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Facsimile copy of ink score, dated 28th March 1965 (part 1, 'Intrada'); 14th April 1965 (part 2, 'Toccata'); 15th April 1965 (part 3, 'Cantilena'); and 11th April 1965 (part 4, 'Burlesca'). The score is titled Opus 21: 'Divertimento for Violin and Piano'. Dedicated to Leonard James.

Original ink score with some annotations in pencil and biro, titled 'Opus 22: Clarinet Concerto'. For solo clarinet.

Facsimile copy of ink score, dated 8 June 1966 and titled Opus 23: 'A Little Cantata: Ten Traditional Rhymes for Children’s Voices and Piano'. Including works based on the rhymes 'Blow, Wind, Blow'; 'Wine and Cakes'; 'Peter'; 'Terence McDiddler'; 'Tommy Trot'; 'Three a-bed'; 'Pipe, Cat'; 'Grey Goose'; 'Barber'; and 'Four Winds'. Dedicated to Catrin and Ceri.

Four copies of a score for Opus 24 No.2: 'O Come, Let Us Sing Unto the Lord (Psalm 95: Vemite, exultemus Domino) for Chorus and Organ', including one draft score in ink with pencil annotations, dated 14 July 1966; one ink score, dated July 1966; and two facsimile copies of the ink score, both also dated July 1966.

File of Group 56 secretary Mary Griffiths, comprising correspondence, 1963-1966 and undated, between Mary Griffiths and Group executive committee members Arthur Giardelli, David Tinker, John Wright and Eric Malthouse (subject-matter including a proposal by Group chairman Arthur Giardelli to amend the Group name to '56 Group Wales'); draft letter, [1966], from Arthur Giardelli to the Bear Lane Gallery, Oxford; and circular letters, 1965 and undated, from Mary Griffiths to Group members. Some letters annotated by Mary Griffiths. Two letters from Mary Griffiths to Arthur Giardelli duplicated. One letter from Arthur Giardelli to Mary Griffiths appears to lack its beginning.

56 Group exhibition catalogues, 1957-1958, 1962-1966 and undated, with related material. The 1963 catalogue unfolds as an exhibition poster. Attached notes in the hand of Group secretary Mary Griffiths.

Original ink score, dated 23 May-8 June 1966, and titled 'Opus 23: A Little Cantata: Ten Traditional Rhymes for Children’s Voices and Piano'. The score consists of parts based on the rhymes 'Blow, Wind, Blow' (dated 23 May 1966); 'Wine and Cakes' (dated 24 May 1966); 'Peter' (dated 23 May 1966); 'Terence McDiddler' (dated 26 May 1966); 'Tommy Trot' (dated 26 May 1966); 'Three a-bed' (dated 5 June 1966); 'Pipe, Cat' (dated 5 June 1966); 'Grey Goose' (dated 8 June 1966); 'Barber' (dated 7 June 1966); and 'Four Winds' (dated 8 June 1966). Dedicated to Catrin and Ceri.

Gweinyddiaeth Neges Heddwch ac Ewyllys Da yr Urdd 1965.

Material relating to 56 Group exhibitions scheduled for 1966-1967, comprising correspondence, 1965-1966, between Group secretary Mary Griffiths, Group members and guest exhibitors and between Mary Griffiths and the Howard Roberts Gallery in Cardiff; and printed catalogue for the Group's cancelled Trends & Trendsetters exhibition due to have been held at the Howard Roberts Gallery in 1966. Some folios annotated by Mary Griffiths.

Correspondence, 1965-1967 and undated, including circular letters, between Group secretary Mary Griffiths and Group members; letter, 1967, to Group treasurer David Tinker from Group member Ernest [Zobole]; members' biographical notes; booklet relating to an exhibition by Group member Jeffrey Steele; miscellaneous Group papers; and memoranda by Mary Griffiths.

Material relating to the 56 Group Wales's Graphics exhibition held at the Bols Taverne, Amsterdam, 1967, including correspondence, 1966-1967, between Group secretary Mary Griffiths and the Bols Taverne, the British Council and the Welsh Committee of the Arts Council of Great Britain; printed invitations to private viewing; list of exhibited works; and other related correspondence. Many folios annotated by Mary Griffiths.

Facsimile copy of ink score, dated January 1967, titled Opus 25 No.2 'Canticle for Piano Duet.' A note in the hand of David Harries states that the piece was ommissioned for the 1968 (Barry) Royal National Eisteddfod of Wales, and dedicated to Grace Williams.

Facsimile copy of ink score, dated October 1967, and titled Opus 27: 'Neithiwr: Cân i Denor a'r Piano,' ('A Song for Tenor and Piano'). With words by Alun Jones. Originally commissioned by the BBC, 1967.

Facsimile copy of ink score with pencil annotations, titled 'Culhwch and Olwen: An Entertainment', and including notes listing all instrument parts and performers; instructions for narrator, choral speech, chorus, percussion, and piano duet; and pronunciation of Welsh names. Composed by William Mathias and originally commissioned for the 1967 Royal National Eisteddfod of Wales, Bala.

Material relating to 56 Group Wales exhibitions held at the Bear Lane Gallery in Oxford, the North Oxfordshire Technical College in Banbury, West Oxfordshire Technical College in Witney, the Whitworth Art Gallery in Manchester, the City Art Gallery in Leeds, the Herbert Art Gallery in Coventry, the National Museum of Wales in Cardiff, Dolgellau Free Library and Bangor Art Gallery (the last three venues comprising the Group's Welsh Arts Council tour), including correspondence, 1966-1967, between Group secretary Mary Griffiths and exhibition venues; list of exhibited works; printed publicity material; and other related correspondence. Some folios annotated by Mary Griffiths.

Ink score, dated 1967, titled Opus 25 No.1 'Sonatina for Cello'. In memory of Harold Lewis.

Published copy of score titled Opus 24 No.1: 'Christ Child: Christmas Carol' (Oxford: Oxford University Press, 1967).

Facsimile copy of ink score, dated January 1967, titled Opus 25 No.2 'Capriccio for Piano Duet.' Commissioned for the 1968 (Barry) Royal National Eisteddfod of Wales.

Souvenir concert programmes. 1954 is wanting.

Ink score in separate parts arranged for binding, [1968], including parts for violin 1, violin 2, viola, and cello each with a note in the hand of David Harries giving instructions for binding.