Dangos 52 canlyniad

'Belwin Music Book' (1f.), containing draft of piano introduction to a duet from the children's cantata, Y Tymhorau [see MSS 1 and 2], the words begin 'Distawodd y gân yn y llwyni'.

'Manuscript Music Book' (52ff.), all the folios being loose, containing drafts of sacred and secular works, ff. 8r-16v being compositions by Eugenia Wirick [in her hand?, see also MS 9, ff. 26r-29v]. F. 1r. Tu ol i'r dorth, children's song, with accompaniment, words by Nantlais [see MS 9, f. 37]. 1V. 'Pedolwn, pedolwn y sotlau tlws, tlws', children's song, with accompaniment [see MS 2, f. 13r]. 4R. Skaters' Song, chorus for male voices, with piano accompaniment, words by Horatio Spencer Fiske [see f. 33r; MS 4, f. 8r]. 4V. [Mother O' Mine] chorus for male voices, with piano accompaniment [see ff. 6r, 7r, 49r]. 5R-v. Dewch i lithro ar y llyn and 'Ddrudwy Fach' [from the children's cantata Y Tymhorau, see MSS 1, 2 and 5. 'Ddrudwy Fach' does not have same melody as Drudwy (Starling), see MS 1, f. 15v]. 6R. Mother O' Mine, chorus for male voices, piano copy [see ff. 4v, 7r, 49r]. 7R. Mother O' Mine, Tenor I part of chorus for male voices [see ff. 4v, 6r, 49r]. 8R-16v. Compositions by Eugenia Wirick. 8R-v. A Kerry Girl, song for voice and piano, words by Clinton Scollard. 9R-10r. Laughing Song, part-song for SAB, with piano accompaniment, words by William Blake. 11R-12r. Laughing Song, part-song for SAB, with piano accompaniment, words by William Blake. 13R-14r. Laughing Song, part-song for SAB, with piano accompaniment, words by William Blake. 14V. Untitled sacred song beginning with 'I will sing a new song ..., and I will praise Thy holy name'. 15R-16v. Like as a Father, sacred song for voice and piano / organ, words from Psalm 103. 17R-18r. The Rose and You, song for voice and piano, dedicated 'To my friend Daniel Beddoe', words by Kate Forman. 22R. Part of a sacred work for choir and orchestra, words included being 'God sent His Singers upon Earth With songs of sadness' [from the cantata Excelsior?, see ff. 24v-25r, 27r; MS 2, ff. 17r, 25r-v; MS 3, ff. 54v-56v, 71r-v; MS 4, ff. 23r-24v; MS 8, ff. 3r-5v; MS 9, ff. 4r-5v, 33v, 34v]. 24V-25r. Part of a sacred work for choir and orchestra, words included being 'sadness, With songs of sadness, and of mirth, That they might touch the' [f. 24v] and 'wandered, and by streams, By streams' [f. 25r] [from the cantata Excelsior?, see ff. 22r, 27r; MS 2, ff. 17r, 25r-v; MS 3, ff. 54v-56v, 71r-v; MS 4, ff. 23r-24v; MS 8, ff. 3r-5v; MS 9, ff. 4r-5v, 33v, 34v]. 27R. Part of a sacred work for choir and orchestra, words included being 'The most perfect harmony' [from the cantata Excelsior?, see ff. 22r, 24v-25r; MS 2, ff. 17r, 25r-v; MS 3, ff. 54v-56v, 71r-v; MS 4, ff. 23r-24v; MS 8, ff. 3r-5v; MS 9, ff. 4r-5v, 33v, 34v]. 28R-v. Untitled part-song for ladies choir, with piano accompaniment, beginning 'Come, Night, with all thy train of witnesses'. 30R. Suggestions for improvements to a composition. 31R. Preparation work of an orchestral score. 31V. The Land Lubber's Chantey, part-song [for male voices?] [see MS 1, f. 9r]. 32R. Laudamus (Bryn Calfaria), orchestral score, being introduction to the male voice arr. of the hymn-tune [see MS 4, f. 12r-v; MS 9, f. 13v]. 33R. [Skaters' Song] piano introduction and first line [see f. 4r; MS 4, f. 8r]. 35R. Mi af i Lunden, four-part arr. of nursery rhyme. 37V. Untitled song beginning 'A dream of a rose'. 38R-39v. Untitled sacred works, some words included. 40R. Untitled sacred work beginning 'I will extol Thee, My God, O King'. 40V. Untitled duet for SA, no words included. 41R. Once I went to Boston. 41V. Untitled song beginning 'I k[...] around that winding Ad[ .... ] tally? lord [negro spiritual?]. 42R. O Mistress mine, part-song for SATB [see MS 4, f. 1r]. 43R. Thy Way not mine O Lord, sacred song for SATB, no words included [see MS 3, f. 43r; MS 9, f. 1v]. 43V. Dance of the Gnomes, part-song for two voices. 44R. Babi Ni, song for voice and piano. 44V. [Y Bwci-Bo] parts of song [see MS 2, ff. 3r-v, 22r; MS 4, ff. 8v-9r]; untitled sacred song on the words 'At thy command is made anew each day The leaf and fragrant flower [see MS 4, f. 24v]. 45R-v. Untitled drafts including parts of the cantata Olivet [see MS 3, ff. 43v-55v; MS 8, ff. 1r-2v]. 48R. Untitled sacred song, with words of two verses, beginning 'I know the night is near at hand', written on the top of the folio. The names Mac Millan and Silas Wern? Mitchell, and the words 'The World's great religion ...' appear on the top left hand side of the folio. 48V. Two verses of a carol. 49R. Mother O' Mine, Tenor II part of chorus for male voices [see ff. 4v, 6r, 7r]. 49V. Untitled sacred song, only word included being 'Adoramus'. 50R. At the Zoo;. Bunnies?;. Traffic Cop;. The Sea. 50V. Untitled song about a bird, only words included being 'ehedodd i ffwrdd'. 51R-52v. The Old Land (A Celtic Longing Song), for voice and piano, dedicated to Attilio Baggiore, words by Kate Forman.

