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Papers, 1953-1990, of Glyn Jones, including four letters, 1953-1979, by him to various recipients, and one letter, 1958, to GJ from A. G. Prys-Jones, all of which relate to Dylan Thomas; together with a script, [1979], containing autograph corrections and additions, of a talk by GJ which appears to be an introduction to a performance of 'Under Milk Wood'; and photostat copies of seventeen letters, 1934-1953, to GJ from Dylan Thomas, with typescript copies of the same annotated by GJ and Ralph Maud. Also included is a manuscript draft of a series of five articles by GJ about Dylan Thomas published in The Western Mail, 1958; a postcard, 1958, from Richard Evans praising the articles; a scrapbook belonging to GJ containing articles and papers, 1953-1986, mostly relating to Dylan and Caitlin Thomas; additional notes and drafts of talks, [1954x1970], by GJ about Dylan Thomas; and papers relating to the Dylan Thomas summer schools at Swansea (1974) and Aberystwyth (1990) attended by GJ.

Uncorrected galley proofs, [1965], of Constantine FitzGibbon's work, The life of Dylan Thomas (1965), containing some amendments in Ralph Maud's hand and typescript suggestions for alterations to the text; together with fourteen letters, 1963-1964, from the author to Glyn Jones, Daniel Jones and Mervyn Levy.

First draft, 1982, of the post-production script of the BBC Wales film about Dylan Thomas, 'I sing to you strangers', produced by John Ormond, and annotated by him; this copy was presented by JO to Glyn Jones, a participant in the programme, and his wife Doreen. Also included is a cutting, 1983, relating to the film.

Correspondence, including letters from publishers, mostly concerning poetry by Gillian Clarke including The sundial, with a copy of the agreement with the publishers (1978), and Poetry introduction 3. Also included are drafts of the poems 'Rhiannon' a 'Pwyll'. Among the correspondents are Tony Curtis (3); Douglas A. Bassett (3); Nigel Jenkins (2); Meic Stephens (9); Michael Quinn (2); Hamish M. Brown (2); Derek Mahon; John Rowlands; Gwyn Jones; Peter Finch; Roger Garfitt; Michael J. Collins (2); Sally Roberts Jones; Glenn Storhaug; Cary Archard; Dannie Abse (2); Graham Allen (2); Lesley Grant-Adamson; Frank Ormsby (3); Charles Causley (2); Gwyn Erfyl; Jon Dressel; Glyn Jones; John Ormond (2); Peter Elfed Lewis (3); Sam Adams (2); and Stewart Conn (2).

Some one hundred and fifty letters, 1944-1997, mostly in English, to John Elwyn from various correspondents (surnames A), both personal and work related.
The correspondents include Sam Adams, 1988, [?1995] (ff. 65-66 verso), Richard Allen, 1971, 1976 (ff. 68-69 verso), David Brynmor Anthony, 1944-1963 (ff. 90-101, English and Welsh; including some (ff. 94-101) on behalf of the Contemporary Art Society for Wales), their friends George and Ann Aceves, 1979-1996 (ff. 7-62), the Alresford Gallery, Winchester, 1991-1997 (ff. 70-89), the Glynn Vivian Art Gallery, Swansea, 1960 (ff. 102-105), and the Attic Gallery, Swansea, 1988-1997 (ff. 108-178). There are references to a tribute evening to Glyn Jones, 1995 (ff. 2-6), and a memorial exhibition for David Bell, 1960 (ff. 102-104).

Miscellaneous papers, 1944-1995, of John Elwyn, in English and Welsh.
They include testimonials, 1947, from his tutors at the Royal College of Art, including Percy Horton and Gilbert Spencer (ff. 1-4); notes for teaching painting, 1944-[?1970s] (ff. 5-63); prize certificates, 1982, 1984 (ff. 66-67); tributes to Glyn Jones by John Elwyn, 1995 (ff. 76-91), M. Wynn Thomas, 1995 (ff. 92-93), and Harri Pritchard Jones, 1991 (ff. 94-95); a curriculum vitae, [1993] (ff. 96-100); and designs, proofs and photocopies of illustrations by the artist for various publications (ff. 101-168), including Leslie Harries, Chwe Drama Fer (Llandysul, 1944) (ff. 107-121), Tywysydd y Plant, 90 (1946) (ff. 122-128) and Dafydd ap Gwilym, Houses of Leaves (Llandogo, 1993) (ff. 129-163).

