Dangos 134 canlyniad

A music book of the second quarter of the nineteenth century containing a selection of vocal and instrumental pieces. The titles include 'Miss Ann Elphinston's Waltz', 'My laddie is gone . . .', 'Russian Waltz', '2d Russian Waltz', 'Rise gentle Moon' ('written by J. Planche, Esq., composed by J[ohn] Barnett'), 'Frankfurter Waltz', ['Lady Roseberry's] Waltz', 'Nubian Girl's Song', ['Canone'] by [Benedetto] Ferrari, 'Bonna Notte' ('arranged, and to be had of Mr. Verani, 19 New Castle Street, Strand'), 'What is life', 'Kyrie Eleison', 'Ascension Day', 'Thanksgiving', 'Hear my Prayer' by [James] Kent ['For Charlotte Talbot'], 'Oh had I the wings of a Dove', 'La Rosalia' (composed by Signor Verani, 19 New Castle Street, Strand), 'Il Velo' [by Ferrari], 'La bergere', 'Barcarolla' ('poesia del Metastasio'; arranged, and to be had of, Mr. Verani, 19 New Castle Street, Strand), 'Bellezza mia . . .' by [Giuseppe Marco Maria Felice] Blangini, 'La Description des Fleurs' (arranged, and to be had of, Mr. Verani, 19 New Castle Street, Strand), an air by [George Frederic] Handel, 'The Sleeper', 'Cancion', 'Mr. Wall's waltz', 'Minuetto', 'Swiss Air', 'Bolero', 'Fandango ', 'El Pescador', 'Waltzer', 'Welsh Ranz des Vaches', 'Air' by H. G., 'Duo ', 'Ave Sanctissima' (words by Mrs. [Felicia Dorothea] Hemans), 'Bolero', 'Der Geisbue', 'Fare-well dear Maid . . .' by Mr. Broadley, 'Cancion del Ramo', 'Cancion Patriotica', 'La Ausencia', 'Cancion', 'Polish Waltz', 'Shelah O'Neill', 'Gamut for the Guitar', 'Addio Teresa', 'Aria Veneziana', 'Cara Eliza . . .' by Blangini, 'The Mermaids Song' by [Franz Joseph] Haydn , 'Der Alpen Jager', 'All Enk Nachbarslenten', 'Das Schiizenlied', 'Der Tyroler Landsturm', ['Il Cucu'] by [Giacomo Gotifredo] Ferrari, 'Waltzer', 'Francalanza', [ ] by [Gioacchino Antonio] Rossini, 'Polonaise' by Count [ Michal Kleofas] Oginsky, 'Nina nou dir ni no' [by Blangini], 'Celui qui sut toucher mon coeur', 'Sweet Richard' ('Welsh Jig'), 'A favorite Swiss Air' ('In imitation of a Musical Snuff Box'), 'Non giova il sospirar', 'The Pirates' Serenade', 'In la Marchese Giardiniera', 'The Pilgrim Fathers ', 'The Pilot', 'I have known thee' by [ ] Bayley, 'Merch Megan', ['Duet '] by [Karl] Czerny, 'La Varsovienne' by [ ] Varelski, 'El Pajarito', 'Ffarwel f'ieuengtid', 'Hymn', 'Canzone popolare romanesco, 'Fandango' by [ ] Beczwarzowski, 'Quadrille', 'Polonaric Duet', 'Cancion Guerera' by D. J. Assencio, 'Rondo' by [Johann Sebastian] Bach, 'Hoffder y Gwyneddigion', 'Duet-The Waltz', 'Waltzer', 'The Voice of Home' (music by J. Lodge, Esq., words by Mrs. Hemans), 'Galopade', 'Quadrille', 'Quadrille', 'Polonaise' by [Wolfgang Amadeus] Mozart, [Waltzes] by [ ] Beczwarzowski, 'Quadrille', 'Waltz' by [ ] Haperman, 'Reveil du 63me Régiment' ('pour Fanfares') by G. Mansel, 'Bruder schwingt nun die Pokali', etc., from 'Zampa' by [Louis Joseph Ferdinand Herold], 'Les plaisirs de Rosny', 'The Bagpipe', 'March in Masaniello', 'Corsican Air', 'We have lived and loved together', 'March', 'Air by Mr. Gwynne of Glanbrane', 'Duett' by [ ] Guglielmi (emended to [Niccoló Antonio] Zingarelli), 'Waltz' by [Karl Gottlieb] Reissiger, 'Meillionen', 'Air in Alcina' by Handel, 'Bundeslied', 'Trinklied', 'Der Lands Vater', 'Ma Normandie', 'How sweetly could I lay my head', 'Lord Beauchamp's March', etc. The fly-leaf contains a progressive list of contents of the volume.