'Augener's Manuscript Music Books No. 86' (10 ff.), with four loose sheets inside, containing mainly drafts of compositions and arrangements for male voices. F. 2r. Y Glowr a'r Chwarelwr by Mynyddog, typed copy of the words of a duet for male voices [see ff. 3r-4v, 5v, 6v-7r]. 3R-4v. [Y Glowr a'r Chwarelwr] duet for male voices, with accompaniment, on words by Mynyddog [see ff. 2r, 5v, 6v-7r]. 5R. Sketch for male chorus. 5V. [Y Glowr a'r Chwarelwr] [see ff. 2r, 3r-4v, 6v-7r]. 6R. Untitled solo, with accompaniment. 6V-7r. [Y Glowr a'r Chwarelwr] [see ff. 2r, 3r-4v, 5v]. 7V-9r. Untitled chorus for male voices beginning 'If I but knew how the lilies brew'. 9V. Cwm Rhondda, hymn-tune, arr. for male voices;. Chorus of a carol. 10V. Song of the American Marching Men. 11R-v. Ar y Mur, 24 Awst [19]29, hymn-tune?; two variations on Ar y Mur, one dated 25 Awst [19]29. 12V-13r. The Birds, part-song for mixed voices. 13V. Off to Market. 14R-v. Carol, 1929, two variations.

Exercise Book (21 ff.), containing two addresses, namely Choir Building (12 ff.), and Hen Gymeriadau (6 ff.). Some Problems of Choir Conducting, article published in The Choir Leader and The Choir Herald [two cuttings].

Miscellaneous papers, including unsigned membership certificate of Daniel Protheroe with the Freemasons in Chicago (16/1); photograph of Dafydd [Jenkins?] presented to Daniel Protheroe (1612).

The papers consist of drafts of manuscript, duplicate and printed copies of music (19-22), mainly by Rhys Morgan, correspondence (25), and memorabilia relating to his career (26-36). No. 19 contains other incomplete or untitled drafts in addition to the pieces listed.

Cymric Medley', file (14 ff.), with one loose sheet, containing duplicate copies of SATB arrangements of Welsh airs. The owner of the file was Mrs May Jones, 4915 Broadway, New York, member of The New Welsh Choral Society, of which the conductor was Rhys Morgan. F. 1v-2r. Gadlys. 3R. Ar Hyd Y Nos, words of three verses, two in Welsh, one in English [see MS 19, ff. 9v-10r]. 4V-5r. Llwyn On (sic). 6V-7r. Clychau Aberdovey [see MS 20, f. 55r]. 8R. [God Bless The Prince of Wales] words of two verses, one in Welsh, one in English [see MS 20, f. 37r]. 9V-10r. Cadair Idris, [19]51. 11V-12r. Y Crythor Crwydrol, [19]51. 13R. March of the Men of Harlech, words of two verses, one in English, one in Welsh [see MS 20, ff. 33r-36v]. 14V-15r. Llanfair P.G., by Rhys Morgan, music score only [see MS 20, ff. 39r-40r].