Includes letters from Betty Mulcahy (2); Mavis Carter (6); Robert Minhinnick; Gwyn Parry (11, including a poem); Shelagh Hourahane (2); Berlie Doherty (3); Christine Evans (2); Mary Oldham; Lesley Grant-Adamson (4); Candyce Clayton (2); Berenice Moore (3); Cary Archard; Irene E. Thomas; Angela Morton (6, including a poem); Howard Bowcott; Anna Jauncey (3); Julia Bell; Moelwyn Merchant (2); Cora Greenhill; Alison Leonard (including a poem); Michael Horovitz; Maggie Hannan (including poems); Myra Schneider (including a poem); Gerard Casey; Gwyn O. Jones (2); Bill Headdon; Tony Curtis (copy); T. A. Owen (2); Roland Mathias (2); Glyn Jones (2); Eric Alexander (enclosing poems); Maurice Rutherford (3); Michael Holroyd (2); Roger Garfitt; Enid Luff; Meic Stephens; Carys Bell; Kate Foley; and Jeremy Hooker.

Pencil score and fragmentary sketch; and a typescript copy of the text.

Full and vocal scores, a pencil sketch, and a synopsis of the opera; together with copies of the libretto and related letters from Glyn Jones.

Correspondents include Nicholas Jackson (18), [1982?]-1988; Gordon Jacob (8), 1962-1967; Daniel Jones (10), 1951-1974 (including a letter from his wife, Irene); Glyn Jones (3), 1959, 1970, 1973; Glynne Jones (11, with one reply from AH), 1975-1994; Gwyneth Jones (4).

Includes letters from Eiluned Rees (5), Bernard Dunstan (4), John Knapp-Fisher, David Carpanini (2), Jill Piercy, David Griffiths (6), Miriam Hughes, Glyn Jones (2), Jack Raymond Jones (3), Alwina H. Thomas, Moelwyn Merchant (2), John Ward (3), John Meurig Thomas, Adrian Berg, Joan Woodcock, Cledwyn Hughes, and Emyr Wyn Jones.

Diary of Raymond Garlick for the year 1997 with one week to view, giving an account of his daily life and interests and comments on the news (ff. 1 verso-53 verso).
The volume includes references to Jan Morris (f. 2), Pennar Davies (f. 4), Jon Dressel (ff. 4-48 passim), Ioan Bowen Rees (f. 6), Labi Siffre (ff. 7 verso, 8 verso), Janet Dubé (ff. 9 recto-verso), Norah Isaac (ff. 10, 45), Glyn Jones (f. 12 verso), Bernard Mitchell (ff. 13, 17), R. S. Thomas (ff. 14 verso, 17-18, 42, 49, 53), Walford Davies (ff. 42, 48 verso, 49), Roland Mathias (ff. 46 recto-verso) and Brenda Chamberlain (ff. 50, 51 verso). A few newspaper cuttings have been pasted in on ff. 5 verso, 13, 16, 57.

Four foolscap pages, [1939], containing typescript copies of the poems 'It is the sinners' dust-tongued bell', 'How shall my animal', 'The tombstone told when she died' and 'A saint about to fall' by Dylan Thomas; his signature is inscribed in ink beneath each poem, and the typed titles, 'Three', 'Nine', 'Ten' and 'Twelve' respectively, have been crossed out and replaced with the heading 'Poem'. These copies may have been produced in preparation for The map of love (London, 1939), and appear to have been sent by Dylan Thomas to Thomas Taig for a proposed 'dramatic presentation' of Anglo-Welsh poetry at a London theatre in September 1939. Also included is a photocopy and photograph, [1953x1990], of the first page of a letter from Dylan Thomas to Thomas Taig, 23 August 1939; together with photocopies of poems in his hand, typescript copies, and printed copies of poems, [1939x1990], intended for the production, by various authors, including Glyn Jones and Keidrych Rhys (one containing amendments by the author).

Scripts of seven radio broadcasts, 1950-1966, by Glyn Jones, or programmes in which he participated. Some contain manuscript amendments in his hand. Also included is a copy of 'Letter from Tuscany', 1986, by John Ormond, presented by the author to Glyn Jones in 1988. It appears that a number of scripts were given to Meic Stephens in 1988, and two letters from him to Robin Reeves, 1996, are attached to a copy of 'An interview between Rhys Davies and Glyn Jones', 1950.

