Opus 25 No.1: Sonatina for Cello
- 1/25
- Ffeil / File
- 1967
Part of David Harries Music Manuscripts
Ink score, dated 1967, titled Opus 25 No.1 'Sonatina for Cello'. In memory of Harold Lewis.
Opus 25 No.1: Sonatina for Cello
Part of David Harries Music Manuscripts
Ink score, dated 1967, titled Opus 25 No.1 'Sonatina for Cello'. In memory of Harold Lewis.
Opus 26: Six Impromptus for Piano
Part of David Harries Music Manuscripts
Facsimile copy of ink score, dated January 1968, and titled Opus 26: 'Six Impromptus for Piano'. The work was commissioned by Geoffrey Buckley, and was first performed at the Purcell Room, London, on 30 January 1968. The facsimile includes a note in pencil: ''For return to Mr Geoffrey Buckley at recording'. Also included in the file is a published copy of David Harries' 'Four Impromptus' (Oxford: Oxford University Press, 1969).
Part of David Harries Music Manuscripts
Two copies of a score, with one being a facsimile of ink copy and one in ink with pencil annotations, [1969], titled Opus 32: 'Sinfonietta'. The score includes parts for violins 1 and 2, viola, violoncello, cello, horns 1 and 2, trumpets 1 and 2, trombones 1 and 2, bass, timpani, and percussion.
Fanfare for the occasion of the official opening of the Welsh College of Music and Drama
Part of David Harries Music Manuscripts
Ink score, dated 30th May 1977, and titled 'Fanfare for the Occasion of the official opening of the Welsh College of Music and Drama by her Majesty the Queen on 24th June 1977'. The score includes parts for trumpet, trombone, horn, tuba, timpani, and percussion.
Opus 45: Canticle No.2: Five Poems of Roland Mathias for Voice and Piano (partial score)
Part of David Harries Music Manuscripts
Partial score, in ink and pencil, [1978], titled Opus 45: 'Canticle No.2: Five Poems of Roland Mathias For Voice and Piano'. The score was originally commissioned by the Cardiff Festival of 20th Century Music, with the assistance of the Welsh Arts Council.
Part of David Harries Music Manuscripts
Facsimiles and ink scores, and parts, 1958-1985, composed for orchestra.
Opus 1: Revised as Nocturne and Scherzo for Orchestra
Part of David Harries Music Manuscripts
Ink score with pencil annotations, of a 1959 revision of the work titled Opus 1: ‘Nocturne and Scherzo for Orchestra’, including parts for clarinet, violins 1 and 2, viola, violoncello, oboe, bassoon, timpani, flute, trumpet, and horns 1 and 2. The piece was first written in 1952 as 'Introduction (Quasi Notturno) and Allegro Scherzoso' for string quintet, based on the Welsh folk-melodies 'Hun Gwenllian' and 'Hela'r 'Sgyfarnog'. The original piece was awarded a prize in the composition section at the National Eisteddfod of Wales, Aberystwyth (1952), and was first performed at University College Wales, Aberystwyth, in 1953.
Part of David Harries Music Manuscripts
Facsimile copy of ink score with pencil annotations, [1976], titled Opus 40: 'Symphony No.1'. Includes parts for flutes, oboes, clarinets, bassoons, horns 1, 2, 3, and 4, trumpets 1 and 2, trombones 1 and 2, bass, timpani, percussion, violins 1 and 2, viola, violoncello, and cello. The work was originally commissioned by the Fishguard Music Festival in association with the Welsh Arts Council, [1976]. Dedicated to Alwena Harries.
Opus 53: Myfyrdod: Contemplation for Orchestra (facsimiles)
Part of David Harries Music Manuscripts
Two facsimile copies of ink score, dated April-May 1985, and titled Opus 53: 'Myfyrdod: Contemplation for Orchestra’. Includes parts for tenor trombones 1 and 2, bass trombone, tuba, timpani, percussion, violins 1 and 2, viola, violoncello, cello, flutes 1, 2, and 3, oboes 1 and 2, clarinets 1 and 2, bass clarinet, bassoons 1, 2, and 3, trumpets 1 and 2, and harps 1 and 2. Dedicated to Peter Fletcher.