When Night Falls, script of two-act drama (5 ff.), in which three hymns are sung [performed by The New Welsh Choral Society?].

Bundle of tickets to recital given by Rhys Morgan, 7 May 1923.

Ff. 1r-8r. 'The Christmas Rose'; Sacred Choral Ballade (words from the Welsh of J. T. Job by Evan Roberts), for SATB and organ. 'To Edgar Nelson and the Choir of the Sunday Evening Club, Chicago'. Ff. 8v-9v. 'A Prayer' (from the Psalms) for TTBB and piano. Beginning with the words, 'God be merciful and bless us'. F. 10r-v. A Song of Consecration (words by Frances R. Havergal), for SSA and piano ('for rehearsal only'). 'To Miss Edith M. Keller, Music Supervisor, State of Ohio'. F. 11r. 'O do, mi a glywais' (folk song, arrangement by DP), for TTBB, with accompaniment. Incomplete. Ff. 11v and 12v. A Night Song (words by Kate Forman), with accompaniment. Two drafts, incomplete. F. 12r. Part of an untitled song for TTBB, beginning 'We're off to market Johnny, ...'. F. 13r. 'Love's Tryst', for voice and accompaniment. F. 13v. Untitled hymn-tune, with opening words, 'Arglwydd, arwain drwy'r anialwch' [words by William Williams]. F. 13v. 'Sketty'. Hymn-tune, with opening words, 'Mor beraidd i'r creadur gwan ...', [translation by David Charles, the younger]. See also MS 12. F. 14r-v. 'The Birds' (words by Hilaire Belloc). Part-song for mixed voices. See also MS 11, ff. 12v-13r.

