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Anatoli Petrewschtchew holding food in his right hand and eating with his left hand.

Anatoli Petrewschtchew, Gareth Vaughan Jones Russian chauffeur, looking at the scenery from a train. Note the corner of a train truck in the left of the photo.

Taken from a gently sloping hillside the view is of snow covered mountain peaks glimpsed through a gap in the trees.

A selection of flowers, possibly anemones arranged in a white china cup sitting on a matching saucer. The cup has a pastoral scene with a man carrying a child on his shoulders whilst another, slightly older, child walks behind.The print is mounted on yellow paper and has had the corners trimmed to give a lozenge shape.

A small posy of anemones arranged in a white china coffee cup with a floral design. The cup is sitting on a matching saucer. This is a variant of Photo album 3900, photograph 17. The print is mounted on brown paper and has clipped corners giving a lozenge shape.

An arrangement of six anenome blooms with foliage in a cup. This has a design showing a father with a small child on his shoulders and another child trudging behind. The cup is sitting on a plain saucer. All four corners of the print have been trimmed giving the image a lozenge shape. The print has been mounted on a sand coloured page. This is a variant of album 3900/22.

Exterior view of the Angel Hotel, Coleford, a three storey coaching inn. A group of children are standing in front of the building.

Angkor Wat seen in the distance from a long paved path. A number of young boys are milling around on the path.

Angkor Wat viewed from a distance.

A framed and mounted pencil drawing of a long horned bull, not by Kyffin Williams and probably C19th.

A framed and mounted pencil drawing of a long horned bull, not by Kyffin Williams and probably C19th.

A framed and mounted pencil drawing of a long horned bull, not by Kyffin Williams and probably C19th.

A watercolour head and shoulders portrait of an elderly farmer wearing a blue jacket and grey-brown flat cap looking quizzically at the artist.

A watercolour head and shoulders portrait of an elderly farmer wearing a blue jacket and grey-brown flat cap looking quizzically at the artist.

A small farmhouse with a chimney at either end and a stone outbuilding photographed from the rear. The farm has a telephone line running to a nearby telegraph pole suggesting it is occupied.

A small farmhouse with a chimney at either end and a stone outbuilding photographed from the rear. The farm has a telephone line running to a nearby telegraph pole suggesting it is occupied. In the foreground is a stone wall in a state of disrepair.

A small farmhouse with a chimney at either end and a stone outbuilding photographed from the rear. The farm has a telephone line running to a nearby telegraph pole suggesting it is occupied. In the foreground is a stone wall in a state of disrepair.

A small farmhouse and a stone outbuilding photographed from the rear. The farm has a chimney at either end and a telephone line running to a nearby telegraph pole, suggesting it is occupied.

A cluster of small cottages on the horizon with meadows in the foreground. Exact location unknown.

Animals presumed to be horses and cattle grazing in a snow covered field. Beyond them loom mountains and a dark sky. The painting has been photographed on an easel with a Kodak Colour Control Patch visible in the bottom of the frame.