Dangos 282 canlyniad

Treatment for proposed film titled Back There. Author identified only as 'David'.

Screenplay by Emlyn Williams titled Beyond Belief, based on a 1967 book of the same name by Williams, together with a later edited and revised version of the script by Emlyn Williams' son Brook Williams and the film's director Roy Ward Baker, both book and screenplay chronicling the events behind the infamous Moors Murders carried out in and around Manchester by Ian Brady and Myra Hindley between July 1963 and October 1965. Also included are a synopsis of the original events of the Moors Murders; letters from Brook Williams, Roy Ward Baker and producer Andrew Montgomery; critical evaluation of both book and screenplay; biographical details relating to Emlyn Williams, Roy Ward Baker and Andrew Montgomery; and details of expenses relating to the making of the film.

Draft television play script by John Belcher and June Edwards titled All Spit And Polish, together with author covering letter and letter of acknowledgement from Ffilm Cymru.

Draft screenplay by Dennis McKay and Julian Richards titled Bad Company, with covering letter from Julian Richards and letter of acknowledgement from Ffilm Cymru.

Overview/plot synopsis relating to film proposal by Janek Czekaj titled Born Of The Sea, together with author covering letter.

Screenplay by Julian Richards titled Calling All Monsters, adapted from the 1990 children's novel of the same name by Chris Westwood; together with author covering letter and resumé.

Screenplay by Mark Reichert (story by Mark Reichert and John Francis) titled Civvy Street; together with plot synopsis, brief critical evaluation and correspondence.

Proposed treatment for film drama by Paul McNichol and Terry Keefe titled A Continuous Conversation, the narrative based on letters exchanged between Jean-Paul Sartre and Simone de Beauvoir; together with synopsis and brief critical evaluation.

Screenplay by Peter Ransley titled The Cormorant, adapted from the 1986 novel of the same name by Stephen Gregory; together with covering letter.

Annotated draft screenplay and treatment outline by John Francis titled Deep Secrets, together with plot synopsis, critical evaluations and correspondence.

Screenplay by Stephen Cookson titled Immortal Hours, together with detailed plot synopsis and covering letter.

Screenplay by Ron Berglas titled The Life Of Dr William Price; together with covering letter and other correspondence, author resumé and biographical note on and photocopied images of physician and radical thinker Dr William Price, Llantrisant.

Two copies of screenplays by Steve Gough and Nicolaus Mackie titled A Mother In India, based on a story by Sarah Jeanette Duncan; together with correspondence and brief critical evaluation.

Screenplay by Nick Dear titled Rebel Tears, the narrative set against the backdrop of Ireland's 1916 Easter Rising; together with letter of response from Ffilm Cymru.

Film proposal by Lucy Parker titled Shiftwork, together with production team resumés, photocopied press cuttings, covering letters and correspondence from Ffilm Cymru.

Brief overview and critical evaluation regarding film treatment by [?Richard Meyrick] titled Smokescreen, the narrative based on the life of renowned Welsh international drug smuggler Howard Marks, together with letter of response from Ffilm Cymru.

Screenplay by Michael Frayn, with proposed cast list and projected expenses, titled Uncle Vanya, the text translated and adapted by Frayn from the original 1898 play by Anton Chekhov; together with letter of response from Ffilm Cymru.

Television film treatment by Alun Owen titled The Welsh Connection, one of the characters loosely based on renowned drugs baron Howard Marks; together with covering letter and further letter from author and letter of acknowledgement from Ffilm Cymru.

Radio play script by Nicola Davies titled After Eeyore.

Plot synopses for proposed screenplay by David Nokes titled The Count Of Solar, with brief resumé. Some annotation.