An early nineteenth century music book containing a selection of vocal and instrumental pieces. The titles include 'La Notte. Arietta italiana', 'Ebben per mia memoria' by [Gioacchino Antonio] Rossini, 'Louise de Chimay ', 'Minuet and Rondo by Mr. Gwynne' ('Welsh'), 'Lady Alda's Dream' by Mrs . [ ] Arkwright, 'Serenade', 'Lesson' by [John] Parry [of Ruabon], 'Chorus from Iphigenia' by [Christoph Willibald Ritter von] Gluck, 'The Maltese Mariner's Hymn', 'Mac Lean's Welcome' ('from the Gaelic'), 'Mrs. Garden of Trrup's Strathspey', 'Winter's Song. Words & music by [ ] Bayly', 'Parry's lesson', 'Garth's Rondo', 'The Dusty Miller', 'Lady Shaftsbury', 'Hymmo Constitucional', 'The Coronach' by [ ] Clarke, 'Tyrolienne', 'Trio', 'La Burasca', 'Canzone' by [Giuseppe] Millico, 'Lady Mary Ramsays Strathspey', 'Countess of Lauderdales reel', 'New rigged ship ', 'Era felice un di' by [ ] Mayer, 'La Partenza', 'March of the 4th Dragoon Guards', 'Russian Waltz', 'Austrian Lindler', 'Waltz', 'Quadrille ', 'Vien qua Dorina bella', 'March' by Count Neuberg, [ ] from 'Mose in Egitto' [by Rossini], 'Minuet in the Ballet of Nina', 'Preciosa' by [Carl Maria von] Weber, 'Heu, Heu, reicht mir Nectar' by [Sigismund] Neukomm, 'Das Heimweh', 'Duo', [ ] by G. Prescentini, [ ] by [Giacomo Gotifredo] Ferrari, 'Gallopade', 'Galloppe', 'Waltz' by P. ?Upsilanti, 'Trio', 'Waltz' by Miss [ ] Smith, 'Song of Peace' by W[illiam] Carnaby, ' 133d Psalm' by Neukomm, 'Hymn for Midnight', [ ] by [Johann Friedrich] Edelman[n], 'Old English Melody', [ ] by [Johann Nepomuk] Hummel, 'The Highland Widow', 'O the gusto' ('Barcarole'), 'Lied in der Fremde' by Weber, 'Thekla' by [Johann Rudolf] Zumsteeg, 'Thekla eine Geistnstimme' by [ Friedrich Ludwig) Seidel, 'Nehmt euch in acht' by [Vincenzo] Righini, 'Les premiers Amours' by N[icolo] d'Isouard, 'Twilight' ('Welsh'), [ ] by [ Ludwig van] Beethoven, 'Rode's Air', 'Theme Allemand' by [ ] Künten, 'Vien diletto è in ciel la Luna' from 'I Puritani' by [Vincenzo] Bellini, 'Su questa man concedi' from 'U[ltimo] G[iorna] de Pompeii' by [Giovanni Pacini], 'Dans la prairie fraiche et fleurie', 'Double chant', [ ] by W[ illiam] Jackson, 'Psalm 145' (emended to 15), 'Valse', 'Funeral March in Saul', 'March' by [Henri] Herz, 'Ah Dove Sei', 'Tyrolienne', 'Round' by [ ] Bononcini, 'Minuet in Ariadne' by [George Frederic] Handel, 'Valse compose par le Baron Seymour de Constant', 'Waltz' by Beethoven (emended to [Franz] Schubert), 'A Greek Air' (words by Lord Byron), 'The Fairy Bells' by Mrs. [ ] Norton, 'Weber's last song', [ ] by J[oseph] P[ hilip] Knight, 'Y Gadlys', 'Y Ferch o'r Sker', 'Con quel occhietto' by [ Giuseppe Marco Maria Felice] Blangini, 'I come creeping', 'Our Mother's voice' by Mary Selwyn, 'The Hermitage' by [ ] Drobisch, 'Canzonet' by Capt. Harington, 'Hindostanee Air' (words by W. Kennedy), 'The Song of other times', 'Duettino' by Blangini, 'Jenny Jones', 'Waltz' by Beethoven, ‘'Deutches Rheinlied' by Nicholas Becken, 'Morning Hymn' by F[rangois Hippolyte] Bartheleman, 'In mia man Alfin to sei', 'Duet. Norma' by Bellini, 'Galoppe from the Daughters of the Danube', 'Oh the merry days', 'Monferino' ('Guitar Music'), 'Rondo', 'Words from Woodstock' by Mrs. Arkwright, 'The Song of Phillipa Cahigel of Badajos', 'Lebe Wohl', etc. On the fly- leaves are English words to 'Glan meddwdod mwyn' and to the old Scotch air of 'He's dear to me tho' he's far away'.

