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Photocopies of NLW MS 22919B comprising twenty-nine letters, 1895-6, to Edward Thomas from James Ashcroft Noble (1844-96), father of Helen Thomas, and nine letters, 1896, from Thomas to Noble, mainly concerned with Thomas's writing and Noble's deteriorating health, and a copy of a photograph of Noble's study.

Over a hundred letters, 1901-1991, of miscellaneous provenance from twentieth-century Anglo-Welsh writers to various recipients; the correspondents include Gillian Clarke (10, and three poems) 1986-1988, Rhys Davies (10) 1928-1929, 1975-1978, W. H. Davies (13, together with press cuttings, 1905-1950s, and four printed poems) [1909x1913]-1925, David Jones (8) 1960-1973, John Cowper Powys (7) 1927-1953, Dylan Thomas (10) 1938-1952, Edward Thomas (7) 1901-1912, Gwyn Thomas (2) 1952-1953, R. S. Thomas (6) 1956-1960 and Vernon Watkins (5) 1962-1966.

Seventy-six letters, 1901-1917, from the poet Edward Thomas to his friend, the Rev. Jesse Berridge, containing personal and family news and references to the progress of his work (ff. 1-102; see The Letters of Edward Thomas to Jesse Berridge, ed. by Anthony Berridge (London, 1983); for letter no. 63 in the series see NLW MS 10617B).
Also included are transcripts of two letters from the poet to Mrs Edna Berridge, 1912 (ff. 103-104); one letter, [1940s], to Jesse Berridge from Helen Thomas, the poet's widow (f. 123), and two letters, 1957-1961, and a card, [?1950s], from Eleanor Farjeon (ff. 125, 127-128 verso), together with related papers, notably Berridge's draft of his short memoir of Edward Thomas, 1947 (ff. 106-111; see Letters, pp. 84-90), a typescript address, 1985, by R. George Thomas (ff. 131-134) and press cuttings, 1907-1978 (ff. 135-144), including articles by Helen Thomas, 1962-1963 (ff. 139-142). The collection also contains sketches by Edward Thomas, 1902 (f. 24 recto-verso), and references to W. H. Davies, 1905 (f. 52 recto-verso), Gordon Bottomley, 1907 (ff. 56, 58), Robert Frost, 1957 (f. 127), and to the First World War, 1915-1917 (ff. 92-102), together with a copy of a letter, 1947, to Rowland L. Watson, secretary of the Edward Thomas Memorial Committee (f. 105).

Some fifty-eight letters and postcards, 1905-1938, from W. H. Davies to various correspondents, mainly concerning his own work and its publication, including some poetry. The letters were collected by E. E. Bissell.
The correspondents include T. I. F. Armstrong (John Gawsworth), 1931-1938 (ff. 1-22), John Freeman, [?early 1914]-1928 (ff. 24-34), Harold Monro, 1905-1927 (ff. 38-39, 41, 45-70), [James Brand] Pinker, 18 December 1905 (f. 72), [M. P.] Shiel, 1 June 1935 (f. 75), [John Collings] Squire, 1914, 1919 (ff. 76-77), and Edward Thomas, 7 December 1907 (f. 78). Also included are carbon copies of letters to Davies from Gawsworth, 19 August 1932 (f. 10), and Monro, 6 October 1920 (f. 44), and from Monro to Conrad Aiken, 20 July 1925 (f. 71); autograph manuscripts, with printers' markings, of Davies' poems 'The Bird of Paradise', [1913] (f. 40), and 'Body and Spirit', [1914] (ff. 42-43), for publication in Poetry and Drama, 1.4 (December 1913), 421, and 2.4 (December 1914), 350, respectively, and 'When Autumn's Fruit', [1920], published in the New Republic, 26 January 1921, p. 251 (f. 80); a signed typescript of Davies' 'In Winter', [October 1931], published by Gawsworth as a limited edition (f. 2); cuttings of 'Come, Melancholy' and 'Age and Youth' from the New Statesman and Nation, 16 January 1932, pp. 47, 65 (ff. 83-84; see also f. 11); proof pages for Davies' contributions to Known Signatures, ed. by John Gawsworth (London, 1932), pp. 31-33, comprising 'Come, Melancholy', 'Age and Youth' and 'In Winter' (ff. 81-82; see also ff. 10-11, 13-16); fragments of an apparently unpublished poem in Davies' hand entitled 'Sally', cut into five strips (f. 23/1-5); 'Bright Flowers', a autograph poem by John Freeman (f. 35); and a signed carte-de-visite photograph of Davies, [early 1900s], apparently presented by him to Edward Thomas.