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Papers, c.1968-1982, relating to Emlyn Williams and Molly Williams: including an album of playbills and photographs, 1927-56, which was presented to Emlyn Williams on his birthday; a bibliography of Emlyn Williams's works by Sandra Lindley, 1979; and newspaper extracts, 1982, concerning Emlyn Williams's reception as a Freeman of Delyn Borough.

Scrap-book, 1957-1961. Including: material on the Dylan Thomas and Charles Dickens tours, (ff. 1-12, 28-50v, 53-61, 71-90, 93-113); Beth (ff. 18v-37); Shadow of Heroes by Robert Ardrey (ff. 61v-8); and including letters from Harold [Rome] (f. 3); Moss [Hart] (f. 3); Basil Rathbone (f. 4); Ellen Huxley (f. 5); David J. Grimes (f. 8); Alec [?Guinness] (f. 15v); Walter Prude (f. 23v); Sybil [Thorndike] (ff. 25v, 55, 61v, 72); Stephen [Mitchell] (f. 37); Edna [Ferber] (f. 51v); Aneurin Bevan (f. 53); Ralph [Richardson] (f. 54v); Richard Burton (ff. 57, 116v); Bransby W[illiams] (f. 57); Dodie [Smith] (f. 58); Peter Sellers (f. 61v); Peter [Hall] (f. 61v); David [Davies] (f. 65v); E. D. Jones (f. 66); John Cecil-Williams (f. 66); Lord Devonport [Gerald Chester] (f. 66v); Gwilym [Lloyd George] (ff. 66v, 113); Larry [Laurence Olivier] (ff. 61v, 79, 96); Greer Garson (f. 81v); Nedda and Josh Logan (f. 82v); Mrs Vincent Astor (f. 85); Vivien Leigh (f. 91v); Binkie [Hugh Beaumont] (f. 92); Megan [Lloyd George] (f. 92); Jack [Jones, Rhiwbina] (f. 103v); Tony [Anthony Armstrong-Jones] (ff. 111v, 115); and Claud Dickens (great-grandson of Charles Dickens, f. 113).

Published copy in The Oxford Outlook, 1926; typescript, 1939; and an undated typescript marked 'a radio play'.

Typescript with manuscript revision, 1929.

Typescript, 1939, with manuscript revision, marked `original'.

Musical play based on The Corn is Green with music by Albert Hague and lyrics by Emlyn Williams: typescript of the lyrics, May 1973, together with a file of draft lyrics, c. 1972-3; manuscript music score, 1974; correspondence, 1972-83, the majority being from Joshua Logan; and a typescript marked `final version Oct. 1974'.

Rewriting of Beth: four typescripts 1986, one marked `key copy'; together with related correspondence, 1985-6, including letters from Joan Plowright (D16/5); Michael Redington (D16/6-8, D16/14, D16/16, D16/18-23); Dorothy Tutin (D16/11) and Patricia Routledge (D16/13).

Play, typescript, 1924.

Short story, typescript, c.1928.

Unfinished comedy play, typescript with manuscript revision, 1934.

Short story, two typescripts, one with manuscript revision, 1963.

Play, typescript draft with manuscript revision marked `original', 1980; two typescripts, 1980; correspondence, 1980, including letters to and from Richard Briers (E 20/4-6).

Gwyliwch y Paent by T. Rowland Hughes (Samuel French, 1935) being a translation into Welsh of The Late Christopher Bean, Emlyn Williams's adaptation of Prenez Garde à la Peinture by René Fauchois.

The Master Builder by Henrik Ibsen, typescript versions by Emlyn Williams, 1961.

Love and Punishment by Jean Anouilh, adapted into English by Emlyn Williams, typescript, 1986.

Reviews, correspondence and papers, principally relating to Emlyn Williams's performance as Sir Thomas More in Robert Bolt's play, A Man for all Seasons, together with correspondence relating to the presentation of The Hopkins Medal to Emlyn Williams.