her social life, family life and work in Windsor and London, as well as an account of her excursion to Zurich, Vienna and Budapest, April 1930 (ff. 41-47), a detailed description of the plane journey from Croydon, via Le Bourget, to Zurich, 17 April (ff. 36 verso-40 verso), and a typescript draft of a satirical play entitled 'Guests on Sunday' (ff. 12, 13 verso-18 verso). Some forty letters, cards and telegrams from family, friends and fans, photographs, cuttings, programmes and other ephemera have been pasted in.
The correspondents include Sheila Kaye-Smith, 12 January [1930] (f. 19 verso), Evelyn Waugh, [?1930] (f. 24), A. M. Ludovici, 27 March 1930 (f. 29 verso), and Alec Waugh, April 1930 (ff. 50, 52 verso). The volume contains sketches and drawings (f. 13, inside back cover) and poetry (inside front cover, f. 1) by Ruck. There are two lines of mirror writing on f. 29.

Notebook of Berta Ruck, May 1930-March 1931, containing journal entries, including accounts of her visits to Sweden, July 1930 (ff. 14-22), Germany, July, November 1930 (ff. 22 verso-28 verso, 69 verso-81 verso), Vienna, Austria, July-August, November-December 1930 (ff. 28 verso-42 verso, 82-91), and the French Riviera, August-September 1930 (ff. 44-61), and notes for fiction. Some fifty-two letters, cards and telegrams from family and friends, photographs, cuttings, programmes and other ephemera have been pasted in.
The correspondents include Marda Vanne, June-[December] 1930 (ff. 4, 62, 91), Oliver Onions, July-[August] 1930 (ff. 13, 30, 53), Alec Waugh, 22 June 1930 (f. 38), Hermon Ould, 30 September 1930 (f. 65 verso), Vicki Baum, 4 November 1930 (f. 78), Gwen Ffrangcon-Davies, [December] 1930 (f. 91), Norman Haire, [December] 1930 (f. 114 verso), Vita Sackville-West, 3 November 1930 (f. 121), and Cynthia Stockley, [December] 1930 (f. 129). The volume contains sketches and drawings (ff. 2 verso, 28 verso-29, 48-49, 87, 92 verso, 109, 123 verso) and poetry (ff. 67 verso, 73a-b, 88, 91-92 verso, 94 verso, 101 verso) by Ruck. The photographs include three of her with her sons (inside front cover, ff. 54, 60; the latter was published in A Story-Teller Tells the Truth (London, 1935), facing p. 166). Among the friends and acquaintances referred to in the volume are Ernst Hanfstaengl (79 verso, 80 verso-81 verso) and the writers Rebecca West (ff. 45 verso, 50 verso -51), Geoffrey Moss (ff. 49 verso-50, 54 verso, 57 verso), Vicky Baum (f. 71 verso) and Otto Friedländer (ff. 82 verso, 83, 84).

Notebook of Berta Ruck, October 1931-August 1932, containing journal entries, including an account of her stay in Vienna, October-November 1931 (ff. 2-31), notes for fiction, verses and sketches by the author and a record of her dreams. Some twenty-seven letters, postcards and telegrams from family and friends, photographs, cuttings and other ephemera have been pasted in.
The correspondents include Oliver Onions, [October 1931] (f. 21), Doris Langley Moore, December 1931-February [1932] (ff. 53, 87), Marie Belloc-Lowndes, [1932] (f. 54 verso), Marda Vanne, [1932] (ff. 70 verso, 76a), and Ferdinand Deutelmoser, October 1931, April 1932 (ff. 73, 91). The volume also contains ink sketches (ff. 60, 70, 71, 81 verso) and verse (ff. 47 verso, 66, 68, 93 verso) by Ruck, and a German translation by Deutelmoser of another of her verses (f. 25 verso).

