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Archival description
Llyfrgell Genedlaethol Cymru = The National Library of Wales File
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Events and concert series,

Printed programmes from various events and concert series. Includes: BBC Radio 3, 1989-1992, 1994-1999; BBC Symphony Orchestra, 1976, 1979-1991, 1995-2002, 2005-2015; Cardiff Events, 1972-1974, 1991-1992, 2011-2012; Cardiff Recorded Music Society (Cardiff Gramophone Society, 1974/5-1987/8 and Cardiff Recorded Music Society, 1989/90-1996/7); Cardiff International Recitals, 1975; Crwth, 1999-2009; Proms, 1977-1982; Towards the Millennium, 1992-1995; Southampton International New music Week, 1985-[1986?]; The Andre Previn Series, London Symphony Orchestra, 1980; The Arcomis International Brass Event, brass without boundaries.

Miscellaneous programmes and brochures,

Printed programmes and brochures from various orchestras and artists at venues, mainly in Cardiff. Also contains some early programmes, International Opera Season (Covent Garden), 1938; "Treasure Hunt", [1950] (Prince of Wales Theatre, Cardiff); "The Sooty Talent Show", 1969 (New Theatre, Cardiff), City of Birmingham Orchestra, Sixteenth Sunday Concert, 1944

Contemporary Music,

Contemporary music event programmes, brochures and flyers. Collection comprises: Almedia International Festival of Contemporary Music and Performance, 1983-1990; Bangor New Music Festival, 2000-2012; Brecon Jazz, 1988-2015; Cardiff Contemporary Forum, 1994-1999; Contemporary Music Network, 1984-1992; Contemporary Music – Cardiff, 1990-2011; Field Notes, 2014; Go West Festival, 1995-1998; The Grimsby St Hugh's Festival, 2009-2010; Huddersfield Contemporary Music Festival, 1981-2014; Late Music Festival, York, 1996-2014; London Sinfonietta, 1983-2003; Moving Being, 1984; Music Theatre Wales, 1982-2012; New Explorations in Sentient Technology Summer Showcase, 2014; Oxford Contemporary Music Festival, 1993-1998; Transit Festival, 2001-2013; Vale of Glamorgan Festival, 1982-2015; Welsh New Music, 1997-[2006].

Festivals,

Festival programmes, brochures and flyers. Collection comprises: Box 1 = Bath International Music Festivals, 1990-2010; Beaumaris Festival, 1998-2011; Beyond the Border - Wales International Storytelling Festival, 2007-2010; British and Irish Festivals, 1984-2015; Cardiff Festival of Music, 1979-1995; Cheltenham International Festival of Music, 1981-2013; Criccieth Festival,1996-2005; Box 2 = English Music Festival,2008-2012; Fishguard Festival, 1997-2014; Gower Festival, 1991-2013; Gŵyl Gregynog Festival, 1991-2014; Llandaff Festival, 1976-2012; Llandeilo Fawr Festival of Music and Flower, 2003-2015; Llantilio Crossenny Festival, 1991-2013; Lower Machen Festival, 1975-2016; Machynlleth Festival, 1998-2011; Monmouth Festival, 2012-2013; North Wales International Music Festival, 1995-2013; Box 3 = Occupy the Pianos, 2014; Presteigne Festival, 1992-2014; Occupy the Pianos, 2014; Petworth Festival, 2009-2013; Red Violin Festival, 1997-2007, St David's Festival, 1991-2015; Swansea Festival, 1987-2015; Tenby Arts Festival, 1997-2007; Three Choirs Festival, 1981-2010; Welsh Festivals (other), 1997-2014; Wyastone Summer Concerts (Festival), 2001-2009.

Royal Welsh College of Music and Drama,

Programmes for performances at the college. Most feature the works and performances by students, lecturers and associates, including student recitals, Symphony Orchestra and String Ensemble, (1) 1991-2010; (2) 2011-2016; (3). Copies of 'Performance', Summer 2009-Spring, 2011; and (4) 'What's On', Summer 2011-Summer 2015.