F. 2r-v. 'Behold the days come', for baritone solo and organ. No. 1, [King of Kings, a Cantata for Christmastide (Chicago, 1924), by DP]. Ff. 2v-4v. 'O Jerusalem, that bringest good tidings', for chorus and organ. No. 2 [King of Kings, a Cantata for Christmastide (Chicago, 1924), by DP]. F. 5r. 'Er cof annwyl am David Protheroe'. 8 August 1925. Beginning, 'Mi lyna'n dawel wrth dy draed' [being the third verse of the hymn, 'O! Iesu mawr, rho d'anian bur', by David Charles]. F. 5v. 'Give to me the life I love' [A Song of the road. Part-song for men's voices by Daniel Protheroe. Words by Robert L. Stevenson]. Pencil sketch. Ff. 6r-7v. 'My soul doth magnify the Lord' [Magnificat], for soprano solo and accompaniment. No. 3 [King of Kings, a Cantata for Christmastide (Chicago, 1924), by DP]. F. 8r. Part II: 'The coming of the King'. 'O Little town of Bethlehem', for women's chorus. No. 4 [King of Kings, a Cantata for Christmastide (Chicago, 1924), by DP]. F. 9r-v. Old Welsh Melody 'Over the storm' (beginning with the words, 'Have you heard of the blind Harper John'). F. 10v. 'The Sea Gulls', beginning with the words, 'The sea-gulls call for a storm tonight'. F. 12r. An untitled song, with the opening words, 'I want to go back to the desert ...'. F. 12v. 'Keep in the middle of the road' and 'Nelly was a lady'. Melodies only. F. 13r. 'What kind of shoes' and 'Noah's Ark'. Melodies only. F. 14r-v. Part III: 'At the manger cradle'. 'Cold on His cradle', for choir and organ. [No. 10, 'The Dewdrops are shining', King of Kings, a Cantata for Christmastide (Chicago, 1924), by DP]. F. 15r-v. 'The Little Lord Jesus laid down His sweet head'. A Cradle Song (Hymn from Martin Luther), for alto solo and accompaniment. [No. 9, 'The Little Lord Jesus', King of Kings, a Cantata for Christmastide (Chicago, 1924), by DP]. F. 16r. An untitled song, by Robert Hare, beginning with the words, 'Did you smile a sweet smile this morning?'. Also 'A Little Prayer'; melody only, with the opening words, 'If a little word of mine may make a life the brighter'. Ff. 16v-25v. 'The Spider and the Fly (a fable)', (words by Mary Howitt, 1799-1888). For SS, with piano accompaniment. See also MS 9, f. 32r-v. F. 32v. 'O Love divine'. Incomplete pencil sketch. Ff. 33r-40v. [A Screen of the Seasons in Four Panels], (words by Ella Wheeler Wilcox), for TTBB, with piano accompaniment ('for rehearsal only'). See also MS 7. Ff. 33r-34r. 'Spring'. Ff. 35r-36v. 'Summer'. Ff. 37r-38r. 'Autumn'. Ff. 39r-40v. 'Winter'. Ff. 41r-44r. 'The Pilgrim's Song' (words by J. H. Newman), for TTBB and piano ('for rehearsal only'). F. 45r-v. 'The Old Land' (words by Kate Forman), for voice and piano. See also MS 6, ff. 51r-52v. F. 46v. A pencil sketch of an untitled song consisting of two verses, beginning with the words, 'In the dark, in the dew ...'. Ff. 47r-48r. 'You and I' (lyric by Thomas S. Jones, Jr), with accompaniment. Ff. 49r and 50v. 'Jesus, Lover of my Soul' ([words by Charles Wesley], music by H. C. MacDougall), for voice and organ. Ff. 49v-50r. 'Cling to the Cross', for voice and piano. F. 51r. 'In the land where the Sandman dwells', beginning with the words, 'There are shady lanes and tinkling hills ...'. F. 51v. 'Just a little baby', with piano accompaniment. Ff. 52v-53r. 'The Night has a thousand eyes'. See also MS 45/85. F. 53r. 'There is no death', beginning with the words, 'I tell you they have not died ...'. Ff. 54v-55v. 'I will praise the Lord among the people'. F. 56r. A few bars of an untitled carol, beginning with the words, 'Mae golau ar fryniau Canaan ...'. Ff. 56r-57r. A pencil sketch of an untitled song, beginning with the words, 'I'll go with my father a-ploughing ...'. Ff. 58r-59r. An untitled sacred song beginning, 'They say that Mary treasured the gifts the wise men made ...', for voice and accompaniment. Ff. 59v-60r. Songs of the Fair (Caneuon y Ffair). No. 4: A love Song (Cân Serch), with accompaniment. [See also MS 3, 40r]. Ff. 60v-62r. 'Coming to the Fair' ('Dod i'r Ffair'), with accompaniment. 'On the Berengarin, Aug. 22, 1928'. See also MS 38, f. 69r. Ff. 62v-63r. Untitled pencil sketches. Ff. 63v-64r. 'Winifred', for SATB. See also MS 10, ff. 8v-9r, 10v-16v, 21r-31v, 36r; MS 38, f. 71r. Ff. 64v-66r. 'Be still and know'; ?together with other sketches. F. 66v. 'A Heart's desire'. A pencil sketch, beginning with the words, 'My God, accept my heart this day ...'. F. 68r-v. Untitled sacred song/anthem, beginning with the words, 'How goodly are thy tents, O Jacob'. F. 69r. ['Coming to the Fair' ('Dod i'r Ffair')]. See also MS 38, ff. 60v-62r. F. 70r. 'Tri pheth sydd hawdd ei siglo'. F. 70v. 'Music when sweet voices die'. F. 71r. [? 'Winifred'. See also MS 10, ff. 8v-9r, 10v-16v, 36r; MS 38, ff. 63v-4r].

Edgar A. Guest, Friends (Chicago, n.d.). Presentation copy, 'to Dr Protheroe, a man with a host of friends'. Signed by E. L. N., 20 June [19]28.

H. Elvet Lewis, Israel and other poems (London, 1930). Presentation copy, 'I'm hen gyfaill - Dr Dan Protheroe, gyda serch'. Signed by Gwili [John Jenkins], June 1931.

