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Papers and art work of Clifford McLucas, including correspondence and papers relating to performance work created by him; his installation work and projects; proposals, reports and articles prepared by him for a number of bodies and organisations; his graphic design and art work, including examples of art work; papers relating to the architectural aspects of his work; and papers relating to the deep mapping work and projects carried out by him; together with papers relating to his general research interests, and to his professional and personal life in general.

Papers relating to performance work created by Clifford McLucas and with which he was involved, including papers relating to the creation and planning of various performance projects, the collaborative work undertaken by Clifford McLucas with the NVA and the conferences at which Clifford McLucas gave performed lectures; together with items relating to the work of Brith Gof.

Papers relating to various performance projects which Clifford McLucas was involved with, comprising papers relating to the creation and planning of various productions, including devising notes, plans, drawings and sketches, research material, and draft scripts and script extracts; draft and final copies of production storyboards; images of various productions and research images; and a production appraisal.

Papers relating to the creation and planning of various performance projects including devising notes, ideas, plans, drawings and sketches, stage directions and character development, draft scripts, script extracts, research material and general acting notes; together with publicity material, plans of unknown venues and draft copies of a project booklet.

A green notebook containing mainly production drawings and notes for the production 'Performance Number One', including drawings of sets and props, stage directions and character descriptions; the notebook also contains a green booklet titled 'The Carlton Manuscript Music Book', which belonged to Caroline Snow and includes manuscript music and instructions, an envelope of receipts for money spent and publicity material.

Loose papers comprising production notes and sketches relating to the production 'We Will All Remember Some of These Things Until We Die'. Also included are some papers relating to the 'Megan' production.

Production notes and sketches, including stage directions and a performance timetable, presumably relating to the first performance of 'CNDRLL' at the Aberystwyth Arts Centre, together with production business cards.

Production notes and sketches of an unknown project, the ideas for which possibly developed into 'CNDRLL'.

A sketchbook containing notes, ideas and sketches relating to various works, including notes and instructions for the performance lecture at the CPR: Points of Contact conference, together with notes relating to the Three Landscapes project.

A sketchbook containing research material, notes and sketches which were the first steps towards the creation of the 'Draw, Draw yn . .' site-specific work and which also contains notes relating to the Three Landscapes project. There are also some notes relating to 'The First Days' and 'A Stranger in her own Land', projects for the BBC Live Music Festival and to the performed lecture 'I am Here on False Pretences'.

Sketches, notes and plans relating to a possible installation performance at the 2000 National Eisteddfod in Llanelli, which was presumably never performed.

A sketchbook containing drawings and production notes, possibly for a later version of 'CNDRLL' or a proposed film version.

Loose papers that include draft copies of production scripts, production notes, research papers, stage and set plans, and pages of a draft copy of a bid to make a film version of the production of CNDRLL.

General acting notes, possibly for youth group work in the Llandysul area, including examples of trust games, various acting exercises and production notes.

A notebook containing production notes relating to various productions, including 'We Will All Remember Some of These Things Until We Die', 'Megan', 'CNDRLL', 'Trinity', 'Y Gymraes, Y Gwneuthurwr Ffilmiau a'r Lleill', 'Performance 1' and 'Performance 2', comprising notes on ideas, set and visuals designs; together with sketches relating to graphic works, installations and exhibitions including 'Baneri'r Beibl' and the exhibition of work with John Wheeler at the Barn Centre.

Still photographs and copies of the photographs in various formats including photocopies, ink copies, colour paint copies and line drawings, relating to the production 'Y Gymraes, Y Gwneuthurwr Ffilmiau a'r Lleill'; together with production notes and sketches.

Production notes, scripts and sketches, presumably relating to a performance/performance installation - Four Ordinary Decent People and Twelve Ordinary Decent People.

Devising notes of ideas for a performance, possibly 'Performance 2'.

A notebook containing production sketches and graphics and also the script for 'I Kill You', stamped and dated with 'Sitges 27th Jan 1989', and which possibly relates to a proposed production by Brith Gof for Sitges Teatre Internacional called Salmos.

Preparatory papers relating to the 'A Stranger in her Own Land' project, including photocopies of maps, a draft copy of the text for the proposal and a proof copy of the proposal.