Opus 53: Myfyrdod: Contemplation for Orchestra: instrument parts 1
Part of David Harries Music Manuscripts
Facsimile copy of ink score, dated 1985, and titled Opus 53; 'Myfyrdod: Contemplation for Orchestra Parts 1'. The score contains parts for flutes 1, 2, and 3; oboe 1, 2, and 3; clarinets 1, 2, and 3; bassoons 1, 2, and 3; horns 1,2, 3, and 4; and trumpets 1 and 2.
Opus 53: Myfyrdod: Contemplation for Orchestra: instrument parts 2
Part of David Harries Music Manuscripts
Facsimile copy of ink score, dated 1985, and titled Opus 53: 'Myfyrdod: Contemplation for Orchestra: Parts 2'. The score contains parts for trombones 1 and 2; bass trombone; tuba; harps 1 and 2; timpani; percussion; violins 1 and 2; viola; cello; and bass.
Part of David Harries Music Manuscripts
Ink, facsimile, and published scores, 1966-1992, composed for choir and organ.
Part of David Harries Music Manuscripts
Published copy of score titled Opus 24 No.1: 'Christ Child: Christmas Carol' (Oxford: Oxford University Press, 1967).
Opus 35: Make Haste So To Live: Anthem for Chorus and Organ (original)
Part of David Harries Music Manuscripts
Ink score, titled Opus 35: 'Make Haste So To Live: Anthem for Chorus and Organ', with words from 'The Principle and Foundation' by Gerard Manley Hopkins. Commissioned for the Guild for the Promotion of Welsh Music for the Fishguard Music Festival, 1972. Dedicated to John Davies.
Opus 59: Dyma y Dydd (Salm 118): Anthem i Gôr Cymysg a Thelyn
Part of David Harries Music Manuscripts
Facsimile copy of ink score, titled ‘Dyma y Dydd (Salm 118): Anthem i Gôr Cymysg a Thelyn’, dated June-July 1988. Commissioned by the Dinas Powis Welsh Society Choir, with assistance from the Welsh Arts Council for the Royal National Eisteddfod, Newport, 1988. Dedicated to Bryn and Byron.
Opus 64: Samuel King Choral Series: Psalm 8, O Lord, Our Lord
Part of David Harries Music Manuscripts
Copy of published score for David Harries, 'Opus 64: Psalm 8: O Lord, Our Lord' (Cardigan: Samuel King, 1992). Originally commissioned by John Davies and the Pembrokeshire Youth Choir in association with the Welsh Arts Council.
Opus 48: Princes of Gwynedd: Symphonic Impressions
Part of David Harries Music Manuscripts
Facsimile and ink scores for all instrument parts for the orchestral composition Opus 48: 'Princes of Gwynedd: Symphonic Impressions' (1979), including rough score and list of instruments. A note about the commissioning of the piece included in the series explains that the work was commissioned by the Royal National Eisteddfod of Wales, Caernarfon 1979, in association with the Welsh Arts Council, and first performed in Caernarfon in August 1979 by the BBC Welsh Symphony Orchestra conducted by David Lloyd Jones. The piece consists of four movements based on impressions of the medieval Welsh princes Maelgwn Gwynedd, Cadwaladr Fendigaid, Owain Gwynedd, and Llewelyn ap Gruffudd.
Score for all instrument parts
Part of David Harries Music Manuscripts
Ink score, for all instrument parts for Opus 48: 'Princes of Gwynedd' (1979). Includes parts for flutes, oboes, clarinets, bassoon, horns, trumpets, trombones, timpani, percussion, harp, violins 1 and 2, viola, violoncello, bass, and cello. Dedicated to Roy Bohana.
The file also includes a typewritten note (unsigned).
Part of David Harries Music Manuscripts
1 ink score and 3 facsimile copies, with differing pencil annotations, for the Cello part in Opus 48: 'Princes of Gwynedd' (1979).
Part of David Harries Music Manuscripts
1 ink score and 1 facsimile copy, with differing pencil annotations, for the Double Bass part in Opus 48: 'Princes of Gwynedd' (1979).