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Diary containing occasional entries between 1976 and 1978, and including a manuscript draft of the poem 'East Moors'.

Manuscript drafts and typescript copies, including drafts, of poems mainly by Gillian Clarke, 1965-1999, together with correspondence, research notes and other related papers.

Typescript copies of poems, some drafts, for Letter from a far country (Manchester, 1982), together with correspondence and other papers relating to the book, 1981-1984, with a copy of the agreement between author and publisher. In addition, the file contains letters regarding permission to use poems by Gillian Clarke, most of which appear to have been included in the volume, in other publications. Among the correspondents are Fred Jones (4); Enid Luff; and Peter Forbes. -- The file also includes a script containing manuscript notes of the radio ode 'Letter from a far country', written and read by Gillian Clarke, 1979; together with manuscript and typescript drafts of the poem and related correspondence, 1978-1979.

Manuscript drafts and typescript copies, including drafts, 1980, 1982, 1989-1991, [1994], of mostly poems and some prose works by Gllian Clarke.

Manuscript and typescript drafts, 1985-1988, of poems by Gillian Clarke, including a photocopy of a manuscript of 'Letter from a far country'.

Manuscript drafts and typescript copies of poems by Gillian Clarke, mostly 'Cofiant'.

Manuscript and typescript drafts, 1986-1995, of poems and stories mostly by Gillian Clarke, including a number of typescript drafts of the poem 'At L'Oursinado'.

Manuscript and typescript drafts, 1988-1999 (with gaps), of poems by Gillian Clarke, with related correspondence. The file includes typescript copies containing manuscript notes, [1997], of the poems for radio, 'Bridgewater' and 'A view from the Bridgewater'.

Manuscript drafts, [1990]-1993, of mainly poems by Gillian Clarke, some of which appear to have been composed during writing courses, together with notes.

Manuscript and typescript drafts, 1990-1998, of mostly poems by Gillian Clarke, including 'unfinished pieces' and 'abandoned ones'.

Manuscript drafts and typescript copies, some drafts, 1993, of poems by Gillian Clarke some of which were pieces commissioned to accompany an exhibition of sculpture at Oriel Mostyn, 1993, and subsequently published in Alchemica (Llandudno, 1993). Also included is a typescript copy of the poem 'In Hermits Wood for Anna', 1991, and photocopies of the poems 'Rhiannon' and 'Pwyll' published in Barn, 1978.

Typescript copies, mostly drafts, 1998-1999, of poems by Gillian Clarke, together with related notes. The file includes typescript drafts of, and research notes for, 'The animal wall', and typescript copies of 'Nine green gardens'.

The file compries notebooks, most of which contain manuscript drafts of both published and unpublished poems by Gillian Clarke, including part of 'Letter from a far country', 'Cofiant', 'Storm: Pwyll & Rhiannon', and pieces for The sundial, Five fields, The Animal Wall, and Nine green gardens. Some poems and notes appear to have been written during workshops. Also included are some drafts of prose works; plots and notes for stories; and notes pertaining to The Anglo-Welsh Review.

Papers, [?1978], 1990-1991, mostly manuscript and typescript drafts of poems, relating to The King of Britain's daughter (Manchester, 1993), including the title work. The file also contains two letters, 1993-1994, from Tony Curtis inviting Gillian Clarke to contribute to the book How poets work (Bridgend, c.1996).

Typescript copies of commissioned poems (with notes to assist the reading) written and read by Gillian Clarke at Equilibre performances, Machynlleth, 1994, together with a programme of the event. The file also includes printed copies and typescript drafts of poems, including 'Spores', a translation by Gillian Clarke of the poem 'De Sporen', and 'Keeping the Seed Alive', written during a workshop for poets at the Poetry International festival, Rotterdam, 1995; and photocopies relating to Hafod, being research for a poem about the mansion.

Poems, mostly photocopies of typescript and printed pieces, by various authors, 1977-1980, including letters from Maurice Rutherford and Tony Curtis.

Manuscript drafts and typescript copies, including drafts, of poems by Gillian Clarke, 1978-1996 (with gaps), a number of which are included in Five fields (Manchester, 1998). The file also contains two notebooks, 1995-1998, namely manuscript drafts of poems for Five fields and those produced during workshops, and includes a list of poems selected for Collected poems.

Correspondence, 1995-1999, mostly between Mairwen Prys-Jones, Pont Books, and Gillian Clarke, mainly regarding The Animal Wall and other poems (Llandysul, 1999).

Papers, 1997-1999, relating to a series of poems by Gillian Clarke about Aberglasney entitled Nine green gardens (Llandysul, 2000); together with correspondence, 1998-1999, a typescript copy of 'Aberglasne: nine green gardens', typescript drafts of the poem 'The yew tunnel in winter', and research notes.

Typescript copies of poems, entitled 'Bioverse', for the book The National Botanic Garden of Wales, ed. A. Sclater (London, 2000); together with various related papers and research notes, 1997-1999.