Pencil draft statement of intent, [c. 1928], in Dylan Thomas's hand, headed "Introduction" and written on both sides of a single ruled page from an exercise book. The piece begins, "It is unfortunate that the younger an artist is the less he is credited with being an artist...", and was possibly intended for the journal 'The Era' or a similar project.
Pencil draft, [1945], in Dylan Thomas's hand, of part of the script for the wartime propaganda film, 'Our country'; inverted text on six of the preliminary pages of Daniel Jones's copy of Samuel Johnson, The lives of the English poets, vol. III (London, 1896). Also included is a typewritten transcript, [2000x2009], (6 pp.), of these notes.
Autograph ink draft, [1950x1953], (10 pp.), containing numerous amendments, of an introduction to a poetry reading by Dylan Thomas.
Pocket book with black covers containing notes by Dylan Thomas, [1951x1953], for a radio feature on the South Bank exhibition, together with a list headed "Possibilities for the observer", observations on Persia, and a list of published and proposed works by him. The notebook may have accompanied Dylan Thomas during his third trip to America as it contains notes and contacts relating to the visit, some in the hand of Liz Reitell, in the back of the volume.
Typescript and printed copies, [1935]-1963, of stories by Dylan Thomas, some containing amendments and corrections in his hand.
Typescript copy, [1935x1955], (5 pp.), containing a few corrections in red biro in an unidentified hand, together with an uncorrected carbon copy, of a story entitled, 'The vest'. This work was first recorded in the 'Red notebook', 1934, and published in Yellowjacket magazine in 1939.
A copy of Contemporary poetry and prose, no. 1, (May, 1936), including the story 'The burning baby' by Dylan Thomas, pp. 10-14; the front cover inscribed by him in ink, "This contains The Burning Baby", and the text of the story also including amendments in his hand.
A copy of Contemporary poetry and prose, no. 4/5, (August/September, 1936), including the story 'The school for witches' by Dylan Thomas, pp. 95-100; the front cover inscribed by him in ink, "This contains The School For Witches", and the text of the story also including amendments in his hand.
A copy of Contemporary poetry and prose, no. 9, (Spring, 1937), including the story 'The holy six' by Dylan Thomas, pp. 18-26; the front cover inscribed by him in ink, "This contains The Holy Six", and the text of the story also including amendments in his hand.
Three loose printed pages from Life and letters today, vol. XVI, no. 7, (Spring, 1937), pp. 65-70, containing the story 'A prospect of the sea' by Dylan Thomas. Eight words in the first paragraph have been marked, in an unidentified hand, for omission.
In the direction of the beginning,
Typescript copy, [1938x1955], (3 pp.), of the short story by Dylan Thomas, 'In the direction of the beginning'.
Untitled typescript copy, [?1963], (4 pp.), of the beginning of 'Prologue to an adventure', published in Wales, no. 1, (1937), containing ink corrections in an unidentified hand; together with a letter, 1963, from Stuart Thomas to David Higham explaining that this is a copy of a manuscript found behind the drawer of the writing desk at the Boat House.
Manuscript and typescript copies, [c. 1928x1953], of collaborative work produced by Daniel Jones and Dylan Thomas, including a literary journal entitled 'The Era', [c. 1928], and two scripts, [1939x1953].
Manuscript, (11 pp.), of the first and only issue of 'The Era: a literary journal issued six times a year', vol. I, (January and February, [c. 1928]). An additional contents list is inserted between the folded second and third pages. Most is written in the hand of Daniel Jones; the signature of his co-editor, Dylan Thomas, appears four times. The Foreword by Jenkyn D. Jones, is signed by him; D. J. Thomas is also listed amongst the contributors. Dylan Thomas refers to his father and sister, Nancy, in his Editor's Notes.
Swansea Intermediate School exercise book belonging to Daniel Jones and labelled 'Ovid Translation. D. J. Jones VIA', [1928x1930], containing holograph school notes, poetry, and doodles, one of which may have been drawn by Dylan Thomas. The volume also contains some collaborative work, including a line in Dylan Thomas's hand, and a pencil draft of chapters of a story, possibly by both friends, written in the hand of Daniel Jones.
Script of an untitled short play, [1939x1953], by Dylan Thomas and Daniel Jones, composed on two sides of a single foolscap page. The play is mostly a dialogue between a man and a woman, beginning "By the way, will you marry me?", and written in the hands of both authors, but mostly that of Daniel Jones.
Corrected typescript, [1939x1953], of a short play by Dylan Thomas and Daniel Jones, entitled 'Leak before you leap'.
Various papers belonging to Dylan Thomas, comprising a school exercise book, [1929x1930]; ink and pencil drawings and doodles by him, [1934x1953]; a character game, [1936x1945]; and contracts and papers, 1949 and 1960, relating to his contribution to the album 'Pleasure Dome'.
Swansea Intermediate School exercise book belonging to Dylan Thomas and labelled 'D. M. Thomas IV A Physics', [1929x1930], mostly containing school notes, with doodles and a rhyme beginning 'Sewer rats as household pets...'.
Four separate pages of ink and pencil drawings and doodles, [1934x1953], by Dylan Thomas, including an early self-portrait; together with an autograph list by Liz Reitell of their New York drawings.