Notebook of Berta Ruck, March-June 1931, containing journal entries including an account of a visit to Oxford, 16 May 1931 (ff. 28 verso-30), and notes for fiction and other work. Twenty-nine letters, postcards and telegrams, mostly from family and friends, February-June 1931, [December 1935], cuttings, photographs and ephemera have been pasted in.
The correspondents include Oliver Onions, April-May 1931 (ff. 34, 36 verso, 52), Robin Darwin, 20 March 1931 (f. 2 verso), Marda Vanne, 25 May 1931 (f. 8 verso), Alec Waugh, April 1931 (ff. 16 verso-17, 30 verso), and Doris Langley Moore, 12 May 1931 (f. 28); there are also four copy letters from Ruck to her father and others, March-April 1931, [December 1935] (ff. 1 recto-verso, 4-5, 14-15 verso, 38a-b). The volume also contains ink sketches (ff. 27, 30, 42, 44) and verses (ff. 20 verso, 32-33, 36, 40 verso, 44, 46) by Ruck. There are references to Doris Langley Moore's forthcoming biography of E. Nesbit (London, 1933) (ff. 25 verso, 28) and to Gwen Ffrangcon Davies (f. 40 verso). Besides a single copy letter there is no material dating from 1935 onwards (as alluded to on the front cover), presumably having being excised.

Notebook of Berta Ruck, July-August 1931, containing journal entries and notes on her visit to Vienna and Carinthia, Austria. Four letters, March 1931-September 1932 (ff. 10 verso, 18, 28, inside back cover), photographs and postcards, playbills and other ephemera have been pasted in.
The volume contains a photograph of Ruck (f. 15) and verse by her (ff. 1 verso, 4 verso). There are fragments of text on the stubs of ff. 13-14, 16-17, 21-28 and on the unfoliated stubs between ff. 17 and 18.

Notebook of Berta Ruck, August 1932-May 1933, containing journal entries, impressions of her stay in Vienna, October-November 1932 (ff. 12-54) and notes for fiction, short stories and articles. Some forty-four personal and family letters, cards and telegrams; press cuttings referring to her and to contemporary events; photographs; theatre, concert and film programmes (mostly German); and other ephemera, 1929-1930, 1932-1933, have been pasted in or are loose in the volume.
The correspondents include her husband Oliver Onions, November 1932 (ff. 42 verso, 84), Alec Waugh, [September] 1932 (f. 10 verso), Ivan Phillipowsky, [December 1932] (f. 64), Ménie Muriel FitzGerald (née Dowie), [1933] (ff. 72-73), and John van Druten, 27 October 1932 (ff. 85-86); a letter from Amy Mollison [i.e. Amy Johnson] to the Secretary of the London Airplane Club, 21 November 1932, is also included (f. 91). There are references to Maurice Bowra, whom she befriended in Vienna (ff. 22 verso, 24, 32, 37-38 verso) and Eric Maschwitz (ff. 52, 56, 66 verso, 75 verso, 84 verso), and references throughout to aviation and the exploits of famous aviators of her acquaintance. There are pen and ink drawings by Ruck on ff. 37 verso and 57.

Notebook of Berta Ruck, May 1933-May 1934, containing journal entries, including impressions of stays in Vienna, July, September 1933 (ff. 9 verso-10, 71-75, 84 verso-85), and the Tyrol, July-September 1933 (ff. 11-71), and brief notes for fiction. Some forty-nine mainly personal and family letters, cards and telegrams, press cuttings of articles by her, photographs, theatre programmes and other ephemera have been pasted in or are loose in the volume.
The correspondents include Marda Vanne, [June] 1933 (f. 8), Oliver Onions, February-August 1933 (ff. 38 verso, 91, 132, 136 recto-verso), Margaret Storm Jameson, 17 May 1933 (f. 88), A. M. Low, May-November 1933 (ff. 89, 92, 97 verso, 134 verso, 137 verso), James Agate, 25 January 1934 (f. 118), Louis Marlow, 20 March 1934 (f. 119 verso), and Ménie Muriel FitzGerald, April 1934 (ff. 123 verso-124). Her Tyrol journal includes a detailed account of location filming for the Basil Dean directed films The Constant Nymph (1933) (ff. 19 verso-51) and Autumn Crocus (1934) (ff. 52-71), her son Arthur being part of the film crew. Photographs in the volume include Ruck (ff. 36, 42 verso, 56), the actress Victoria Hopper (ff. 40 verso, 56) and other film crew (ff. 32-42 verso), on location, and Alys Meirion (f. 100). There are pen and pencil sketches by Ruck on ff. 21 verso, 75, 96 recto-verso, 114, 127 verso, 128 verso. On f. 91 is Oliver Onions' description, 26 February 1923 [recte 1933], of the funeral of Robin Anwyl, Llugwy.