Llythyrau, [1962]-[1970]. Ymhlith y gohebwyr mae Selwyn [Jones] (15), A. O. H. Jarman, Dafydd Glyn Jones, Thomas Jones, Gildas [Jaffrennou] (2), [T.] Llew [Jones], David Jenkins (4), Gwenallt (2), J. R. Jones, Glyn [Jones] (2), Dafydd Iwan (2), Bedwyr [Lewis Jones] (3), Bobi Jones (4), Gwilym R. [Jones], R. Tudur Jones, Saunders Lewis (4), Alun Llywelyn-Williams, Roland Mathias (3), T. J. [Morgan] (4), Dyfnallt [Morgan], Derec Llwyd Morgan (7), Proinsias Mac Cana, W. Rhys Nicholas (2), a Dyddgu [Owen].

Llythyrau, 1942-1983. Ymhlith y gohebwyr mae Euros [Bowen] (2), Glyn Jones, T. E. Nicholas, Gwenallt, Roland Mathias a Kate Roberts. Ceir llythyrau, 1952, yn ei longyfarch ar gael ei benodi'n Brifathro'r Coleg Coffa, Aberhonndu, yn 1952.

Notebook of Berta Ruck, January-August 1967, including letters from George Mackay Brown, March 1967, Heather Jenner, February 1966-March 1967; and Glyn Jones, May 1967.

A letter, 5 August [1939], from Dylan Thomas, at 'The Literary Village' [i.e. Laugharne], to Keidrych Rhys, editor of the literary periodical Wales. The writer is critical of the latest issue (Wales, 1.8/9 (August 1939)), and in particular of a story by S. G. Leonard, 'A labour of love' (pp. 235-238).
There are also references to Nigel Heseltine, Lynette Roberts and Glyn Jones. The letter is apparently unpublished.

Twenty-two letters, 1957-1958, to George Ewart Evans as editor of the revised edition of Welsh Short Stories (London, 1959), from authors or their representatives, relating to prospective stories for the volume.
The authors include Glyn Daniel, 10 July 1957, [1957x1958] (ff. 1-2), Rhys Davies, May-July 1957 (ff. 4-5), Islwyn Ffowc Elis, May-June 1957 (ff. 6-7), Nigel Heseltine, 11 April 1958 (f. 8), Emyr Humphreys, 13 January 1958 (f. 10), Glyn [Jones], 3 January 1958 (ff. 11-12), Gwyn Jones, May-July 1957 (ff. 13-14), Roland Mathias, 1 July 1957 (f. 16), Idris Parry, 18 May 1957 (f. 18), Alun Richards, 19 January 1958 (f. 19), and Aled Vaughan, 11 June [?1958] (f. 22). There are also letters from David Higham, 9 July 1958, representing Margiad Evans (f. 9), Gweno Lewis, [1957x1958], widow of Alun Lewis (f. 15), and Paul Scott, March-April 1958, representing Cledwyn Hughes (ff. 20-21).

Eighty letters, 1939-1966, to John Davenport, literary critic and friend of Dylan Thomas, much of the correspondence relating to literary matters (ff. 1-91). There are references to Thomas throughout, including detailed (and contrasting) accounts, by John Malcolm Brinnin (ff. 12-13) and George Reavey (ff. 71-72 verso), of events surrounding his death.
The correspondents include Kingsley Amis, 1955-1965 (ff. 1-6), John Malcolm Brinnin, 1952-1953 (ff. 11-13), Walford Davies, 1963-1965 (ff. 16-23), Constantine FitzGibbon, 1950-1966 (ff. 27-52), Glyn Jones, March-April 1965 (ff. 57-59), T. H. Jones, 9 November 1961 (f. 60), George Reavey, [November 1953] (ff. 71-72), Roger Roughton, 1939-1940 (ff. 73-80), Caitlin Thomas, 1947-[?1952] (ff. 81-85, including a postcard also signed by Dylan Thomas), and Vernon Watkins, 1956-1965 (ff. 86-90). Also included are further papers relating to Dylan Thomas, comprising manuscript notes by Davenport, [1956x1966] (ff. 92-100); a postcard, [?1950], to Thomas from Jack Lindsay in Prague (f. 101); a typescript, 10 November 1953, of a radio obituary to Thomas by Davenport (ff. 102-104); a typescript article, [mid-1950s], on Thomas by Davenport (ff. 105-114); and press cuttings, 1954-1965 (ff. 115-121). A typescript table of contents is ff. i-iii. Three of the Kingsley Amis letters (ff. 1, 2, 4) are published in The Letters of Kingsley Amis, ed. by Zachary Leader (London, 2000) (pp. 448-50, 464-5, 527-8).