'The Lyric Manuscript Book' (13 ff.) with two loose sheets inside, containing mainly drafts of songs from Y Tymhorau, a children's cantata, on words by W. Nantlais Williams. This cantata was not published, but had been completed by DP in February 1934 [see Nantlais, 'A adawodd Dr Protheroe weithiau heb eu gorffen?', Y Cymro, 24 Mawrth 1934] [see also MSS 2 and 5]. F. 1r. Opening of Act 1, Cho[rus] 1 [of a cantata?];. Setting of words 'To the fair'. 1V. 'I've heard of a wonderful country' and While Shepherds, to be sung by Gwyn [a character in a cantata?]. 2R-v. Finale of Act 1 [of a cantata?]; setting of Chorus 19 and various words, mainly from a cantata, the words being 'How in a manger laid', 'The rogue h[im?] f[e]ll hear[ling?]', 'Just do as I tell you', and 'Oh thank you so warmly for charm and for songs, We'll hasten along'. 3R. Anthem; Pa le mae y wennol; setting of '... bwthyn o glai, o ben y to'. 3V-4. A Sea-Scape, part-song for SATB. 4V. 'Yonder, her lily hand'. 5R. The Man of Sorrows. 6R. Ysbryd y Robin, song for mezzo-soprano, with piano accompaniment [see ff. 13r, 15r]. 6V. Blodau'r Haf, song for soprano, with piano accompaniment [see MS 2, f. 23r]. 7V. Introduction to song No. 9. 7V-8r. 'Hardd yw'r iorwg ar y dderwen', with piano accompaniment [see ff. 10v-11r]. 8R-v. Song No. 10; last few bars of an anthem; sketch of a part-song. 9R. The Land-lubber's Chantey, part-song [for male voices?] [see MS 6, f. 31v]. 9V. Y Gwanwyn. 10V-11r. 'Hardd yw'r iorwg ar y dderwen', with piano accompaniment [see ff. 7v-8r]. 11V. 'Jesus, our only joy be Thou' [from the cantata Olivet, see MS 3, ff. 43v-55v; MS 6, f. 46; MS 8, ff. 1-2]. 12R-v. Ar y gwair, with piano accompaniment. 12V. Hymn-tune. 13R. Ysbryd y Robin, with piano accompaniment [see ff. 6r, 15r];. Price, hymn-tune, August 1933. 13V. 'Dyna drist, drist, drist yw yr awel'. 14R. Hoi, Hoi, Song No. 13;. 'Hardd yw'r iorwg ar y dderwen'. 14V. Starling;. 'If I were a queen'. 15R. Ysbryd y Robin, solo, with piano accompaniment [see ff. 6r, 13r]. 15V. Drudwy (Starling), duet, with piano accompaniment [not same melody as 'Ddrudwy Fach', see MS 6, f. 5v].