Notebook of Berta Ruck, December 1934-July 1935, containing journal entries and notes for fiction and for her autobiography. Some thirty-seven letters and cards, November 1934-July 1935, as well as press cuttings, photographs, theatre programmes and other ephemera, have been pasted into the volume.
The correspondents include Gwen [Ffrangcon-Davies], [November 1934] (f. 1a verso), Marda Vanne, 24 November 1934 (f. 1g verso), Hermon Ould, [22] December 1934 (f. 13 verso), Alec Waugh, December 1934-[1935] (ff. 16 verso, 28 verso), Vita [Sackville West], 6 January 1935 (f. 20 verso), and A. A. Ruck, 6-16 June 1935 (f. 34 verso, 37). The volume includes accounts of a visit to the 'Flower Medium' (ff. 6 verso, 12-13 verso), a description of Gwen Ffrangcon-Davies and Marda Vanne's cottage in Essex (f. 21), and a brief description of meeting Amy [Johnson] and her husband (f. 44). Ink sketches by Ruck are on ff. 9, 22 verso-23; photographs of her and of family members are on ff. 16 and 34. Cuttings pasted into the volume include her short story 'Selling Rodney' (f. 26) and the obituary for her uncle, Major-General Sir R. M. Ruck, from The Times, 19 March 1935 (f. 27 verso). A call sheet, 28 March 1935, for the film Car of Dreams (1935) is on f. 31.

Notebook, December 1935-January 1936, of Berta Ruck containing diary entries, ideas for fiction, and pasted-in letters to her, including one, 1935, from Rudyard Kipling (f. ii). Also pasted in are press cuttings relating to contemporary events, including the death of Kipling and of King George V.

Notebook of Berta Ruck, July-December 1935, containing journal entries, including an account of visits to Zurich, Switzerland, August 1935 (ff. 15 verso-17), and Vienna and Klagenfurt, Austria, August-September 1935 (ff. 18-38), and notes for fiction. Some thirty-nine letters, postcards and telegrams, 1933-1935, photographs, cuttings, theatre programmes (in German) and other ephemera have been pasted in.
The correspondents include Oliver Onions, July 1935 (ff. 6, 9), her father, A. A. Ruck, July-August 1935 (ff. 8 verso, 25 verso), Ferdinand Deutelmoser, July-August 1935 (ff. 9 verso, 37), Ivan Phillipowsky, 27 November 1935 (f. 55), and Marda Vanne, [24] October 1935 (ff. 59). The volume also contains ink sketches and drawings by Ruck (ff. 42, 57, 66, 70 recto-verso, 72 verso, 73 verso, 75, 79) and photographs of her, [1904?] (inside front cover), [1935] (f. 79 verso). A number of the press cuttings (ff. 60a, 64 verso-65, 66 verso, 68 verso, 70 verso) relate to her autobiography, A Story-teller Tells the Truth (London, 1935); there are also references to the death of her friend Arthur Watts in an aeroplane accident on 20 July 1935 (ff. 4 verso-5, 6, 8 verso, 9 verso, 10, 11 verso).

