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A quiet street on which a vintage car is parked on the side nearest the photographer and a saddled bay horse left in the company of a sheepdog on the other.

A view of the chapel including the front gate. See also 4689/255, 257-264.

The chapel with railings in the foreground. See also slides 4689/255-256, 4689/258-264.

Capel Moriah viewed from across an expanse of cracked mud. See also slides 4689/256-264.

A single storey building with a corrugated iron roof with a street sign 'John D Evans.'

A view of the exterior of Ebenezer Chapel, Cwm Hyfryd. See 4689/247 for an interior view.

A dark bay and a saddled chestnut horse tethered to a pole. Behind them is a hillside scattered with remains of tree stumps. This photograph fits the description on page 170 of 'A Wider Sky (Gomer 1991) "...up the cliff again, past the stumps of trees that had been snapped in the ferocious winds..."

A bird of prey in the far distance photographed against a blue sky. See also slide 4689/225.

A closer view of a dilapidated barn near Trevelin.This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' (Gomer, 1991) on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."

This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia." See also slides 4689/210-211.

The photograph is dominated by a dilapidated barn in the centre of the frame viewed from across a field. On the right is a stand of poplars. This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."

A barn in the centre of the frame in the middle distance. On the right is a stand of poplars. This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."

A bay horse in the middle distance standing next to a fence. In the foreground is a tall plant with small white flowers, in the background poplars.

Landscape with poplars.

A bird flies over a desolate looking barn. This is the barn mentioned on page 194 of 'A Wider Sky' (Gomer, 1991) " ...one day I drew onto a canvas an old wooden barn that stood beside the Avenida John D Evans. I started to paint and as I did so the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."

Taken from a gently sloping hillside the view is of snow covered mountain peaks glimpsed through a gap in the trees.

Gable end and main entrance of Bethel chapel, Tir Halen - a small brick built chapel set in scrubland. Slide 4689/181 is a variant of this.

Gable end and main entrance of Bethel chapel, Tir Halen - a small brick built chapel set in scrubland. Slide 4689/182 is a variant of this.

A red brick chapel with a corrugated iron roof, in partial shade.