Bundle of loose and bound manuscript music (78 ff.), containing mainly drafts of sacred works. The back cover of the manuscript book is missing, and on the front cover is written 'Spasms Daniel Protheroe'. F. 1r. My Prayer, melody only, bearing name of Sam Roberts [in hand of ?]. 1V-2r. Come, ye Blessed, by Scott, melody only [in hand of ?]. 3R-v. Part of song for voice and piano ending with 'There was not one so sweet as my Joan' [in hand of ?]. 4R. Amen, arr. for church choir to be sung after the Blessing. 4V. The Trees and the Master, part of song for voice and piano [in key of F, not key of G as part-song arr. for mixed choir]. 5R. 'Ulysses was a rover', song for soloist and choir beginning with these words. 5V. The Youth's Companion by Anna M. Pratt. 6V. Untitled setting of words beginning with 'The snowflakes falling'. 7-20. Bound. 7R-v. Sacred work for soloist, choir and organ on words 'Thou wilt keep him in perfect peace', presented 'To William Beard & his choir'. 8R-9r. Trio from Cantata. 6th Word. 10R. Four-part sacred work on words 'Grace to reach the home on high'. 11R. The Snow, for piano or organ, 4 Feb. 1917. 11V. 'God of our Fathers known of old', four-part arr. 13R. 'Turn Thy face from my sins', four-part arr. 14R. 'More love to Thee, O Christ', four-part arr. 14V. Gloria, part of a sacred work. 15R-19r. Communion Service in A. 19V-20r. Untitled choral sacred work, the only words included being 'Raise the courage of the weak'. 20V. Untitled choral sacred work relating to Christ's resurrection, the first words included being 'He rose again according to the Scriptures'. 21R-26v. Untitled choral and orchestral work, words being a plea to the Wind of the West not to harm the singer's love. 27R. [Rhyfelgyrch Gwyr Harlech] incomplete four-part arr. [for male voices], ink copy [see f. 28r-v]. 28R. 'Return unto Thy rest, O my soul', melody only. 28R-v. [Rhyfelgyrch Gwyr Harlech] four-part arr. [for male voices], two pencil copies [see f. 27r]. 30R. Fair-Moun[t?]ebank, part of accompaniment. 31R. My God my Father, song for soprano, no words included. 31V. Psalm 20, words only. 33R. 'There is an island away in the deep', three-part song for SAB. 36-56. Bound. 36R. Yr Hen Wr Mwyn, Dacw, dacw fuwch and O Do, mi a glywais, four-part arr. of three Welsh airs. 36V. Daphne's Cheeks, four-part arr. [for male voices], words by Walter Besant. 37R. Ystrad Fair, for voice and piano. 38R. Puff of the Wind [see MS 4, ff. 17v-19r];. Dawn. 38V. 'The Melons in the Moonlight', four-part arr. of negro words by Frank L. Stanton. 39R. Four-part arrangement of the Beatitudes. 39V. A Cradle Song, three-part song with accompaniment, words by William Blake. 40R. A Love Song (Can Serch), for voice and piano. 41R. Untitled song for voice and piano beginning with 'I pipe & dance a bounding reel'. 42V. Untitled sacred work beginning with 'Lo, fainter now lie spread the shades of night', words being a translation by Edward Caswall of original by Gregory the Great. 43R. 'Thy way, not mine, O Lord', sacred song for SATB [see MS 6, f. 43r; MS 9, f. 1v]. 43V-55v. Parts of the cantata Olivet [see MS 6, f. 45r-v; MS 8, ff. 1r-2v]. 54V-56v. Parts of various songs [from the cantata Excelsior?, see f. 71r-v; MS 2, ff. 17r, 25r-v; MS 4, ff. 23r-24v; MS 6, ff. 22r, 24v-25r, 27r; MS 8, ff. 3r-5v; MS 9, ff. 4r-5v, 33v, 34v]. 57R-58v. Y Gan Orchfygol, for voice and piano, words by J. T. Job. 59R. The Bright, Sweet Way, for voice and piano. 61R-66v. Un Yn Rhagor, duet for Soprano and Tenor, with orchestral score [being part of a larger work]. 67R-68v. Untitled orchestral scores. 69V-70v. Ar lan Iorddonen ddofn (Deep Jordan's banks), four-part arr. of hymn for male voices, words by Ieuan Glan Geirionydd (Welsh) and Dr William Howells (English). 71R-v. Excelsior, part of cantata for SAB beginning with 'The shades of night are falling fast' [see ff. 54v-56v; MS 2, ff. 17r, 25r-v; MS 4, ff. 23r-24v; MS 6, ff. 22r, 24v-25r, 27r; MS 8, ff. 3r-5v; MS 9, ff. 4r-5v, 33v, 34v]. 72R. Six bars of piano introduction to male voice arr. of Handel's Largo in G;. Two short verses relating to a small child refusing to sleep. 72V. Aberystwyth, four-part male voice arr. of the hymn-tune by Joseph Parry;. [Wrth fyn'd efo Deio i Dywyn] four-part male voice arr. 73R. Oriental Song, song for SSA. 74V. Untitled hymn-tune. 75R-76v. The Garden of my Soul, for voice and piano, words by Maude Hall Lyman, dedicated by Daniel Protheroe to his friend A. B. Dickson, Gary, Ind. [See MS 9, ff. 2r-3r]. 77V-78r. Quit you like men, for voice and piano.

'Manuscript Music Book' (4 ff.), with one loose sheet, containing drafts of the cantatas Olivet and Excelsior. Endorsed on the front cover is 'The Man of Sorrows'. F. 1r-2v. Parts of the cantata Olivet, for voices and accompaniment [see MS 3, ff. 43v-55v; MS 61 f. 45r-v]. 3R-5v. The Singers, sacred work for voices and accompaniment, beginning 'God sent His singers upon earth' and ending 'But the most perfect harmony' [from the cantata Excelsior?, see MS 2, ff. 17r, 25r-v; MS 3, ff. 54v-56v, 71r-v; MS 4, ff. 23r-24v; MS 6, ff. 22r, 24v-25r, 27r; MS 9, ff. 4r-5v, 33v, 34v].