Notebook of Berta Ruck, May-October 1936, containing journal entries recording her social and family life in Henley-on-Thames and London, and notes for fiction, in particular the novel Half-Past Kissing-Time (London, 1936) and various Christmas themed short stories. Some twenty-six letters and telegrams, mostly from family and friends, cuttings, programmes and other ephemera have been pasted in.
The correspondents include her father A. A. Ruck, June-October 1936 (ff. 14, 79 verso), sister Ursie [Ursula Griffith], July-August 1936 (ff. 47 verso, 56 verso, 60), and husband O[liver Onions], 16 September 1936 (f. 67), Noel Langley, 10 July 1936 (f. 29), Alec Waugh, [n.d.] (f. 60), Gertrude Lawrence, 14 September 1936 (f. 64 verso) and Rebecca [West], [n.d.] (f. 79). The volume contains references to Amy [Johnson] Mollison (ff. 1, 8 verso) and Norman Haire (ff. 37 verso, 43 verso, 44 verso) and includes ink sketches by Ruck (ff. 52, 68) and the seating plan and menu for H. G. Wells' 70th birthday party on 13 October 1936 (ff. 75 verso-76).

Notebook of Berta Ruck, January-May 1936, containing diary entries, ideas for fiction, comments on the progress of her writing and on contemporary events, and pasted-in letters and cards to her, including one each from Sir Maurice Bowra (f. 37) and Rebecca West (f. 15). Also pasted in are press cuttings, mainly relating to the European political crisis but also including articles on the death of Rudyard Kipling, George V and A. E. Housman.

Notebook of Berta Ruck, January-June 1937, containing diary entries, ideas for fiction, comments on the progress of her writing, and pasted-in letters and cards to her, together with her typescript account of attending the trial at the Old Bailey of Saunders Lewis, Lewis Valentine and D. J. Williams, sketches of the defendants and related press cuttings and correspondence. Also pasted in are press cuttings relating to other contemporary events, including the coronation of George VI and the marriage of Edward, duke of Windsor.

Notebook of Berta Ruck, September 1937-June 1938, containing journal entries including comments on contemporary events, notes for fiction and articles. Some forty-eight letters, cards and telegrams, mostly from family and friends, cuttings, photographs and other ephemera have been pasted in.
The correspondents include A. A. Ruck, September 1937-April 1938 (inside front cover, ff. 73, 91), Alec Waugh, October-[December] 1937 (ff. 13, 44), Norman Haire, 29 October 1937 (f. 18), Oliver Onions, 1937 (f. 19 verso), Nathaniel Gubbins, 19 November 1937 (f. 27), Alys Meirion, [1937] (f. 29 verso), Naomi Jacob, 19 December 1937 (f. 36), and Peter Wykeham Barnes, [December 1937] (f. 36 verso). The volume also contains ink sketches and drawings by Ruck (ff. 54, 57, 59 verso-60, 63, 69 recto-verso) and a photograph of her, [1938] (f. 51). The press cuttings include articles by Ruck (ff. 59, 79, 80 verso) and an article from the Daily Express, 12 November 1937, about her son, Arthur Oliver (ff. 26 verso-27). Various press cuttings and letters from Austrian friends (ff. 49 verso-58 verso passim, 80a) discuss the Anschluss in March 1938.