Tune book, compiled 1812-1821 (watermark 1810), containing psalm tunes, music for a funeral anthem (ff. 4 verso-6), and hymn-tunes, noted in the hands of Edward Maesgwynne [?p. Llanboidy, Carmarthenshire], 1812 (f. 3), John Phillips, 1820 (f. 22) and Richard Jones Phillips, 1821 (f. 6). The volume belonged to John Phillips of Penrallt kibier [Pen yr Allt Ceibwr, p. St Dogmael's, Pembrokeshire] (inside rear cover). Two tunes - Pleasant Morning and New Durham - are accompanied by Welsh words (ff. 6 verso-8).
The source of one tune is noted as 'David Morgan's Book 1820' (f. 3 verso), and the authorship of two tunes - Abergeleu and Wonderful - is ascribed to the same individual, 1820 (ff. 16 verso, 18 verso, 19 verso). David Morgan may possibly be identified as Dafydd Siencyn Morgan (1752-1844), the Cardiganshire precentor and composer.

A volume containing hymn-tunes and folk-tunes together with an index to the tunes, written in a mid-nineteenth century hand (ff. 73-209), bound together with a copy of William Owen, Prysgol, Y Perl Cerddorol... (Caernarfon, 1852) (ff. 7-72). A note in pencil on f. 1, probably in the hand of Philip Thomas, suggesting 'Shenkin Dounie, Harpist, Neath' to have been the scribe is probably an error for John Dounie [Downey], harpist, the Mera, Neath (see E. E. Williams, 'The queen of the Mera', Neath Antiquarian Society Transactions (1979), 6-7). Also included is a printed advertisement for John Ambrose Lloyd, Casgliad o Donau... (1843) (f. 210).

'Canto y Gynulleidfa, sef Anthemau a Thonau cyfaddas i'w canu yn yr addoliad cyhoeddus, gan David Bynner ('Dewi Cadfan'), Llangadfan, Chwefror 8fed 1859'. The anthems are 'Praise the Lord, O my soul', 'The Congregational Anthem', and 'Moliant Seion'. Several of the hymn-tunes have titles of Montgomeryshire association, e.g. Beulah, St Cadfan, Cannoffice and Myfod.

The file comprises a copy of Caniadau y Cyssegr, neu, Gasgliad o Donau Hen a Diweddar...wedi eu cynghaneddu i bedwar o leisiau, gan John Roberts, Henllan (1839). The copy has been annotated and English translations of the hymns supplied by a later hand.

An imperfect volume of hymn-tunes, psalm-tunes, etc., some of which are attributed to John Davies, John Roberts (Wrexham), S. Standly, John Evans, John Jeffreys, Win. Pugh, Thos. Evans (Swansea), Robert Mills, Hugh Evans, etc. At the beginning is an incomplete list of titles.

The tune book of Owen Evans, Tŷ'r Capel, Capel Curig.

The tune book of Evan Jones, Penucha'r pentra, Trefriw, 1846, containing a copy of Grisiau Cerdd Arwest published in 1823 by John [Ryland] Harris ['Ieuan Ddu'], and manuscript hymn-tunes and anthems by David Harri[e]s, Rowland [Huw] Pritchard and others. There are notes by William J. Roberts ('Gwilym Cowlyd') on Evan Jones on the cover, and on the authorship of the tune 'Caersalem', on p. 223.

The tune book of Owen Williams, Fron, Tregayan, containing Welsh hymn-tunes.

The tune book of Henry Jones, Bala, containing Yr Arweinydd Cerddorol ... gan Richard Mills, Llanidloes, 1842, and manuscript hymn-tunes and anthems by Henry Jones and his fellow student at Bala, Edward Stephen Jones, better known as Edward Stephen ('Tanymarian'), 1844-1847.

A collection of hymn-tunes and anthems by John Williams ('I[oa]n Rhagfyr'), Dolgellau.

A book of anthems and hymn-tunes belonging in 1862 to Martha Rees, Carnmeninisha, Mynachlogddu.

An anonymous music book containing unattributed hymn-tunes.

A large collection of hymn-tunes and anthems copied by J. D. Jones, 1849-50. A large number of his own compositions are included, together with works by R. Mills, J. Ambrose Lloyd, Charles James, John Roberts, Aberystwyth, J. Edwards, T. Price, J. R. Evans ('Primrose Hill'; 'aged 10 years'), W. Mathews, R. Beynon, T. E. Jones, T. Jarman, R. Edwards, Edward Stephens ('Tanymarian'), J. D. Edwards, D. J. Morgan, J. Morgan, Aberystwyth, R. H. Prichard, D. T. Williams, William Owens, Griffith Owen, J. Morgan, Cadnant, and English and continental composers.

Four volumes of hymn-tunes, etc., submitted by William Evans ('Alaw Afan') for competition at various eisteddfodau in Wales and America.

Two volumes of hymn-tunes composed or harmonised by 'Alaw Afan'.

Two manuscript music books containing early compositions, mainly hymn-tunes, by 'Alaw Afan'.

Tune book, mid nineteenth century, containing hymn-tunes and anthems.

A copy of Caniadau y Cyssegr (John Roberts) (Denbigh, 1839), with additional tunes in manuscript, 1839-1871.