Correspondence of Daniel Protheroe, 1911-35, dealing mainly with copyright, publishing, and royalty agreements relating to his compositions; royalty certificates, 1893-8; bills, etc.

'Passantino Music Writing Book' (53 ff.), being loose and bound folios placed within covers of a music manuscript book, containing drafts of original compositions and arrangements. Endorsed on front cover of manuscript book is name Carol? Ashill?. F. 1v-2v. Jesus Tender Shepherd (Childrens (sic) Day Anthem), arr. for voice and piano. 3R-4v. American Medley, arr. for voice and piano [see ff. 11v-22r, 52r-53r]. 5V-6r. Onward Christian Soldiers!, arr. for SATB [see ff. 28v-29v]. 7V-8r. Moonbeams. A Serenade, for voice and piano, piano copy. 8V-7r. The Jaunting Car, copy of song for soloist and choir, by George H. Gartlan, words by Florence Quick. 9V-10r. Ar Hyd y Nos, arr. for male voices, 1935 [endorsed on f. 9r is stamp - Property of Chrysler Building Employees Chorus, see MS 21, f. 3r]. 11-16. Bound, originally part of separate book. 11V-12r. Patriotic Medley, arr. for male voices, introduction [see ff. 3r-4v, 13v-22r, 52r-53r]. 13V-16v. Patriotic Male Chorus, arr. for male voices [for end of medley see ff. 17r-18r; see also ff. 3r-4v, 11v-12r, 19v-22r, 52r-53r]. 17R-18r. Patriotic Medley, finale [see ff. 13v-16v; see also ff. 3r-4v, 11v-12r, 19v-22r, 52r-53r]. 19V-20v. Patriotic Medley, arr. for voice and piano, with 6 ff. of printed copies of songs attached to f. 20r-v [see ff. 3r-4v, 11v-18r, 21r-22r, 52r-53r]. 21R-22r. American Medley, arr. for voice and piano [see ff. 3r-4v, 11v-20v, 52r-53r]. 23-35. Bound. 23R. Friendship, two drafts. 23V-24r. Thy Will Be Done, sacred song, arr. for voice and piano [see ff. 40r-v]. 24V. 'The Lord is my shepherd', setting of Psalm 23. 25R. Carol beginning 'The beauty that prevailed one night [see f. 26r for variant setting of same words]. 25V. Christmas Night, carol. 26R. Bethlehem Night, carol [see f. 25r for variant setting of same words]. 28R. Untitled sacred work beginning 'I will cry unto God'. 28V-29v. Onward Christian Soldiers, arr. for SATB [see ff. 5v-6r]. 30R. While Shepherds watched their flocks by night, carol, 1938. 30V. Untitled carol beginning 'When marshalled on the nightly plain' [possibly called 'The Star of Bethlehem'. 32R. The Year's (sic) at the Spring from 'Pippa Passes'. 32V-33r. La Petite Jeanneton, song for voice and piano. 33V-34r. Patriotic Medley, arr. for male chorus, instrumental copy [see ff. 11v-22r]. 35R. March of the Musketeers, male chorus, arr. 36R-37r. Sail on O Ship of State (Marche Patriotic), for SATB, dedicated to Franklyn Delano Roosevelt, words by Longfellow [see ff. 38r-39v, 42r]. 39V. Sail on O Ship of State, for voice and piano, words by Longfellow [see ff. 36r-37r, 42r]. 40R-v. Thy Will Be Done, sacred song, arr. for voice and piano [see ff. 23v-24v]. 40V. If I knew, tongue-twisting song. 41R-v. Ha! Ha! Ha! Laughing is Contagious, chorus [for SATB?] by G. F. Rose, arr. Sail on O Ship of State, for voice and piano, words by Longfellow, incomplete [see ff. 36r-37r, 38r-39v]. 42V. Untitled love song beginning 'Oh love if only you and I could wander'. 43R-44v. Harmony exercises. 46R-47r. Will She Remember Too?, for voice and piano. 48R-49v. Sei Du Mit Mir (Be Thou With Me), prayer, for voice and piano, 20 July 1939. 50R-51r. The Victory Won, 2 Feb. [19]43. 52R. Untitled melody [possibly part of a patriotic medley, see ff. 3r-4v, 11v-22r, 53r]. 53R. Patriotic Medley [see ff. 3r-4v, 11v-22r, 52r].