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View looking through a doorway into a cottage dining room and out to a room beyond. On the dining room table is a paraffin lamp.

Plant pots and cobwebs on a windowsill.

A three-quarter portrait of a a stubbly William Morgan, photographed from a low viewpoint and in strong sunlight.

A three-quarter portrait of a young woman with dark hair, looking pensively towards the left.

Print with a white border of cliffs and a sandy beach on which two people are walking. The photo has been shot into the sun giving a chiaroscuro effect

A tree trunk which has been coppiced in the past thus sending up numerous shoots, now mature.

Sian, daughter of Ifor & Joy Thomas, aged about seven years old, wearing a paisley scarf and standing next to a highly textured feature, perhaps part of a sculpture.

Three-quarter portrait of an unshaven man facing left, with sweat on his brow. His eyes are closed and he appears to be facing into the sun.

Ifor Thomas wearing a highly ornate gown and seemingly on a stage set. The set is dominated by two religious icons. Ifor is looking downwards and away from the camera.

A flat, arable landscape in winter. The skyline is punctuated with a number of bare trees. In the foreground a country road runs left to right, seperated from a field by a hedge.

Close up portrait of a man with moustache and stubble photographed in bright light.

A sepia tinted print showing haymaking equipment forming a strong diagonal from top left to bottom right of the photo. In the middle distance, on the extreme left, are a man and horse. In the far distance a stand of trees.

A pastoral landscape dominated by two features - a stand of trees on the near horizon and a wooden fence running from the right foreground to left of centre. The fence leads the eye into the picture and towards the trees.

A head and shoulders portrait of a smiling Ifor Thomas in a Royal Navy uniform. The hatband reads HMS Pembroke. This was one of a number of shore based establishments established during WW2.

Five pigs in an orchard. Behind them is a shed with the door open. A sheep is looking out through the door.

A photograph of a painted cartouche showing an angel and a small view of the front of The Angel Posting House & Livery, Guildford. The top, bottom and sides have scrollwork designs, the background of the whole has been painted to give a fake wood effect.

Photograph of a watercolour painting of farm buildings. The centre of the picture is dominated by a clapboard structure with a hipped pitched roof, open on all four sides to a height of twelve feet or so, possibly a winnowing barn.

Photograph of a boy wearing a short-sleeved white shirt and a school cap. A wooden box on which is printed 'Virol Limted London' is strung around his neck by a piece of string attached to two nails in the sides of the box. The box contains pencils. This believed to have been taken by Joy Thomas (nee Morgan) on her scholarship to Jamaica in 1937.

Ifor Thomas wearing an open-necked white shirt crouching next to a Paillard Bolex H-16 cine camera. His left hand is holding the camera and quick-release platform of the tripod, the right hand is holding the pan-handle. The camera is pointing towards the top right of the photo, Ifor is looking towards the left hand side. The photograph has been taken on a sandy beach.

A girl of approximately twelve years of age wearing a white woollen jumper and a hairband. Her chin is resting on her right hand and she is looking twards the bottom right.