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Miscellaneous papers of Berta Ruck, 1902-[early 1970s], including autograph and typescript drafts of verse, [1920s]-[1930s], many in multiple copies (ff. 1-123); lecture notes, [c. 1935]-[c. 1945] (ff. 124-224); a short story, 'April Folly', [c. 1935], apparently related to her novel Half Past Kissing Time (London, 1936) (ff. 225-248); and some thirteen letters to the author in English and German, [1903x1904]-1971 (ff. 264-283).
The correspondents include Clement Scott, [1903x1904] (f. 264), Marda Vanne, 9 October 1936 (f. 280), Harold Nicolson, 14 June 1962 (f. 281, on the death of his wife, Vita Sackville-West), and Quentin Bell, September 1971 (ff. 282-283, concerning his biography of Virginia Woolf); there are also three letters, 1929, from 'Harry', her Austrian lover (ff. 265-272, mostly in German). Also included are two leaves from Ruck's journal, June 1930 (ff. 249-250); reminiscences, [early 1970s], of Lydia Lopokova (ff. 251-259) with a photograph of her, [?1920s] (f. 260); press cuttings of an article by Ruck, September 1936 (f. 261), and of two articles relating to Virginia Woolf, 1972 (ff. 262-263); W. R. Oliver's school report at Shrewsbury School, 1929 (f. 284); programme for 'My Lady Molly' at the Lyceum Theatre, Edinburgh, 1902 (ff. 285-286); and page proofs for Chapter 8 of A Smile for the Past (London, 1935) (ff. 287-292).

Thirteen notebooks, 1951-1973, containing journal entries; letters and postcards, many from relatives, literary agents and the media (relating in particular to her broadcasts on Welsh regional BBC programmes); photographs; ideas for fiction; and press cuttings of book reviews.

Notebook of Berta Ruck, July 1972-January 1973, including letters from Rupert Croft-Cooke, July 1972, Elaine Morgan, [n.d.], and Gwyn Thomas, December 1971; and sketches for 'The Wild Elopement' (see also NLW MS 23745D for 'The Reckless Elopement'), and 'The Wishful Thought'.

Papers of Berta Ruck, [20 cent., third ¼], comprising volumes of notebooks, 1951-1973, and a photocopy, [20 cent., third ¼], of a 1907 children's story 'The edge of the world'.

Manuscript and typescript drafts by Berta Ruck, [1955]-[1974x1978], of chapters of projected and published autobiographical works, mainly concerned with her life in Wales.
They include a manuscript draft of the first chapter of An Asset to Wales (London, 1970), [?1969] (ff. 1-24); drafts, mainly typescript, of various chapters for projected works entitled 'Welsh Harlequinade' and 'Fanfare for Wales', [1974x1978] (ff. 25-137); a typescript poem entitled 'Stair-case Remorse', [1970x1978] (f. 138); a typescript of various fragments of fiction and autobiographical prose, [1970x1978] (ff. 139-144); a cutting of an article by Ruck, 'A Golden Prince Came to the Castle', [1955] (f. 145); and a cut-out watercolour sketch of a young man (f. 146). There are references to N. C. Hunter (ff. 47-50), Stephen Peet, producer of the 1970 television documentary featuring Ruck (ff. 106-120), and to E. Nesbit (ff. 141-142).

Manuscripts of Berta Ruck, [c. 1890]-[1974x1978], including notebooks, 1906-1946; manuscripts and typescripts of literary and autobiographical works, 1955-[1974x1978]; letters, [c. 1890]-1971; poetry, [1920s]-[1930s]; and sketches, [1900x1920].
The notebooks typically contain notes and ideas for fiction, drawings and sketches, pasted in letters and ephemera, and journal entries. These detail her home life and travels and give news of her sons Arthur and Bill Oliver, husband Oliver Onions and other family and friends.

Papers, [c. 1890]-[1974x1978], of Berta Ruck, including notebooks containing journal entries, ideas for fiction, newspaper cuttings and ephemera, 1906-1973; literary and autobiographical manuscripts, typescripts and photocopies, [1950x1955]-[1974x1978]; letters, [c. 1890]-[1972]; poetry, [1920s]-[1930s]; and sketches, [1900x1920].