Lectures and talks,

Copies of his lectures and talks (many drafts) given at various events and concerts: Messiaen, Stravinsky and Bartók, a pre-concert talk, St David's Hall (23/2/1995); Beethoven Illustrated Recital: String Quartet, Op.59/1, Newport Music Society (6/8/1995); WNO Rake's Progress workshop, Birmingham (19/5/1996); Schubert Lecture: Schubert C Major String Quintet, various venues (1997); Bolshoi Symphony Orchestra pre-concert talk (4/10/2001); Changing Performance Practice in British Music (12/11/2002 revision); Tippett's Triple Concerto, a pre-concert talk for BBC NOW (4/2/2005); Shostakovich's Fourth Symphony and Censorship in Music, a pre-concert talk for BBC NOW (27/1/2006); The New Shostakovich, talk for Cardiff Recorded Music Society (27/9/2006); Music in 1626, Ruperra Castle lecture (2/4/2011); Mozart: Contemporary Significance and Legacy (Recorded Music Society (4/4/2012); Per Nørgård, Vale of Glamorgan Festival (2/5/2012); Mexico and Latin American music, Vale of Glamorgan Festival (10/5/2013); Schubert, Rhosygilwen (18/10/2013); Tchaikovsky and Prokofiev, St David's Hall (8/10/2014); Beethoven and Schumann, St David's Hall (28/11/2014); The Music of Arvo Pärt, and The Music of Estonia, Vale of Glamorgan Festival (21/5/2015); Sergi Rachmaninov Vespers, Op.37, Lower Machen Festival (26/6/2015); Purcell and Pergolesi, St David's Hall (20/10/2015); Interview with Vladimir Ashkenazy, St David's Hall (4/11/2015); Interview with Craig Ogden, St David's Hall (2/12/2015); 500 Years of the Great English Choral Tradition, a pre-concert talk for The Sixteen St David's Hall (11/12/2015); Pierre Boulez, for RWCMD Contemporary Music Society (30/1/2016); Pēteris Vasks Interview, Vale of Glamorgan Festival (18 & 20/5/2016); British Song pre-concert talk for St Hugh's Festival, Grimsby (2010) and British Song Day, York (27/2/2016).

Kenyan safari journal

Diary, 9 April-16 June 1900, of Morgan S. Williams of Aberpergwm House, Neath, recounting an expedition to British East Africa [now Kenya] on safari with two companions identified only as Godfrey [probably his eldest son, Godfrey Herbert Joseph Williams] and Rhys (ff. 1 verso-23 verso), together with thirty-six photographs taken on the safari (pasted in on ff. 25-60, rectos only).
The group left London on 9 April and set sail from Marseille the following day (f. 1 verso), reaching Mombasa on 28 April (f. 3 verso). They made preparations there (ff. 3 verso-6) and left on the Uganda Railway for the interior on 2 May, along with fifty-one local porters and fifteen others. From the rail head beyond Nairobi the group trekked northwards to the vicinity of Lakes Naivasha, Elementaita and Nakuru, where the three men hunted game for several days, 9-14 May (ff. 7 verso-14). The trip was cut short due to Godfrey falling ill; he and Morgan left Rhys and returned to Mombasa, sailing to Zanzibar, where Godfrey was hospitalised, and finally sailed back to Europe on 27 May (f. 20), arriving in London on 14 June (f. 23). The photographs mostly comprise various groups of Maasai people (ff. 25-32, 34-39, 43-48, 53), the group's encampments (ff. 33, 54, 59-60) and trophies including two dead rhinos (ff. 49-53, 55-58); an European appearing in three photographs is probably Williams himself (ff. 54, 56, 60). The inclusion of a photograph labelled 'Lake Baringo' (f. 42) suggests they were taken by Rhys, as the only one to continue north to that location. Also included are various memoranda and lists relating to the safari (ff. 97 verso-100) and a pencil sketch of Mt Kilimanjaro, dated 3 May (f. 100).

Williams, Morgan S. (Morgan Stuart), 1846-1909

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