Seventh in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
Fifth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
Second in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils. Three photos from this sequence appear in an article 'The Heart of the Landscape' in 'The Studio' for April 1962, p132-137. These are credited to Dr Gwilym Wynne-Griffith.
Third in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils. Three photos from this sequence appear in an article 'The Heart of the Landscape' in 'The Studio' for April 1962, p132-137. These are credited to Dr Gwilym Wynne-Griffith.
First in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils. Three photos from this sequence appear in an article 'The Heart of the Landscape' in 'The Studio' for April 1962, p132-137. These are credited to Dr Gwilym Wynne-Griffith.
A framed oil painting of Cwm Idwal in winter. The painting has been photographed on an easel with a Kodak Colour Control Patch visible in the bottom of the frame.