Notebook of Berta Ruck, August-December 1938, containing a journal of a stay in Italy, mostly around Lake Garda and Venice, August-September 1938 (ff. 1-34), notes for fiction, and comments on the Sudeten crisis in Europe. Photographs, press cuttings, theatre programmes and twenty-six personal and family letters and cards, 1936, 1938, have been pasted in.
The correspondents include Oliver Onions, July-September 1938 (ff. 9 verso, 13 verso, 14 verso, 17 verso, 20 verso, 21 verso, 47 verso), Philip Connard, [1938] (f. 27 verso), and Marda Vanne, 4 August 1938 (f. 48); a letter on behalf of Queen Mary, 3 February 1936, acknowledges Ruck's letter of condolence on the death of George V (f. 3 verso). A programme and cuttings, October 1938, relating to the first production of the Emlyn Williams play The Corn is Green are ff. 34 verso, 36, 43-44. Among the photographs are two of Ruck in Venice and Cologne (ff. 45 verso, 49). The journal entries include an overheard conversation between a German and an Austrian concerning 'the Juden question' (f. 18) and a description of the former residence of Gabriele D'Annunzio at Gardone (ff. 29 verso-30)

Notebook of Berta Ruck, Aberdyfi, September-December 1939, containing journal entries and comments on the progress of the war. Press cuttings relating to contemporary events, photographs and some forty-six letters and postcards, mostly personal, to the author have been pasted in.
The correspondents include her son Arthur Oliver, October-[November] 1939 (ff. 13-14, 16, 33 recto-verso, 42-44), Ménie Muriel FitzGerald, 2 October 1939 (f. 12 verso), Michael Joseph, October-November 1939 (ff. 12 verso, 40, 59 verso), Anthony Thorne, [1939] (f. 34), Horace Horsnell, 28 November 1939 (f. 59), Harold Nicolson, 21 November 1939 (f. 59a), and Osbert Sitwell, 28 November 1939 (f. 60 verso). There are numerous references in journal and letters to the marriages of both her sons, Arthur and Bill, in October 1939. Among the photographs are one of Ruck (inside front cover) and two of Bill Oliver (inside front cover, f. 36 verso).

Notebook of Berta Ruck, September 1939, recording her move from London to Aberdyfi, Merionethshire, at the outbreak of war and commenting on contemporary events. Press cuttings relating to the war and thirty-five letters and postcards to the author, August-September 1939, mainly from family and friends, have been pasted in.
The correspondents include Oliver Onions, discussing his own move to Aberdyfi, September 1939 (ff. 16 verso, 45, 47, 53 verso, 59, 60, 64), and Tony Thorne, 17 September 1939 (f. 67 verso). She records the engagements of both her sons (ff. 51, 65).

Notebook of Berta Ruck, December 1939-May 1940, containing journal entries, comments on the progress of the war and notes for fiction. Press cuttings relating to contemporary events, other ephemera and some sixty-nine letters, postcards and Christmas cards, mostly to the author, have been pasted in.
The correspondents include Oliver Onions, 25 December 1939 (f. 20), Arthur Oliver, December 1939-May 1940 (ff. 2b, 20 verso, 51, 57, 63-65 verso), Vicki Baum, 25 November 1939 (f. 2), Edith Heal, [December 1939] (ff. 2a, 20 verso), Anthony Thorne, December 1939, March 1940 (ff. 7 verso, 56 verso), Osbert Sitwell, Christmas [1939] (f. 19 verso), Ménie Muriel FitzGerald, [1939] (f. 22 verso), Naomi Jacob, [December 1939] (f. 26 verso), Alys Meirion, 29 December [1939] (f. 27), Lieut-Cmdr Bradwell T. Turner, [February 1940] (f. 47 verso), Alec Waugh, [December 1939] (f. 51 verso), Sir Kenneth Barnes, 4 April 1940 (f. 57 verso), and Horace Horsnell, 2 April 1940 (f. 58). One letter from 'Effie', [January 1940], discusses the state of Ménie Muriel FitzGerald's health (f. 35 verso). The press cuttings include several political cartoons relating to the war (ff. 39 verso, 52-53 verso).

Notebook of Berta Ruck, February-September 1939, containing diary entries, ideas for fiction, comments on the progress of her writing and on the threat of war, and pasted-in letters and cards to her, including one from J. B. Priestley (f. 23 verso). Also pasted in are press cuttings relating to contemporary events including the death of W. B. Yeats and the European political crisis.