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Manuscript volume belonging to L.M. Gore, containing elegies, odes, epitaphs, French chansons, other songs, popular rhymes and prose compositions on generally on romantic or bucolic themes, and on the Napoleonic Wars, 1785-1807. They include unpublished Lines by Mrs [Frances] Grevelle; a eulogy of Isaac Corry by Mrs [Henrietta] O 'Neill; To_'Fanny farewell...' by William Gore; copies of published works by Sir Brooke Boothby, William Cowper, Wentworth Dillon, Samuel Johnson, George Lewis, Richard Mant, Thomas Moore, Dr Thomas Percy, Mary Darby Robinson, 1788, William Roscoe, R. B. Sheridan, Thomas Sheridan, and Esther Vanhomrigh. Other titles comprise Inscription on the Cave in the Wood at Barrrowmount, 1786, To a Favorite Sister on her Birthday by 'An Etonian' [William Gore], To Eliza Gore with a Bouquet, 1797, To Capt William Gore Leaving Ireland, 1805, The Tears of the Cruets on Taxing Vinegar and Salt, 1805, and several other anonymous or unidentified works. Many other items in the volume are associated with the theatre and personalities such as David Garrick, Mrs O 'Neill of Shanes Castle, 1785, Madam Mara, 1795, Mrs Jordan at Drury Lane, 1798, George Baker, 1803, [George] Colman, Thomas Dibdin, 1803, and Robert Elliston, 1804; there is also a prelude to a children 's play, The Desert Island; and Prelude by Richard Cumberland upon Nelson 's death, 1805.

Manuscript poems and songs, both loose and in small pamphlets, dated between 1794 and 1850, many of which are concerned with Irish life and politics. They include a Funny Club compiled from Irish society (Watermark 1794); Poems for Various Occasions and other verses by William Gore, 1796-1797; an allegorical song on the local mounted militia at Ballinamore (Watermark 1801); items relating to the life and death of George Nugent Reynolds; The Meeting of Eating and Drinking, a parody of Thomas Moore 's Meeting of the Waters; The Counterfeit Presentment of 3 Surgeons, (Watermark 1803); the death-bed prayer of Jane Harriet Gore, 1810; The Burning of Moscow probably by Ralph Gore; verses to William Ormsby-Gore MP referring to him as a champion of women, 1850; known published works; and verses by unidentified authors. Further poems describe travels in Africa, the marriage of a black man and woman in the Northampton Regiment quartered at Carrick-on-Shannon; the attempted assassination of George III [1800]; a coach journey from Bath; and translations of Spanish lyric poems.

Notebooks containing copies of published poems, ballads, songs and prose works in English, French and Italian, translations from classical and continental authors, and original compositions, compiled mainly by Frances Morres Gore in her own hand, with some contributions by others and a small number of printed items, 1809-1832. The authors most commonly represented here are Lord Byron, Mme de Stael, Thomas ('Anacreon') Moore, Mary Robinson, Robert Southey and Edward Young. Others include Robert Burns, Thomas Campbell, William Cowper, Richard Cumberland, Thomas Dibdin, Mme de Genlis, Oliver Goldsmith, Reginald Heber, Horace, Leigh Hunt, John Langhorne, C[harles] L[loyd]?, John Milton, Mary Russell Mitford, James Montgomery, Cornelius Neale, Sydney Owenson, Petrarch, Alexander Pope, Charles Phillips, Sir Walter Scott, Percy Shelley, James Smith, Mary Tighe, Voltaire and Richard West, as well as Frances Morres Gore and her son William Gore. The content of the volumes is similar throughout, with the exception of the last. Many of the works relate to themes of romance, friendship, women, mortality, moralistic and philosophical platitudes, mythology, the natural world and the Irish landscape. Other compositions concern historical figures, the foibles of contemporary society, antipathy to the Georgian monarchy, Hanoverian government policies, and the Napoleonic Wars. Mrs Gore 's interest in the theatre is evidenced by a significant number of items referring to actors and playwrights, George Colman, William Conway, Robert Elliston, David Garrick, the Kemble family, Henrietta O'Neill, Alexander Fisher Palmer, Shakespeare, R.B. Sheridan and Sarah Siddons in performances at various English and Irish theatres between 1808 and 1824.