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Papers, [early 20 cent.]-1979, of or relating to the contralto Margaret Jones (afterwards Roberts) (Leila Mégane), Pwllheli, and her husband the composer and musician Thomas Osborne Roberts.

Papers, [early 20 cent.]-1969, of or relating to Leila Mégane, including typescript copies of her autobiography, 1946-[c. 1960], letters addressed to her, 1914-1960, papers relating to Jean de Reszke, 1933-1959, a journal, 1957, and scrap-albums, [early 20 cent.]-[c. 1958].

A typescript copy with autograph revisions, additions and notes, 1946-1947, of 'In the Springtime of Song', the unpublished autobiography of Leila Mégane.

A typewritten transcript, [c. 1960], by Effie Isaura Osborne Hughes, of NLW MS 15281C, incorporating her mother's corrections, additions and notes.

Letters, 1934-1949, to Leila Mégane concerning the proposed publication of her autobiography. Among the correspondents are Eric Johns (1), 1937, Gwilym Richard Jones (1), 1934, Caradog Prichard (1), [1930s], Robert David Rowland (Anthropos) (1), [1930s], and Count John Francis Charles de Salis (1), 1935. Also included are a foreword to the autobiography by Sir Percy Loraine, 1934, a list of photographs for inclusion in the book, and four letters, 1955-1956, concerning its serialization in the Caernarvon & Denbigh Herald & North Wales Observer, November 1955-April 1956.

Over one hundred and fifty letters, 1916-1959, to Leila Mégane relating mainly to her singing career and including letters from Sir Granville Bantock (2), 1934, Lilian Baylis (1), 1935, Benjamin Grey Davies (2), 1923-1936, Edward Tegla Davies (1), 1953, Walter Johnstone-Douglas (5), 1921-1956, Benno Elkan (2), 1945, Franklin Engelmann (1), 1955, Frances Louise Lloyd George, Countess Lloyd George of Dwyfor (14), 1945-1948, Lady Megan Arfon Lloyd George (2), 1945-1946, Otto Hermann Kahn (3), 1923-1933, Count John McCormack (1), 1937, Robert Owen, Croesor (1), 1954, Robert Williams Parry (5), 1948-1949, Nansi Richards (Telynores Maldwyn) (1), 1959, Sir Landon Ronald (1), 1934, Richie Thomas, Penmachno (1), 1953, Emlyn Williams (10), 1951-1956, Thomas Nefyn Williams (2), 1958, and Sir Henry Joseph Wood (1), 1934, with notes and comments concerning the correspondents added by Leila Mégane on many of the letters. Letters, 1920-1960, to other individuals relating to Leila Mégane include four to T. Osborne Roberts and one to Frances Louise Lloyd George, Countess Lloyd George of Dwyfor (ff. 226-241 verso).

Letters to Leila Mégane, in French, from Jean de Reszke, tenor (44), 1914-1923, and, in English, from his wife Marie de Reszke (1), 1930, relating to business and personal matters, with notes added, 1956-1958, by Leila Mégane.

Typed annotated transcripts and English translations by Heulwen and Hedydd Isambard Owen, Abersoch, 1956-1959, of the letters in NLW MS 15285E, with notes added, 1956, in the hand of Leila Mégane.

Letters and papers, 1933-1959, concerning Jean de Reszke in connection with the proposed publication of Leila Mégane's autobiography. They include letters to Leila Mégane from Walter Johnstone-Douglas (4), 1956-1958, permits from members of the de Reszke family to publish the correspondence of Jean and Edouard de Reszke (4), 1956-1957, a review of Clara Leiser, Jean de Reszke and the Great Days of Opera (London, 1933), and miscellaneous notes, 1958-1959, by Leila Mégane.

Twenty-four letters of sympathy, 1948, to Leila Mégane on the death of her husband, T. Osborne Roberts (ff. 1-32), together with letters and testimonials to T. Osborne Roberts, 1930-1948 (ff. 33-41), letters to Effie Isaura Osborne Hughes, daughter of Leila Mégane, relating to her mother (6), 1960-1968 (ff. 42-47 verso), and miscellaneous correspondence (5), 1919-1966 (ff. 48-54).

Eight letters of introduction, 1924, written by Marion Morgan Kemp in Rome on behalf of Leila Mégane in connection with her visit to the United States of America.

Thirty-four letters, 1917-1922, mostly in French, from admirers in France to Leila Mégane following her performances at the Opéra Comique, Paris, including one, 1920, from Jean de Reszke (f. 14), with notes added in the hand of Leila Mégane.

Thirty-seven letters, 1923-1930, from children in Wales to Leila Mégane, with a note in her hand (f. 27).

A notebook containing a journal kept by Leila Mégane during her visits to Rome and Paris in 1957.

Papers of Leila Mégane, [1948x1960], including a typescript with revisions and additions in her hand of 'The Parting', being an account of the life and death of her husband, Thomas Osborne Roberts (ff. 1-15); additional notes in her hand relating to his death (ff. 16-20); typescript and autograph copies of an account of her conversations with Dame Nellie Melba concerning Jean de Reszke (ff. 21-25); and her observations on life, death and the arts (ff. 26-33).

A volume containing brief notes by Leila Mégane on buildings in Rome written after her second visit to Rome in 1918 (ff. 1-4 verso); and lists in her hand, 1951-1956, of gifts she made after the death of her husband, T. Osborne Roberts (ff. 5-9 verso, 10 verso-11 verso), and of items given to her early in her singing career (f. 27).

A scrap-album compiled by Leila Mégane, [c. 1958], containing photographs, postcards, press cuttings and notes relating to her career, family and friends, 1916-1958, and including a card from William Evans (Wil Ifan), 1958 (f. 3), the receipt for the first hundred guineas paid to Jean de Reszke for her tuition, 1920 (f. 30), and papers relating to the Leila Mégane Scholarship Trust Fund (ff. 7 verso-10, 15).

A scrap-album compiled by Leila Mégane containing press cuttings, 1925, 1955-1956, relating to her life and singing career, in particular a series of articles about her from the Caernarvon & Denbigh Herald & North Wales Observer, November 1955-April 1956 (ff. 1 verso-23 verso).

A scrap-album compiled, [c. 1958], by Leila Mégane, containing correspondence, press cuttings and other papers, 1911-1945, relating to her career, family and friends, including letters from Frances Louise Stevenson (afterwards Countess Lloyd George of Dwyfor) (1), 1934, Dame Margaret Lloyd George (4), 1919-1935, Dame Helen 'Nellie' Melba (1), 1919, Robert David Rowland (Anthropos) (1), 1934, and Dame Sybil Thorndike (1), [mid 20 cent.], with notes by Leila Mégane.

A scrap-album compiled, [c. 1957], by Leila Mégane, containing correspondence, press cuttings and other papers, 1919-1957, relating to her career, family and friends, and including her engagement contract with the Opéra Comique, Paris, 1919 (f. ii), notes by her on the Delsarte method of acting (ff. iv-v), and a letter from the composer Reynaldo Hahn (1874-1947) to Jean de Reszke, [early 20 cent.] (f. vii), with notes by Leila Mégane.