Dangos 111 canlyniad

Autograph and typescript drafts of stories collected in the volume The Chosen One (1967): typescript of 'The Chosen One' with slight pencil revision (ff 1-45); printed version of 'The Chosen One' taken from The New Yorker with slight revision not in the author's hand, mainly to remove Americanisms (ff. 46-61); letter to Rhys Davies from The New Yorker, 1967, concerning the following item (f. 62); typescript of 'The Little Heiress' with slight pencil revision (ff. 63-88); galley proofs of 'The Little Heiress' with slight pencil revision (ff. 89-110); letter to Rhys Davies from The New Yorker, 1967, concerning the following item (f. 111); typescript with slight pencil revision of 'I will keep her company' (originally published under the title 'The company he kept') (ff. 112-142); typescript of 'Betty Leyshon's Marathon' with many sections rewritten in pencil (ff. 143-186); pencil draft of 'The Shriving of Gwenny Treharne' with the title 'A Turning point in Gwenny's life' (ff. 187-293); typescript of the preceding (ff. 294-335); pencil draft of a later version of 'The Shriving of Gwenny Treharne' with the title 'Evensong' (ff. 336-399); typescript of a later version than the preceding, with the title 'Evensong' (ff. 400-437); final typescript of 'The Shriving of Gwenny Treharne' with slight pencil revision (ff. 438-479); typescript with slight pencil revision of 'Love kept waiting' (ff. 480-505); typescript of the preliminary matter of the volume (ff. 506-511); publisher's queries arising from the typescript of the collection, with the author's replies (ff. 512-516). Unbound. Formerly Rhys Davies MS 3.

Later (third) pencil draft of Rhys Davies's autobiography, Print of a Hare's Foot. Paper; 343 leaves; unbound. Formerly Rhys Davies MS 7.

Another carbon copy of NLW MS 2l535C with the author's revision, together with the preliminary matter of the volume, omitting the chapter 'Country'. Paper; vi + 272 leaves; unbound. Formerly Rhys Davies MS 10.

Autograph second pencil draft of Nobody answered the bell. Several series of foliation numbers by the author provide evidence of expansion and rewriting within this draft. 228 Leaves; unbound. Formerly Rhys Davies MS 13.

Autograph draft of parts II-IV of Rhys Davies's novel Tomorrow to Fresh Woods (London, 1941), completed in June 1941 (see NLW MS 20897E, f. 54ii).

The group comprises the personal papers of Rhys Davies, 1901-1979, comprising letters, 1932-1979, diaries, 1958-1978 (with gaps) and miscellaneous personalia, 1901-1979.

The file comprises letters, [1955]-1978, from Josi Adair (26), Denys Val Baker (13), BBC (Wales) (3), Patricia Beck (8), Lionel Bowman (13) and Neville [Braybrooke] (2).

The file comprises forty-eight letters, 1947-1978, and four photographs from Philip H. Burton. He describes his life in the USA as a lecturer, writer and director of productions on Broadway, and his work as director of the Musical and Dramatic Theatre Academy in New York, and also discusses his own historical novel You, my brother published in 1973.

The file includes letters, 1948-1978, from Michael Holroyd (2), Felix Marti-Ibañez (19), Glyn Jones (3), Gwyn Jones (1) and Richard and Alma Jones (39).

The file includes letters, 1944-1978, from Anna Kavan (35), Robert Macbryde (2), Raymond Marriott (8), Roland Mathias (4), Bill Naughton (6), and Count Potocki of Montalk (5), together with a booklet No English horse, published in 1967, containing translations of poems from the Magyar by him and a check list of publications by or concerning him published in 1974. There are also letters from Louis F. Quinain (4), Keidrych Rhys (7) and Richard Rhys (3), together with transcripts of letters from D. H. Lawrence to Rhys Davies, 1929, and of letters from Frieda Lawrence to him, 1928-1929.

The file comprises forty-two letters, 1961-[1978], from David Rees, author of the book on Rhys Davies in the Writers of Wales series published as Rhys Davies in 1975.

The file comprises sixty-eight letters, 1953-1972, from Herman Schrijver, including carbon copies, 1961-1972, of some of these.

The file comprises letters, 1954-1979, from research students and people from overseas, the USA in particular, and letters relating to his recollections of D. H. Lawrence.

The file comprises letters, 1959-1971, relating to awards presented to Rhys Davies, including an offer to receive the Rhondda Recognition Award in 1959 and the Welsh Arts Council award in 1971; together with a letter, 1967, informing him that his story 'The chosen one' had been nominated for the Edgar [Allan Poe] award for the best short story of 1966.

The file comprises a copy of the magazine House & Garden, April 1954, including an article by Herman Schrijver, an interior decorator and friend of Rhys Davies, and Vogue, June 1964, showing him with one of his many collections.

The file comprises correspondence, 1962-1963, relating to his autobiographical article 'The God on the Oven Door', including some letters from the editor of House & Garden, New York, and drafts of the article.